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4.7/10
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Agrega una trama en tu idiomaNuns become possessed by the Devil and lust after the abbot!Nuns become possessed by the Devil and lust after the abbot!Nuns become possessed by the Devil and lust after the abbot!
- Dirección
- Guionistas
- Elenco
Susanna Forgione
- Sister Rosaria
- (as Susan Forget)
Franco Garofalo
- Boris
- (as Frank Garfeeld)
Ornella Picozzi
- Catatonic Nun
- (as Sandy Samuel)
Andrea Aureli
- Father Inardo
- (as Andrew Ray)
Adriana Bruno
- Nun
- (sin créditos)
Dolores Calò
- Nun
- (sin créditos)
Tom Felleghy
- The Bishop
- (sin créditos)
Valentina Fragasso
- Newborn Elisa
- (sin créditos)
Alba Maiolini
- Sister Fiorenza
- (sin créditos)
Simone Mattioli
- Priest
- (sin créditos)
Pupita Lea Scuderoni
- Nun
- (sin créditos)
Opiniones destacadas
THE OTHER HELL (1980) *** Franca Stoppi, Carlo De Mejo. In this Bruno Mattei film, a young priest (De Mejo), is sent to a convent to investigate a series of bizarre and brutal murders. The nuns think Satan is to blame; the priest thinks the murders are the work of a psychopath. The truth turns out to be something in between. Stylish direction by Mattei, a stunning performance by Stoppi (who was even more brilliant in Joe D'Amato's Beyond the Darkness), and a pulse-pounding score by Goblin combine to make this a solid offering. Recommended.
From its dark opening in a catacomb filled with stacked bones and skulls, to the gruesome autopsy in the lab -complete with bubbling green chemicals!- it's apparent that THE OTHER HELL is one of the more ghoulish of the nun exploitation films.
Indeed, the devil is loose in the convent, causing madness and bloody murder to reign.
Director Bruno Mattei fills his movie with gore and macabre trappings bathed in red and green light. If Bava or Argento had made this sort of movie, it would probably look a lot like this.
Far more serious and grim than most such epics, this movie plays up the horror aspects as much as the exploitative. Dreadful images and set pieces help to conjure up a bleak atmosphere of doom. Yes, nuns do go wild, but in a demonic frenzy, as opposed to the usual lustful abandon.
Religious symbols are used to great effect, adding the perfect backdrop for the satanic assault. Animals are also employed, along with hideous imagery. Watch for the cat, the owl, the bat, and the faceless nun. Never has a nunnery been more terrifying!
To be fair, this movie has its share of clunky moments, but it still works as one of the best examples of its sub-genre.
A wickedly good time...
Indeed, the devil is loose in the convent, causing madness and bloody murder to reign.
Director Bruno Mattei fills his movie with gore and macabre trappings bathed in red and green light. If Bava or Argento had made this sort of movie, it would probably look a lot like this.
Far more serious and grim than most such epics, this movie plays up the horror aspects as much as the exploitative. Dreadful images and set pieces help to conjure up a bleak atmosphere of doom. Yes, nuns do go wild, but in a demonic frenzy, as opposed to the usual lustful abandon.
Religious symbols are used to great effect, adding the perfect backdrop for the satanic assault. Animals are also employed, along with hideous imagery. Watch for the cat, the owl, the bat, and the faceless nun. Never has a nunnery been more terrifying!
To be fair, this movie has its share of clunky moments, but it still works as one of the best examples of its sub-genre.
A wickedly good time...
A priest is sent to investigate an outbreak of apparent demonic possession at convent.There is certainly something dark and sinister at work there,but is it really Satan or maybe has it something to do with the Mother Superior's gloomy secrets?"The Other Hell" by Bruno Mattei is an atypical Italian nunsploitation flick.There is absolutely no sex or nudity,still there is a little bit of gore.The film offers some rather tasteless moments like genital mutilation or blood-vomiting nuns.The acting is terrible and the dialogue is stupid,but the film is fast-paced and surprisingly entertaining.So if you like Italian horror films give this one a look.My rating:7 out of 10 and that's being very generous.
This Italian nunsploitation epic has been referred to be a plethora of adjectives, including sleazy, low-grade, and stupid. Perhaps these descriptions fit, but there is definitely some fun to be had for the initiated.
