Los locos del golf

The film has some great moments and is possibly one of the most ad-libbed pictures of all time. Chevy Chase, in one of his first film roles, gives us a taste of his great comic turn in 'Fletch'(1985) with the off-beat portrayal of club pro Tye Webb. Chase is really untouchable when it comes to playing funny-straight characters. Bill Murray is hilarious as grounds keeper Carl Spackler. Murray has improvised just about all of his dialogue and it really is superb. His 'Cinderella Story' scene, followed by caddying for the Bishop in the thunder storm is one of the funniest things i've seen on screen.

Rodney Dangerfield is somewhat hit and miss. All of his dialogue is quick fire one-liners so the chances are that when he does crack a funny joke you'll be so busy laughing that you'll miss the next one. The funniest one in my book is his retort to caddy Tony D'Annunzio: 'Hey kid, when are you due back in boy's town?' For me Ted Knight steals the picture as Judge Smails. He is such an energetic over the top character. His constant put downs of grandson Spallding , 'You'll get nothing and like it!', and random acts of frustrated violence supplied constant entertainment.

The question is...why didn't the film just focus completely on these guys? Instead it kept on harping back to Danny Noonan. Michael O'Keefe is a fine actor but he was always going to struggle in a comedy which featured the above cast members and characters. Another handicap is that in a comedy he gets few comedic lines. His character's relationship with his girlfriend Maggie, played inexplicably with a terrible Irish accent, and with his own family are highly under developed. Cindy Morgan is also given an extremely under written character who's motives are never explained and who randomly comes in and out of the film. Harold Ramis's direction is at times sloppy and echoes his then inexperience. He did go on to do 'Groundhog Day'(1993) though so he obviously learned his lessons.

To sum up this is a good film to get you in the mood for the summer. Lots of beautiful weather covering some splendid golf course scenery. There are plenty of likable characters and some very funny set pieces. Its also interesting to see the launch pad for some of the 80s biggest comedic stars. But be warned if you don't like Chase, Murray or Dangerfield then don't waste your time on this. Along with Knight, the film really is their show. For further evidence to support the final sentence just look at the poster.

`National Lampoon's Animal House' may have been one of the first comedies to evolve from the `Saturday Night Live' generation, but it could be argued that `Caddyshack,' directed by Harold Ramis-- and which features two SNL alumni, Chevy Chase and Bill Murray-- actually spawned the entire `SNL genre,' of films, because this is the one that seemed to lock in that formulaic irreverence toward all things, of which they are so indicative. The story here revolves around a young man named Danny Noonan (Michael O'Keefe), a caddy at the upscale Bushwood Country Club, who is bucking for a caddy scholarship to get him into college. Danny figures that the best shot he has at it is to volunteer for the assignment none of the other caddies want-- to caddy for the up-tight Judge Smails (Ted Knight), one of the executive directors of Bushwood, and `kiss up' a bit. Smails responds by letting Danny mow his lawn and attend a christening ceremony for his new yacht. But Danny is not one to be deterred, even when the good Judge tells him `The world needs ditch diggers, too.' He just goes on, keeping his eyes and his options open.

And it isn't long before Danny gets involved with Ty Webb (Chase), an independently wealthy goof-ball with a Zen/Chaplin philosophy of life, whose father was one of Judge Smails' partners in Bushwood. So Danny takes some advice from Ty while caddying for him; advice which just may ultimately have an effect on whether or not he gets his scholarship. Or maybe not. Words of wisdom like `Be the Ball,' and `A donut with no hole is a danish,' may not be what he needs to put him on the fast track to success. But then again, you never know; it's that kind of movie. And there's no getting around it, this is funny stuff.

The humor in this movie runs the gamut from broad to subtle, with at least two sight gags thrown in that identify it as belonging to the genre it helped create. At the time of it's theatrical release, in 1980, it was fairly on the cutting edge of comedy; by today's standards, though, it doesn't seem nearly as irreverent, especially given the digressive trend in the genre lately, which has spewed forth such fare as `Freddy Got Fingered,' and `Road Trip.' Then again, this one had Harold Ramis behind the camera, and Ramis has an acute sense of comedic timing, he knows what works, and he made the most of the basic screenplay (by Ramis, Brian Doyle-Murray and Douglas Kenney) and the terrific cast of comedians with which he had to work, all of whom fit so well into the pattern and fabric of this particular picture.

Rarely does a comedy (or any film for that matter) have so many actors who fit their characters so perfectly as in this film, beginning with Chevy Chase, who embodies the slightly skewed and off-center Ty Webb so well it's almost frightening. Webb is a guy who veritably floats through life in a perpetual Zen-like state of distraction, and it makes you realize that there probably really are characters like this walking around in the real world. But if the existence of a Ty Webb type is only highly probable, there's no doubt whatsoever about the fact that there are guys like Al Czervik amongst us.

