Circle of Two

The promise Tatum O'Neal showed as a little girl clearly didn't pan out, as evidenced by this obscure Canadian production about a schoolgirl who has an affair (of the heart) with 60-year old painter Richard Burton. Her delivery is unforgivably flat - she is clearly giving readings, especially in the closing scene - and the production lackluster on every level. Even Burton's performance is much weaker than he is capable of, stiff and stagy, and hardly justifying the attraction this girl a third his age is supposed to feel for him.

The director takes the material seriously and keeps it from degenerating into exploitation (except for momentarily, in a lurid and ridiculous attempted rape sequence)... if only he managed to keep the audience interested. The plot plods and meanders, and the script seems to think it has something to significant to say, but can't decide what. If anyone is for some reason interested in seeing Tatum O'Neal's breasts (curious, considering that she must have been only 16 or 17 when the film was made), this is the place. Otherwise, Circle of Two should be of little interest to anyone.

When I read the back of the video sleeve and realised what Circle Of Two was actually about, I was left rather worried regarding what I was about to watch. A 60 year-old artist falling in love with a 15 year-old girl? The very thought of it made me a bit queasy, a bit nervous. But I couldn't believe for one minute that a dignified actor like Richard Burton would be caught in a film passionately romping around in bed with a teenaged girl. Nor could I believe that a promising young starlet like Tatum O'Neal would stoop to such scenes. Once I got round to watching the film nothing about it was as exploitative, tasteless or controversial as I'd initially feared. It wasn't particularly good either. Just a quiet, forgettable love story about ill-suited lovers.... absorbing enough to sit through but not provocative enough to stick in the memory for long afterwards.

Sarah Norton (Tatum O'Neal) is a bright kid from an affluent family. She occasionally skips school and does "daring" things like sneaking into porn movie screenings at the local adult-movie theatre. She meets a local artist, Ashley St. Clair (Richard Burton), who was once a renowned painter but hasn't painted a stroke in ten years after the critics were unjustly savage towards his work. Somehow, an unlikely affection develops between them which soon blossoms into full-scale love. But Sarah's parents disapprove and take vehement measures to drive a wedge between the mismatched lovers.

The nearest the film comes to over-stepping the mark is a scene in which a naked O'Neal offers herself to Burton in his art studio, upon which he angrily orders her to get dressed. Luckily, Jules Dassin makes the scene quite sensitive and tasteful, directing it as a moment of character development rather than an opportunity for titillation. Throughout the remainder of the film, the controversial issues and themes are dealt with relatively tamely. Burton is pretty good as the artist whose age and experience warn him that to fall in love with the girl - and let her love him in return - is bound to end unhappily. It was probably a hard role to play, but he is honest and convincing in each scene. O'Neal as the teenaged love interest is OK, if a bit wooden with some of her delivery. Michael Wincott (later a scene stealer as Guy of Gisbourne in Robin Hood: Prince Of Thieves) has a small but significant role as O'Neal's outrageously jealous ex-boyfriend. Circle Of Two is a fair story of forbidden passion and unworkable love. It works its way through a series of sad and poignant events to an inevitably forlorn conclusion, weaving a story that is interesting without ever being irresistible. It ain't a classic, but it's not too bad.

This is a wonderful and tender story about a young woman coming of age and within that, finding a deeper love within her soul with a man who just happens to be older. The beauty of this tale is there was never a physical relationship between the two but more importantly, this movie shows and demonstrates if this were a perfect work, how pure and blind love can and maybe should be.

Tatum played this part perfectly as a young teenage girl falling in love with a man, Richard Burton who showed and gave her respect, love, honesty and trust. Richard plays an out of work painter who was on his last leg when this bright light came into his world. This light shined so loudly it overwhelmed him and in doing so, sparked new life into his tired and somewhat forgotten soul. He begins to paint again and thus he is reborn.

I personally enjoyed and love what this movie stands for. If you have ever loved and lost and yet never ever forgotten the truth that was there when you felt such powerful and sincere emotions, then this movie is indeed for you.

This movie belongs right along with such classics as Roman Holiday, A portrait of Jenny and any movie where color and age are timeless.

The relationship between a burnt-out painter of 60 and the schoolgirl who inspires him to start working again. She falls for him, he keeps her at arm's length, but the strain of pubescent desire is too much and she starts to crack. Tatum O'Neal is lovely in this film. She's not a lazy actress, she simply doesn't ham it up like today's teen players. The sequence where she hopes to seduce painter Richard Burton by disrobing in his studio is quite sad (she wants to surprise him, he surprises her by getting angry). The scene with Tatum and Richard hanging out with a group of her school-friends is wonderful (none of the girls judge him or second-guess her) and O'Neal is sweet promising to return to Burton as quickly as she can ("I'll break all speed records!" she tells him). There are no "Lolita" overtones here. Tatum plays a fairly normal teenager who develops a crush on a fascinating man who is much older. Her heart is bound to get broken, and Burton tries his best to steer her through this. It's a simple, no-frills Canadian drama that will appeal to romantics and young women who may have experienced a crush like this along the way. **1/2 from ****

Although the movie itself could have been a bit better in design the message was so very clear. This was a love story between two people old and young. true love is ageless and timeless if it is true. An old almost waisted painter finds new spirit and life again when he meets a very very young girl who believed in him and he soon begins to paint once more. She brought life and light back into his world in doing so she falls in love with the person who gave her kindness, tenderness and treated her with respect and honor. I am very glad that the director did not allow and physical relationship between the two in the movie although the feelings between them were there.

Granted I am a romantic and i loved this movie from the first time I had seen it.