El maestro borrachón

This for me is Jackie Chan's finest, and is the film which propelled him to super stardom in Hong Kong. Whilst other martial artists were trying to be the new Bruce Lee, Jackie did something different. Why replace the irreplaceable when you could do something completely different? What Jackie did was introduce slapstick into the Kung Fu formula, the rest as they say is history.

Jackie stars as Freddy Wong aka (Fong Sai Yuk) depending upon which dub you watch. A juvenile delinquent with a penchant for feeling up immediate female members of his family. His father, fed up of his delinquency hires Sam Seed aka The Drunken Master to teach him some discipline as well as his secret fighting style. Naturally the two get off on the wrong foot but learn to respect each other as the film goes on whilst of course getting into the obligatory scrapes and japes. There is of course a villain of the piece in this case its the Tae Kwan Do master Hwang Jan Lee as the underworld assassin "Thunderfoot" who in real life was just as badass as he is in the film.

So it's all pretty derivative then? Well yes and no. There is a genuine rapport between Jackie and Yu Su Tien as pupil and teacher. The martial arts is brilliantly choreographed and inventive (the scene in the restaurant is probably my favourite) and the whole thing has a "joie de vivre". Watching it, it seems to me that the actors had a ball making the film. Which is just as well as I had a ball watching it.

Directed by legendary kung fu choreographer Yuen Woo-Ping, Drunken Master is considered by many martial arts fans to be one of the best films of Jackie Chan's career, but while it certainly displays the star's kung fu and acrobatic ability to great effect, and is a thoroughly enjoyable watch, I found the plot just a little too generic (and the comedy a little too broad) to rate it any higher than an 8 (I actually give it a 7.5, but I've rounded my score up for IMDb).

There really is very little going on here in terms of storyline, and what there is most seasoned fans of old school martial arts fans will have seen countless times before: a young upstart, Wong Fei-Hung (Chan), causes trouble in his local town and is sent by his disappointed father to train with a kung fu master, Beggar Su (Siu Tin Yuen). Beggar Su's techniques are harsh but very effective, so when an assassin named Thunderfoot (Hwang Jang Lee) is hired to kill Fei-Hung's father, the young man is able to step in and save the day.

Jackie Chan's comedic style is very much in evidence here, with buffoonery, slapstick action, and fart and poo gags, plus quite a few characters with peculiar facial features (a hairy mole, a red nose, drawn on freckles and goofy teeth), and the humour will not appeal to all (I nearly always struggle with Chinese comedy). Thankfully, the excellent fighting more than makes up for the silliness, with Jackie performing some mind-bogglingly amazing feats of physical prowess, making the absolute most of his Chinese Circus training. He leaps, he flips, he tumbles, he kicks, and he punches, performing snake style, monkey style and—of course—drunken style, all with incredible energy, speed and split second timing; it's absolutely breathtaking to behold.

Naturally, Beggar Su and Thunderfoot are no slouches in the chop socky department either, the old drunken beggar pulling off some very cool moves against a baddie called The Stick King (Hsia Hsu) and Thunderfoot more than living up to his title: with his technique 30% hands and 70% legs, Hwang Jang Lee is given plenty of opportunity to show off his legendary kicking skills. Also very impressive in her small role as Wong Fei Hung's auntie is Linda Lin Ying: I don't know much about her, but the one fight scene she shares with Jackie is quite stunning—her flexibility and leg control made my jaw drop (I must check out some of the other titles in her filmography—Dance of the Drunk Mantis also stars Hwang Jang Lee, so that would seem like an obvious place to start).

It is said that this is the film that made Jackie Chan a star, but that isn't really true, since Snake in Eagle's Shadow actually had a bigger impact at the time, and allowed Chan to make this film. One way we know this is that there are some two dozen films made in the late '70s- early'80's designed to imitate Snake in Eagle's Shadow, and only a couple imitate this film. By the time Drunken Master had become legendary world-wide, the chop-socky cycle (to which it still belongs, to an extent) had passed into history, and Chan himself had abandoned historical 'fu films for contemporary comedy-thrillers.

It should be noted that the idea of making a film based on the early years of Wong Fei Hong was not original to Chan; at roughly the same time this film was being made, well-known martial arts choreographer Liu Chia Leung made a straight (non-comic) version of the story (without drunken boxing) over at Shaw Brothers, Challenge of the Masters, with Gordon Liu as Wong Fei Hung.

The defining moment for the Chan-Yuen version of the film is the use of Drunken Boxing. There is no real evidence that the historical Wong Fei Hung was a master of this style; his more famous innovations involved the development of the shadowless hand technique and the no-shadow kick. Interestingly, in order to highlight Chan's use of Drunken Boxing, these other two techniques, better identified with Wong, are assigned in the film to the villain, "Thunderlegs" played by Hwang Jen Lee.

At any rate, it would not be clear that one could consider this a Wong Fei Hung film at all - if it weren't for the fact that this film effectively redefined the Wong legend, so that it has since become pro-forma to assume that Wong was a bit wild in his youth. (Just to set that record straight, Wong was actually extremely studious, and recognized as a real child-prodigy in the martial arts, winning his first major public duel at the age of thirteen.) Drunken Master is solid martial arts entertainment. There are decided weaknesses in the plot and over-all staging of the film, but these can easily be ignored, as the film thrusts us along with kung fu and comedy to the grand final fight at the end. It must also be noted that these characters - even the villain - are well acted and quite likable and familiar, and thus add a credibility to the film. And Yuen's direction is also very professional and a couple notches above the average for a Hong Kong genre film of the time.

Lives up to its own legend, and well-worth the viewing.

This is my favourite jackie chan film. It's one of the funniest films i've ever seen. It starts with a fight and ends with one,so the action crowd won't be disappointed! Plus it contains the funniest scenes chan has ever put on film,such as the taunting of his idiotic teacher and the horror of realising the woman who he picks a fight with is his auntie!Brilliant.

This is one of the quality films from Jackie's early years made the year after Snake in Eagles Shadow with much of the same cast and crew this built on the comedic style of Kung Fu action that Jackie was to make his own. Of the two films I actually prefer the earlier Snake in.... but its this later film that is more often considered Chan's earliest masterpiece.

This is a more traditional set kung-fu film than the later stunt fests that made his name. The fighting styles on show are unique, inventive and fascinating to watch. The showdowns are impressive and with no trick photography, CG or massive effects fueled blow outs and shows just how good a martial artist Jackie is. The comedy works well and Jackies on screen master is very funny and they spark well off each other as a team.

This is a really good old style kung fu flick fans of Jackies later work such as Rush Hour etc. may not find what their looking for here this is Jackie in one of his most pure kung fu movies. But for anyone who loves martial arts you must see this!! Great entertainment 7/10