Rodney Dangerfield plays Czervik, the obnoxious, fun-loving, high-rolling land developer with a specially made golf club and an eye on Bushwood. In Czervik, Dangerfield creates a character who is outrageous, droll, lacks any taste whatsoever, and is entirely hilarious. It is, without question, the best character and performance of Dangerfield's cinematic career, and -- like Chase-- it's almost scary the way he fits into the character so naturally and completely.

The real heart of this movie, however, is Bill Murray, who turns in what just may be the definitive Murray performance with his character, Carl Spackler, the Assistant Greenskeeper at Bushwood. Murray brings Carl, the socially and intellectually challenged man-with-a-plan, to life with subtle nuance and a flare of comedic genius. A lot of what he did in this film was improvised, including much of his two most memorable and hilarious scenes, one in which he's describing his encounter with the Dalai Lama, and the other being his soliloquy of the `Cinderella Boy' on the course at Atlanta. This is truly inspired, funny stuff, and it proves what can be done without resorting to banal vulgarity or crudeness (not that this film is entirely devoid of it, but at least it's tempered here somewhat-- not so overt and in-your-face like you'll often find in some of the more recent offerings of the genre). And there's a harmless shiftiness about Carl, who is about as deep as a pan pizza, and Murray plays it all beautifully.

O'Keefe gives a solid performance, as well, but he's basically the straight man here, the set-up guy for one funny situation after another. And he does it quite nicely.

Also giving memorable performances are Ted Knight, as the rigid, conservative Judge, and Brian Doyle-Murray as Lou Loomis, who oversees the caddies at Bushwood.

The supporting cast includes Sarah Holcomb (Maggie), Scott Colomby (Tony), Cindy Morgan (Lacey Underall), Dan Resin (Dr. Beeper), Henry Wilcoxon (The Bishop), Albert Salmi (Mr. Noonan), John F. Barmon Jr. (Spaulding Smails) and Lois Kibbee (Mrs. Smails). With this film, Ramis and company honed the formula for comedy that incorporated pop culture and contemporary sensibilities into it like never before. And `Caddyshack' is an example of it in it's purest form; you'll have to look long and hard to find anything out of this same mold today that can come close to the prototype. It's one of those movies that gets even better with age-- and funnier, too. It's the magic of the movies. I rate this one 10/10.

A big hit in its day, 'Caddyshack' was set in a more salubrious venue than your usual low comedy; being set among the country club set with a cast ranging from De Mille veteran Henry Wilcoxon to a cute young actress soon to swallowed up by television by the name of Cindy Morgan.

Cutest by far, however, was a cheeky little fellow with staring eyes and buck teeth listed in the credits as 'Chuck Rodent', who literally popped up throughout the story to provide a foil to Bill Murray as his would be nemesis as a spaced out groundsman "licensed to kill gophers by the government of the United Nations. A man free to kill gophers at will!"

Following the success of "National Lampoon's Animal House" a couple of years earlier Harold Ramis and Doug Kenney struck comedy gold a second time with this classic that once again pitted the slobs against the snobs.

The cast is dynamite. Chevy Chase was at the top of his game as zen golfer Ty Webb, Bill Murray was equally memorable as demented assistant greens-keeper Carl Spackler, the one and only Rodney Dangerfield basically played himself with predictably hilarious results and rounding it out was Ted Knight, who effortlessly oozed smarm.

The storyline is rambling but that doesn't matter much. It's the jokes and the interplay between the actors that fuels the movie. It was no surprise to learn that there was a lot of improvisation going on on the set. The sole scene shared by Chevy Chase & Bill Murray is sheer genius through and through. Still, a more coherent story would have benefited the film.

There is one thing I'm not crazy about, though, and that is the music. 'Songs by Kenny Loggins' doesn't have the same ring today as it did about thirty years ago. That being said, "I'm Alright" isn't bad. I do wish, however, that the filmmakers had gotten Elmer Bernstein to handle the music like he did for "Animal House".

In the end, I give the all-around edge to the precursor, "Animal House", but this one is a worthy successor. Too bad Doug Kenney didn't live to see the end of the year or we might have seen more comedies of this caliber during the '80s.

Yes, this one does hold up, perhaps because the action centers on the almost surreal (for a comedy) subject of golf, a topic that had not perhaps been so successfully spoofed since Eddie Cantor starred in "Kid Boots" (am I getting that one right?).

In the comedy contest between Murray, Chase, and Dangerfield, let me just say that Chase does not win. Dangerfield is at his best, delivering his classic lines ("this meat's so tough you can see where the jockey was riding it") with ultimate panache and actually playing his crazy character (reminiscent of Peter Sellars in "The Party") to the hilt. Murray is really the show-stopper, though, muttering his lines to give them emphasis (?) and racing around the course with what appears to be real mania.

A lot of the jokes fall flat, but when this movie is on, it's so on, that you can't help but call it a classic.