CALIFICACIÓN DE IMDb
6.1/10
970
TU CALIFICACIÓN
Una comedia romántica que explora las presiones sobre los agentes de policía.Una comedia romántica que explora las presiones sobre los agentes de policía.Una comedia romántica que explora las presiones sobre los agentes de policía.
- Premios
- 1 premio ganado en total
Opiniones destacadas
This drama/comedy from Joseph Wambaugh, about cops in crisis, is all over the place. At its best, as in the scenes where detective Valnikov confesses his PTSD to his partner, Zimmerman, or relates his experiences with his cynical, dystopian ex partner, it resembles a good episode of the great 70s, TV series, "Police Story", which Wambaugh created. At its worst, as in the scenes with the bumbling captain and his assistant, it's like a not so good episode of "Barney Miller". And the stuff with Harry Dean Stanton as a sleazy vet pursued by loan sharks is another movie altogether so that this film has the general, awkward feel of two worlds, Bukowski, say, and Wambaugh, constantly bumping into each other. Maybe there was a way to combine these two very different parts into one seamless whole but, if so, it eluded director Harold Becker. You stick with it because Robert Foxworth, Paula Prentiss and Stanton are skilled actors and all do good work here, especially Prentiss whose ability to navigate both comedy and drama, often in the same scene, is admirable and reminds me that she had a dismayingly all too brief career, (basically quitting acting in her fifties). Also noteworthy is Owen Roizman's cinematography that brings early 80s LA, especially the parts bordering the Hollywood Freeway, alive for me. Give it a C plus.
PS...Both Foxworth and Prentiss attended Lamar High in Houston at roughly the same time. Ah, Google!
PS...Both Foxworth and Prentiss attended Lamar High in Houston at roughly the same time. Ah, Google!
It's hard to figure out what went wrong with this adaptation of Joseph Wambaugh's fine romantic comedy/cop drama. Wambaugh himself wrote the script from his novel. Harold Becker, who previously directed another Wambaugh book, "The Onion Field," is back at the helm. The cast, including leads Robert Foxworth and Paula Prentiss (not to mention the outstanding Harry Dean Stanton)are all very good. But for some reason, the movie seems muted and unexciting, missing much of the book's humor and attention to detail. Not a terrible film, but definitely a case where the book was better.
I read the book (©1978) about two weeks ago, rated it 8/10, discovered there was a movie version (©1980), watched the movie last night while "Irene" was storming our neighborhood. The book was slow to start and a bit difficult to get into. But, once the author "set the hook", I couldn't stop reading. What a superb composition. But then comes the movie... Hollywood did an outstanding job moving the book to film. The last time I enjoyed a book/film combination as much as this was for "Get Shorty". Well done Wambaugh! Thanks much.
The character development within the film is excellent with plenty of concentration on the major & minor players... one reason the movie is as long as it is. Some may complain, but one can't really appreciate how well this development supports the overall thrust of the movie without reading the book or watching the movie a second time.
The character development within the film is excellent with plenty of concentration on the major & minor players... one reason the movie is as long as it is. Some may complain, but one can't really appreciate how well this development supports the overall thrust of the movie without reading the book or watching the movie a second time.
This movie has all the signs of a film that sat on the shelf for a while. When The Onion Field came out, this made Wambaugh (and James Woods) hot again, and they decided to release it -- that's my guess. Look at Woods, in the pre-stardom, almost extra role of the Fiddler.
The reason is simple. Robert Foxworth stinks it out. He delivers such a soft center in the role, the proceedings are even difficult to understand.
The other problem is that the dialogue is long long, pointless and drawn out. The action crawls along a foot a minute while the characters make small talk.
Paula Prentiss is fine, as is Harry Dean Stanton. But sometimes movies don't always jell, and this one sure doesn't either.
The reason is simple. Robert Foxworth stinks it out. He delivers such a soft center in the role, the proceedings are even difficult to understand.
The other problem is that the dialogue is long long, pointless and drawn out. The action crawls along a foot a minute while the characters make small talk.
Paula Prentiss is fine, as is Harry Dean Stanton. But sometimes movies don't always jell, and this one sure doesn't either.
I have this movie on VHS and haven't watched it in quite awhile, but I wanted to leave a quick comment. I found this movie to be quite funny and to be appreciated for the great performances by Robert Foxworth, Paula Prentiss and Harry Dean Stanton. It's a quirky movie to be sure but full of small moments of laughter and sadness. It has just the right pace although some might find it a little slow at moments. If you enjoy a movie that relies on good acting and not special effects, this could be just the movie for scrunching up on the sofa with a bowl of popcorn and relaxing. Also the surprise appearance by a young James Woods supplies just the right amount of comic relief....Enjoy!
¿Sabías que…?
- TriviaJoseph Wambaugh won the 1981 Edgar Award for Best Motion Picture from the Mystery Writers of America for his screenplay for Llámame Natacha (1980).
- ErroresWhen Philo is talking to Mavis after she dismisses Pattie Mae, he is holding a cigarette in his right hand down by his side. In the next shot he is holding it up by his chest. Also, the dog being groomed is suddenly out of its harness.
- Citas
Philo Skinner: Don't tell me what's possible, you bitch! I warned you, I'm gonna start cutting on your Vicky, do you hear me, woman?
- ConexionesFeatured in Sneak Previews: Take 2: Going to the Movies (1980)
- Bandas sonorasOchi chyornye
(Dark Eyes)
Written by Florian Hermann and Adalgiso Ferraris
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Detalles
Taquilla
- Presupuesto
- USD 3,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 2,500,000
- Total a nivel mundial
- USD 2,500,000
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