CALIFICACIÓN DE IMDb
6.8/10
32 k
TU CALIFICACIÓN
Un grupo de personas que buscan al padre desaparecido de una joven llegan a una isla tropical donde un médico busca desesperadamente la causa y la cura de una epidemia de zombies.Un grupo de personas que buscan al padre desaparecido de una joven llegan a una isla tropical donde un médico busca desesperadamente la causa y la cura de una epidemia de zombies.Un grupo de personas que buscan al padre desaparecido de una joven llegan a una isla tropical donde un médico busca desesperadamente la causa y la cura de una epidemia de zombies.
- Dirección
- Guionistas
- Elenco
- Premios
- 1 nominación en total
Ian McCulloch
- Peter West
- (as Ian Mc Culloch)
Ugo Bologna
- Anne's Father
- (sin créditos)
Ramón Bravo
- Underwater Zombie
- (sin créditos)
Omero Capanna
- Zombie
- (sin créditos)
Giannetto De Rossi
- Zombie Hand on Paola
- (sin créditos)
Alberto Dell'Acqua
- Zombie
- (sin créditos)
Arnaldo Dell'Acqua
- Zombie
- (sin créditos)
Ottaviano Dell'Acqua
- Worm-Eyed Zombie
- (sin créditos)
Roberto Dell'Acqua
- Zombie
- (sin créditos)
Franco Fantasia
- Matthias
- (sin créditos)
Lucio Fulci
- Peter's News Editor
- (sin créditos)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
10zingbot
Now this is how a zombie film should be made! Whilst Lucio Fuci never had the creative genius of Dario Argento in Profondo Rosso, Tenebrae and Suspiria, he certainly knew how to make a good old fashioned zombie/gore movie. In Zombi 2 or Zombie Flesh Eaters (what a title!) as it was known in the UK, a ship drifts into New York with a very large, hungry zombie on board. This leads to two investigative journalists, including gore stalwart Ian McCulloch, with two holiday makers going to the Island of Matul. After meeting a shark wrestling zombie en route, they arrive at Matul where things are not going well. The hospital run by Dr. Menard has turned into a morgue where daily zombie killing has become the routine. Things go from bad to worse as the zombies grow in number and various dismemberment, eye gouging, jugular bites etc ensue. What makes this film so good are various factors. Apart from being one of the first gore films I ever saw, it has no social commentary or hidden meaning and does not try to be a comedy (although some may argue with this). It is a good, honest gore film. The special effects are nice and gruesome, with fantastic zombie make up, great zombie attacks and loads of maggots and worms. The crazy underwater battle between zombie and shark is totally original and not surprisingly has never been tried since. The infamous eye scene whilst a bit creaky still makes the viewer cringe. The acting and dubbing are dodgy but don't detract from the zombie mayhem, the music is great with calypso music to greet the heroes and throbbing effects to welcome the zombies. I cannot recommend this highly enough for good old fashioned zombie related thrills. Also look out for The Beyond and City of the Living Dead in a similar vein.
When it's good, it's really great. C'mon, this film has a shark fighting with a zombie...it doesn't get much better than that!
I liked the scenario - not the usual in the city - even if I would the vudu part to be much better explored. The acting is bad - especially when zombies are attacking - and Fulci brought a lot of the giallo bad tropes. That's the only reason why this isn't, for me, the masterpiece a lot claim to be.
I liked the scenario - not the usual in the city - even if I would the vudu part to be much better explored. The acting is bad - especially when zombies are attacking - and Fulci brought a lot of the giallo bad tropes. That's the only reason why this isn't, for me, the masterpiece a lot claim to be.
This has got to be one of the best Zombie films ever. It is one of Fulci's best. Great gore effects and cool zombies. Rent or buy this now if you are a fan of the Living Dead, or just a fan of gore.
A 1979 hit in Italy, "Zombie" has been imported by Jerry Gross to capitalize on the public's fancy for gory horror films. State-of-the-art makeup effects by Gianneto de Rossi are sure to please fans of the form, and far out-distance the dreams of '60s gore pioneer Herschel Gordon Lewis ("Blood Feast").
Pic was shot as an unauthorized followup to George A. Romero's hit "Dawn of the Dead", which was released in Europe under the title "Zombie". New pic is titled "Zombie 2" in Italy, but qualifies for original "Zombie" tag in the U. S. Story has Tisa Farrow traveling from New York to the tiny island of Matul, near St. Thomas, in search of her father, whose sailboat mysteriously returned to New York harbor with only zombies aboard. Accompanying her is an intrepid reporter Ian McCulloch (hinted comically to be working for the Post), and the handsome couple (Al Clliver and Annetta Gay) who charter their boat.