Weird, seemingly supernatural events plague a convent, and priest Carlo De Mejo tries to figure it all out. The perverse proceedings start off interestingly, with a nutty nun carving out the uterus of one of her sisters, ranting maniacally about how "the genitals are the doorway to EVIL!" (The first, but thankfully not last, instance of hilarious "shock" dialogue.) This is a Big Moment; the movie contains a number of Big Moments strung together by indifferent, uneventful stretches in which people argue, a creepy gardener lurks about, etc. Often possessing little regard for style or visual creativity, the film ping-pongs between effectiveness and boredom; the high points are memorably bizarre and demented, while the lows will make you seriously consider a nap.
The makeup effects range from good (a nun breaking out with stigmata) to atrocious (burn scars resembling plastic vomit). The photography is overly dark and burdened even further with bad color (everything is given a sickly yellow cast, as if they forgot to clean the camera lens). De Mejo isn't very interesting, but Franca Stoppi is marvelously over the top as bitchy Mother Vincenzia. Along the course of the story, elements from a number of more successful films--Carrie, The Exorcist, Rosemary's Baby, Suspiria--are lifted and tossed into the cauldron. On the subject of Suspiria, the one truly high-quality aspect of The Other Hell is Goblin's pounding electronic score.
Indeed, this movie is not going to win any prizes, but trashfiends will probably get a kick out of it despite the flaws. If you find naughty nun sinema to be your garbage of choice, this may be the dumpster for you.
Weird, seemingly supernatural events plague a convent, and priest Carlo De Mejo tries to figure it all out. The perverse proceedings start off interestingly, with a nutty nun carving out the uterus of one of her sisters, ranting maniacally about how "the genitals are the doorway to EVIL!" (The first, but thankfully not last, instance of hilarious "shock" dialogue.) This is a Big Moment; the movie contains a number of Big Moments strung together by indifferent, uneventful stretches in which people argue, a creepy gardener lurks about, etc. Often possessing little regard for style or visual creativity, the film ping-pongs between effectiveness and boredom; the high points are memorably bizarre and demented, while the lows will make you seriously consider a nap.
The makeup effects range from good (a nun breaking out with stigmata) to atrocious (burn scars resembling plastic vomit). The photography is overly dark and burdened even further with bad color (everything is given a sickly yellow cast, as if they forgot to clean the camera lens). De Mejo isn't very interesting, but Franca Stoppi is marvelously over the top as bitchy Mother Vincenzia. Along the course of the story, elements from a number of more successful films--Carrie, The Exorcist, Rosemary's Baby, Suspiria--are lifted and tossed into the cauldron. On the subject of Suspiria, the one truly high-quality aspect of The Other Hell is Goblin's pounding electronic score.
Indeed, this movie is not going to win any prizes, but trashfiends will probably get a kick out of it despite the flaws. If you find naughty nun sinema to be your garbage of choice, this may be the dumpster for you.
A priest is sent to a convent to investigate the sheer lunacy of a bunch of nun's gone nuts performing acts of lust and depravity. But the closer he looks into the situation the more supernatural it becomes. Does the devil roam the halls terrorizing the nuns or is it something a bit more sinister.
I'll get Mattei credit; he tries to inject a little something more in your average, ordinary (nunsploitation storyline (if there is such a thing). It's not entirely successful in that regard but never-the-less he manages to pull off this entertaining but a little slow and the bit of a Stephen King twist to the ending helps it out.
I'll get Mattei credit; he tries to inject a little something more in your average, ordinary (nunsploitation storyline (if there is such a thing). It's not entirely successful in that regard but never-the-less he manages to pull off this entertaining but a little slow and the bit of a Stephen King twist to the ending helps it out.
¿Sabías que…?
- TriviaAccording to director Bruno Mattei, the convent the movie was shot in (the "Convento di Santa Priscilla" in Rome) was back then owned by FIAT, but belongs now to the Secret Service.
- Citas
Mother Vincenza: The genitals are the door to evil! The vagina, the uterus, the womb; the labyrinth that leads to hell; the devil's tools!
- Versiones alternativasUK cinema and video versions were cut by 19 secs by the BBFC to edit a scene of a woman removing a dead nun's genitals and a closeup of a knife being twisted into a stab wound.
- ConexionesFeatured in The Omega Woman (2017)
- Bandas sonorasDottor Frankenstein
Written by Massimo Morante (as Morante), Claudio Simonetti (as Simonetti), Fabio Pignatelli (as Pignatelli), Maurizio Guarini (as Guarini)
Based on LP "Roller"
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- How long is The Other Hell?Con tecnología de Alexa
Detalles
- Tiempo de ejecución1 hora 28 minutos
- Mezcla de sonido
- Relación de aspecto
- 1.66 : 1
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