CALIFICACIÓN DE IMDb
5.8/10
2.4 k
TU CALIFICACIÓN
Agrega una trama en tu idiomaThe titular gay couple become involved with local cops and foreign spies when one of them unwittingly obtains a roll of stolen microfilm.The titular gay couple become involved with local cops and foreign spies when one of them unwittingly obtains a roll of stolen microfilm.The titular gay couple become involved with local cops and foreign spies when one of them unwittingly obtains a roll of stolen microfilm.
- Dirección
- Guionistas
- Elenco
- Premios
- 1 nominación en total
Nello Pazzafini
- Mangin
- (as Giovanni Pazzafini)
Opiniones destacadas
I am not purposely skipped the first installment, just by coincidence, I could only found the sequel right now, soothingly enough, the omission itself does not spoil the fun of this French slapstick comedy made more than 30 years ago.
How many times one could laugh out loud watching a gay/transvestite film from beginning till the very end? What's more precious is without being tainted by vulgar gags sand abominable antics (especially immune of sex-relating perversions or individual sex- orientation humiliations).
Plot-wise, although devoid of certain logistics, everything serves up to the middle-age crisis in this gay-relationship, particularly the deterioration of Zaza Napoli's self-confidence (a remarkable performance from the late Michel Serrault), which wisely puts audience into a heartfelt milieu whereas the entire "mini-film case" merely functions as a backdrop, there is no worries about our protagonists' personal security, the only gory murder is underplayed by a poison-dart.
The odd-couple route stews in a series of set pieces which strive on the verge of platitude, yet the acting, literally Michel Serrault, does single-handedly overturns the unfavorable condition, also who could forget Benny Luke's transvestite black servant (who changes his dresses in each scene), whilst in the latter returning-to-Italy part, the contradiction is pure simple but effective, which leavens the situation into a more culturally universal understanding. Enrico Morricone's score also is a big selling-point for the film
Overall, this super-optimistic farce (I suppose it includes the entire series, there are three films in all) could easily outshines among myriads of melodramatic-sentimental gay genre films even they were made several dozens of years ahead.
How many times one could laugh out loud watching a gay/transvestite film from beginning till the very end? What's more precious is without being tainted by vulgar gags sand abominable antics (especially immune of sex-relating perversions or individual sex- orientation humiliations).
Plot-wise, although devoid of certain logistics, everything serves up to the middle-age crisis in this gay-relationship, particularly the deterioration of Zaza Napoli's self-confidence (a remarkable performance from the late Michel Serrault), which wisely puts audience into a heartfelt milieu whereas the entire "mini-film case" merely functions as a backdrop, there is no worries about our protagonists' personal security, the only gory murder is underplayed by a poison-dart.
The odd-couple route stews in a series of set pieces which strive on the verge of platitude, yet the acting, literally Michel Serrault, does single-handedly overturns the unfavorable condition, also who could forget Benny Luke's transvestite black servant (who changes his dresses in each scene), whilst in the latter returning-to-Italy part, the contradiction is pure simple but effective, which leavens the situation into a more culturally universal understanding. Enrico Morricone's score also is a big selling-point for the film
Overall, this super-optimistic farce (I suppose it includes the entire series, there are three films in all) could easily outshines among myriads of melodramatic-sentimental gay genre films even they were made several dozens of years ahead.
"La Cage Aux Folles II" is not as good as the first part. It does score some points for not being a carbon copy of the original: it does try out some new things, like the classic espionage MacGuffin of the microfilm that various secret agencies are after, or a trip to Italy in seek of refuge. Ugo Tognazzi is still the perfect straight man (so to speak....), and Michel Serrault is possibly even better this time - he develops the character further, giving him a touch of melancholy. But the film is too sluggish and sprawling - it definitely feels longer than it is (99 minutes). Still worth seeing but not a "must". **1/2 out of 4.
When this film was released on VHS worldwide, the voices had been dubbed in English; since then, I've only found subtitled in English versions. That said, the dubbed version, for those of us not fluent in French, was absolutely excellent--hats off to the producers of such an entertaining film. We find our "heroes" all embroiled in all kinds of shenanigans, but mainly: they're in trouble with the Mob. Terrifically funny and clever, it backs off the social statement that La Cage I went to great pains to present. Cage II seems to have set social significance aside, for the most part, and then panders to the "funny bone" to get laughs, albeit good ones. Both I and II were (are) trailblazers in the gay movement around the world (well, perhaps not so much in Uganda, Nigeria, or Kenya or in some Mid-Eastern countries, alas). Cage III is something else.
I really laugh when I saw this second episode of La Cage aux Folles. Some say it's too exaggerated, that it's unbelievable. But what about Tootsie, Mrs Doubtfire or Some Like it Hot? It's in the same spirit. It's a comedy and when you forget the plausibility, you can have a LOT of fun! Zaza, the main character is unbelievalbe, a drama queen like there's never been on screen. She pups up from a birthday cake, she has to wear men's cloctes (yes! desesperatly still look like a woman!), she seduces an half-witted Italian peasant, absolutely hilarious! Eveything is great, the images, the costumes, the acting, the action. Not to be missed!
Just when I thought they stopped making good movies sometime in the early seventies! This French film is absolutely priceless, hilarious and touching, full of social commentary and gender-busting chutzpah. Man pretending to be woman pretending to be man!!!!! Gays teaching straights how to walk gay!!! Inspired! Brilliant acting by everyone, especially the leads, fast action, not one boring moment, not at all catering to the average. I haven't seen the other two films. I can't wait to see them. This masterpiece is every bit as good as "The Odd Couple".
¿Sabías que…?
- TriviaRenato's son - Laurent, whom had a prominent role in the first part, is only briefly mentioned and not featured at all.
- ErroresAlbin's mysterious voyeur gets shot in the neck, from the balcony that's placed closely beneath him, whilst Albin himself upholds a straight face-to-face contact with him the whole time and somehow, still remains oblivious to the fact shortly after it happened.
Selecciones populares
Inicia sesión para calificar y agrega a la lista de videos para obtener recomendaciones personalizadas
- How long is La Cage aux Folles II?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Idioma
- También se conoce como
- La Cage aux Folles II
- Locaciones de filmación
- Via Marcello Malpighi 9, Roma, Lacio, Italia(Hotel Des Lys)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total en EE. UU. y Canadá
- USD 6,950,125
- Total a nivel mundial
- USD 6,950,125
- Tiempo de ejecución
- 1h 41min(101 min)
- Mezcla de sonido
- Relación de aspecto
- 1.66 : 1
Contribuir a esta página
Sugiere una edición o agrega el contenido que falta