Island doctor Richard Johnson is coping with the zombie epidemic, blamed on local voodoo rites. Stealing implausibly from the mythos in Romero's "Dead" films, these zombies can be destroyed by a gunshot in the head. FIlm's open-ending sets up a sequel, as the zombies overrun New York City (staged cheaply by a radio news report and a single shot of the zombies shambling across the George Washington bridge).
Director Fulci adopts a leisurely pace and goes after daylight horror, playing off the grisly, cannibalistic attacks against picture postcard beauty of the island and New York harbor. Emphasis on blood reaches the ludicrous extreme of 400-year-old zombie conquistadores bleeding profusely when shot down, fresh from their graves.
Though the makeup's the star, Farrow is appealing as the vulnerable heroine, styled here as the spitting image of her sister Mia. Having made a dozen Italian films, British character actor has all the worried, bedraggled expressions down pat, while Ian McCulloch fails to make an impression. Pleasant nude turns by Gay and Karlatos fit with the self-imposed X rating, as Jerry Gross has copied Romero's successful marketing strategy for "Dawn of the Dead".
This is my original review written in July 1980 after a screening on Manhattan's Upper East Side.
Pic was shot as an unauthorized followup to George A. Romero's hit "Dawn of the Dead", which was released in Europe under the title "Zombie". New pic is titled "Zombie 2" in Italy, but qualifies for original "Zombie" tag in the U. S. Story has Tisa Farrow traveling from New York to the tiny island of Matul, near St. Thomas, in search of her father, whose sailboat mysteriously returned to New York harbor with only zombies aboard. Accompanying her is an intrepid reporter Ian McCulloch (hinted comically to be working for the Post), and the handsome couple (Al Clliver and Annetta Gay) who charter their boat.
Island doctor Richard Johnson is coping with the zombie epidemic, blamed on local voodoo rites. Stealing implausibly from the mythos in Romero's "Dead" films, these zombies can be destroyed by a gunshot in the head. FIlm's open-ending sets up a sequel, as the zombies overrun New York City (staged cheaply by a radio news report and a single shot of the zombies shambling across the George Washington bridge).
Director Fulci adopts a leisurely pace and goes after daylight horror, playing off the grisly, cannibalistic attacks against picture postcard beauty of the island and New York harbor. Emphasis on blood reaches the ludicrous extreme of 400-year-old zombie conquistadores bleeding profusely when shot down, fresh from their graves.
Though the makeup's the star, Farrow is appealing as the vulnerable heroine, styled here as the spitting image of her sister Mia. Having made a dozen Italian films, British character actor has all the worried, bedraggled expressions down pat, while Ian McCulloch fails to make an impression. Pleasant nude turns by Gay and Karlatos fit with the self-imposed X rating, as Jerry Gross has copied Romero's successful marketing strategy for "Dawn of the Dead".
This is my original review written in July 1980 after a screening on Manhattan's Upper East Side.
Surely the best film Fulci has ever directed, involving several zombies on a Caribbean island. As with all Fulci films, the movie suffers from rather bad dubbing, but all Fulci films seem to have this problem, so it`s almost a hallmark for the director. The gore is graphic & over-the-top, but when you`ve seen a zombie deep in the ocean fighting with a shark, nothing is over the top. A few memorable scenes, (the eye scene has to be the highlight) but this is movie is all about escapism. If you can handle the explicit gore (and if you`re watching Fulci, you better had!) this is a definite `lads night in movie`. Just don`t try to find too many subtexts in it`s, ahem, plot. (7 out of 10)
¿Sabías que…?
- TriviaWhile shooting on location in New York City, Captain Haggerty, who plays the large bald zombie who attacks the harbor patrol at the beginning of the film, walked into CBGB's (a tiny Bowery bar which was a flourishing punk rock venue at the time) in full zombie makeup complete with splattered fake blood and mud caked all over his face and body. Due to the outrageous punk styles in those days of the other bar patrons, he was barely noticed. Even the bartender never looked twice at him.
- ErroresWhile defending the hospital from hordes of zombies, Peter and Brian throw Molotov cocktails at the entrance. Despite throwing several that result in fireballs and flames, each time one is thrown the hospital entrance is clear of any flames.
- Versiones alternativas25 October 2005 - the film went before the BBFC ratings board in the U.K, and was passed fully uncut with an '18' certificate.
- ConexionesEdited into Cementerio de los zombies (1980)
- Bandas sonorasThere's No Matter
(uncredited)
Composed by Fabio Frizzi, Franco Bixio and Vince Tempera
Lyrics by Vittorio Pezzolla
Performed by Linda Lee
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Detalles
Taquilla
- Presupuesto
- ITL 410,000,000 (estimado)
- Tiempo de ejecución1 hora 31 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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Principales brechas de datos
What was the official certification given to Zombie (1979) in Brazil?
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