El espejo asesino: el hechizo del diablo

The Boogeyman (1980)

*** (out of 4)

As a child, Willy killed his mother's lover and all of it was reflected in a mirror and witnessed by his sister Lacey. Now, as adults, Lacey (Suzanna Love) begins to struggle so her husband recommend she go see a doctor (John Carradine). The doctor recommends she return to her childhood home and when she does she sees that mirror and breaks it. Soon a possession and murders follow.

Ulli Lommel's THE BOOGEYMAN is a rather effective horror film that I've always felt deserved to have a much better reputation. People have said it borrowed from HALLOWEEN and various possession films and perhaps it did but at the same time it has such a unique and weird atmosphere that you can't help get drawn into its story and the characters. THE BOOGEYMAN certainly deserves to be better remembered as it is quite effective.

The film shows what a talented director can do whenever he doesn't have too much money. The film has a terrific atmosphere that comes from the director's sense of style and especially the camera work. Just check out the sequence when Lacey is looking around the old house and the camera just basically floats around her making it seems as if someone is there waiting for her. The ending is also quite effective with the director using various color tints to build up a strong atmosphere.

The entire film really has a raw and creepy feel to it and all the credit must go to Lommel. The performances are a mixed bag but I think Love, while not the greatest actress, at least manages to keep us caught up in the story. You've also got John Carradine who shows up for a couple scenes, which means he was probably on the set for a day or two at most. The special effects are quite effective and especially the now somewhat notorious scissor death.

THE BOOGEYMAN has probably had its reputation lowered due to a couple really awful sequels, which is too bad because this is a rather effective movie.

surprising because Ulli Lommel was involved in writing directing and producing this thing.i didn't realise Lommel was behind it until i got it home.by then figured what the hey.i mean how bad could it be,right.after all,i managed to see at least some of Lommel's other travesties,B.T.K and Black Dalia.those were putrid.The Boogeyman however,is not.it has interesting story,some decent performances,and some unusual music/sound effects.it is readily apparent a low budget production,but i could watch it all,without having to pause to vomit,so that's something.no classic by any means,but still...for me The Boogeyman is a 5/10

Young Lacey (Natasha Schiano) is forced to watch as her brother Willy (Jay Wright) stabs their mothers' lover to death with a big, sharp kitchen knife. Also witness to the killing is a bedroom mirror. 20 years later, the now-grown-up Lacey (Suzanna Love) and Willy (Nicholas Love, Suzanna's real-life brother) are living with an aunt & uncle on their farm. Willy, although mute, seems to be dealing with this dark past better than her; in desperation, her husband Jake (Ron James) tries to make her face her fears, but he only makes things worse. Now, Lacey is afraid that the lovers' vengeful spirit has been released from the mirror and is out for blood.

Overall, the script (by producer & director Ulli Lommel, Suzanna Love (his real-life wife at the time), and David Herschel is pretty slight, and sloppy. But Lommel, who had a background in art films, still creates a funky and amusing supernatural slasher that plays like a mash-up of "The Exorcist" and "Halloween". (Not for nothing is the fact that the farmhouse is very "Amityville"-esque.) The pacing is actually pretty good, and the film is over before the viewer knows it. Once the story really kicks into gear, "The Boogey Man" is quite fun, and colourful, with some very enjoyable splatter effects (and a sense of humour). Eventually, it can't help but get rather cheesy, but the finale is a genuine hoot regardless.

The gorgeous Suzanna acts her little heart out in the lead. The supporting cast is variable; most of these no-names are obvious amateurs. Token "name" cast member John Carradine, one of those old-time veterans who said "yes" to a lot of scripts in order to keep earning a living, is kind of wasted as a psychiatrist. Nicholas L. does an okay job as the unsmiling sibling.

One point of interest is the sometimes offbeat and sometimes catchy electronic soundtrack composed by Tim Krog. It's very reminiscent, at times, of the legendary "Tubular Bells".

Lightly amusing horror fare, with some entertaining special effects. It was followed three years later by "Boogeyman II".

Seven out of 10.

This is a fairly suspenseful and horrifying story with simple special effects. It starts when through the reflection in a mirror, a little girl witnesses her brother kills their mother's lover . The weird mirror is possessed by strange spirit. Several years later, one time grown-up, this records still haunt her. She(Suzanne Love, director wife who starred many his films) is assisted by therapist Dr. Warren(John Carradine). Then, the mirror is now broken revealing again its ominous powers. Caught in a series of otherwordly events, she becomes inextricably involved in creepy murders .

This spooky movie packs terror, tight pacing, bone-chilling scenes, tension, grisly killings and numerous images have you on the edge of your seat.It's a very average little horror movie and has some cool death scenes. The film emphasizes the bloody, cruel and disgustful killings. The script stretches plausibility to the breakpoint point for a massacre final. Frightening musical score imitating partially to Mike Oldfield's Tubular bells from 'The exorcist'. It's followed by 'Boogeyman 2' continuing the plot, similar footage and new director; Ulli Lommel acted and co-written this follow-up. Furthermore recent version, very different to original : 'Boogeyman, 2005' by Stephen T. Kay with Barry Watson and Emily Deschanel and 'Boogeyman 2,' by Jeff Betancourt with Rene O'Connor and Tobin Bell.

The film is middling directed by Ulli Lommel, he's a German born actor and director with a long career in both US and Europe and known by his collaboration with Rainer W. Fassbinder and Andy Warhol(who produced him two movies : Blank generation and Cocaine cowboys). In 1988 he changed to Hollywood and directed 'Boogey man', that became in Box office success, grossing millions of dollars worldwide. Later , made 'Olivia, Brainwaves, Devonsville terror' and several movies with little budget, such as 'Black Dahlia and curse of the Zodiac', among them.

After a flashback opening, complete with child abuse and brutal murder (in blatant HALLOWEEN fashion), THE BOOGEY MAN shifts to 20 years later. Willy (Nicholas Love) and his sister, Lacey (Suzanna Love) are now adults. Willy is unable to speak, but Lacey seems just fine. Having left their ordeal behind them, they live a seemingly idyllic life on their uncle's farm.

However, Lacey suffers from nightmares, causing her husband to take her back to her childhood home to face her fears. This isn't a good idea. A supernatural event takes place involving an old mirror. The creep factor skyrockets from this point, as a great eeevil is unleashed to cause death and destruction! A priest is called in, and the paranormal $h!t hits the fan!

Made almost entirely of grade-A cheeeze-corn, TBM is still very enjoyable, in spite of sub-par acting, dreadful dialogue, and a laughable plot. Several "scary" scenes evoke more giggles than chills. To be fair, it does have a semi-macabre atmosphere, and the story is original.

Co-stars John Carradine in an extended cameo role as Dr. What's-his-name...