Alligator: terror bajo la ciudad

John Sayles brings as another memorable horror effort that mixes horror and comedy rather effectively. Giant alligator is flushed down the toilet as a baby and grows to giant size in the sewers of Chicago. Not finding much food down in the sewer, gator brings his act to the street and begins to make lunch meat of the city's population. Violent flick has a killer pace and never has a dull moment. Beware of the awful sequel though. Rated R.

The best Corman monster flick Roger never made.

This great B-movie unspools like a Sergio Leone revenge tale. Big mean Daddy flushes daughter's baby gator, Ramon, down the toilet. Sixteen years later, Ramon has grown up to be a 36-foot mutated maneater stalking the mean sewers of the Windy City. Daughter has grown up to become a 5'-4" herpetologist for the Chicago Zoo. You can just hear the haunting whistle of an Ennio Morricone soundtrack as the showdown looms.

This monster flick's pedigree is a purebred B, written by Corman alumnus John Sayles (fresh from 1978's 'Piranha', on his way to 1981's 'The Howling') and directed by veteran Lewis Teague, who cut his directing and editing teeth on such Corman classics as 'The Lady In Red', 'Cockfighter', 'Crazy Mama', and the immortal 'Death Race 2000'.

Casting for 'Alligator' was made in Cult Heaven, with Tarantino-fave Robert Forster as the bad-luck cop who gets between the girl and her gator. Future 'Stepmonster' Robin Riker makes her movie debut as the reptile expert. '50s sci-fi veteran Dean Jagger (looking, swear-to-God, like the dancing octogenarian in the Six Flags commercials) plays the dastardly industrialist who kills puppies and inadvertently creates the monster. Henry Silva seems to have fun skewering his cinema psycho persona. Even Hollywood tough-guy Mike Mazurki makes a cameo as the villain's gatekeeper.

Injokes abound, with winks and nudges to infamous sewer rats Harry Lime and Ed Norton. Romantic foreplay includes heartfelt talks about male pattern baldness. The gator seems to have a Jones for men in blue. And Chicago can only be saved by the time-honored, foolproof solution of trapping oneself in an enclosed space with the monster and a timebomb.

After 24 years, we rabid fans are still waiting for the obvious sewer creature clash, 'Ramon vs. C.H.U.D.' Keep dreaming ...

Alligator is one of those films that people will either love or hate. I doubt it was supposed to be very 'A-grade' when it was released back in 1980. Now, well over thirty years old, I was hesitant to see how well it's stood up to the test of time.

I was pleased to say the answer is: pretty well.

If you can excuse the seventies haircuts (in an eighties movie!) then you'll find quite a tight little monster-munching movie. Lake Placid may have better effects, but Alligator still has its own special charm - think 'Jaws,' but with an alligator instead of a shark (oh, and in Chicago, rather than the sea, obviously).

Basically, what little plot there is revolves around a little girl having her per alligator flushed down the toilet when it was still young. Once in the sewers, over a period of twelve years, it mutates, getting much, much bigger and basically comes back for revenge. Yes, revenge. It seems to have a natural instinct as to whose fault it was, but, hey, just suspend your disbelief and enjoy it.

Alligator is played out on that fine line between 'tongue in cheek' and 'straight.' It has a foot in both camps and somehow it manages to pull both off.

If you're a fan of general animatronics monsters eating man, woman and child (yes, child - you wait and see!) then give Alligator a go. It's just a shame that with a solid movie like this, the alligator himself didn't move on to better things. He was certainly the star and I was hoping to find him in a nice indie flick or even a romantic comedy. Well... maybe.

I wasn't expecting much of a movie when I sat down to watch this one. I was very pleasantly surprised. With a script by John Sayles, committed performances by leads Robert Forster and Robin Riker, and a happy company of interesting performers, including Michael Gazzo, Dean Jagger, Henry Silva, Sue Lyon, and Mike Mazurki, it wasn't just a cheap JAWS rip-off about trying to stop an alligator flushed down the toilet eighteen years earlier, grown huge on medical wastes and dogs, but something of a screwball comedy, with dialogue at once witty and natural.

It also has an emotional journey. When we first meet police detective Forster, he's depressed because he had lost a partner in a shootout, and his hairline is receding. By the end, he has accomplished his goal, and if his hairline is going, Miss Riker content to be with him.

John Sayles seems to have used his fee from writing this to fund his directorial debut, THE RETURN OF THE SECAUCUS SEVEN. That's a win-win, so far as I am concerned.

It's the age-old story of growth hormones fed to lab animals that are dumped in the sewer system. Said animals make tempting snacks for Ramone. Who is Ramone, you ask? Why, he's the pet alligator that got flushed down the toilet. Now, after years of feasting on his favorite treats, Ramone is about to make his big, sidewalk-breaking debut.

Robert Forster is a cop who learns of the gator's existence and must convince his superiors to take action. In the meantime, maw-fuls of victims are devoured, including comedian Jack Carter as the idiot mayor, and Henry Silva as an over-confident hunter!

Director Lewis Teague brings the extra-large reptile to life with bone-crunching results. ALLIGATOR is a fantastic "nature's revenge" / monster movie!...