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This movie gets better with age. If you've got a sense of humor and don't need Industrial Light and Magic special effects, the combination of actors (all playing off the winsome Brigette Nielson) makes this a fun movie to see again...or for the first time.

It's probably also the movie that got Arnold in hot water during the "recall."

This movie gets better with age. If you've got a sense of humor and don't need Industrial Light and Magic special effects, the combination of actors (all playing off the winsome Brigette Nielson) makes this a fun movie to see again...or for the first time.

Let's just settle this before I start - this is a bad bad movie! You will be hard pressed to find such awful acting anywhere as Miss Nielsen, 'veteran' director Richard Fleischer stumbles blindly through a non-existant plot, and you will feel absolutely no sympathy for either the good guys or the bad - in other words you just won't care!

I would love to have hated this film - as a self-proclaimed 'movie-buff' this is the kind of film I should not even go near. But I'm loathed to admit...I enjoyed it! The two stars, amongst their awful acting, are actually quite engaging in a comedic way (intentional or not!). I began to relish the dialogue scenes just to see if a line could have been delivered with any more wood! The intentional comedy comes from a young prince (Ernie Reyes Jr) and his bodyguard (Paul Smith). Although I wished the prince to find the end of a sword as quickly as possible from his first scene, the interplay between these two characters was amusing, with some one-liners that could not have been more out of place in this film! The villainous queen (played by Sandahl Bergman) is unfortunately bland and forgettable. But one real treat for me was another completely out-of-place commodity - a great rousing score from maestro Ennio Morricone!

This was Schwarzenegger's return to his CONAN genre after hitting it big with THE TERMINATOR. It isn't too surprising that this was the last 'swords and sorcery' movie he did - but I promise you won't hate it! You'll want to!....but you won't!

I actually like Red Sonja overall, except for two scenes which were terrible. One of those scenes was the final fight with the queen, it would've been fine except for a plot contrivance where she decides to indicate to Sonja where her ally is, Idiot! The second scene involves water, I won't spoil it but you'll know which scene it is when you see it, absolutely loathed it.

The supporting characters were fine all though I don't see why the prince and his servant were needed, they did jack all in this film,; it should've just been Sonja and Calidor. The prince is also insufferable, all though I suppose that's the point.

Thrilling and spectacular movie full of imagination and fantasy that introduces us a brave heroine , female counterpart to Conan , and appointed to juvenile public and full-blooded adventure aficionados. Sword-and-sorcery saga with silly action , spectacular images and fantastic scenes with witchcraft and necromancy . This is a tale of fantasy , magic , imagination, blood and wizardly set in a mythical primitive world of barbarisms. This is an amusing adventure saga inspired on Robert E Howard's pulp tale , it stars Brigitte Nielsen ( by that time married Silvester Stallone) who join forces with the mythic and valiant warrior Kalifor ( a super-swordsman Arnold Schwarznegger in a brief guest spot), a Hyborian Age hero , a Conan-alike , taking on heinous forces of devil and evil minions . A nasty sorceress kills the keeper (Janet Agren) of a powerful green bulb that gives her great power , but Red Sonja is sister of the keeper and seeks vengeance on villainess Gedren who also massacred her family . A selfish little boy prince named Tarn (Ernie Reyes Jr) and his underling Falkon (Paul L. Smith), whose kingdom was wiped out by Gedren soon joins them . They undergo on a perilous trip to find the talisman , confronting magicians , spectres and dangerous adventures. Our heroine fights the evil hoodlums of brutal Queen Gedren (Sandahl Bergman) who seeks the total power and leading a vibrant ending.

This exciting film packs noisy action, fantasy, adventure, witchery , and rip-roaring fights . Dumb images , unintentionally hilarious and lots of amusement and entertainment . Made on a fairly big scale with spectacular set design and glimmer photography . Quite budget for an Italian/Netherland/US co-production and lavishly produced by Dino De Laurentiis , her daughter Francesca and Jose Lopez Rodero. This entertaining picture contains frenetic action , tension , necromancy, and moving action scenes . The film is full of freaks and bemusing situations ; it is quite entertaining because being a laborious and intriguing adventure tale with some humor . Colorful cinematography by Giuseppe Rotunno , Federico Fellini's usual . Very derivative special effects , grand production design by Danilo Donati ,and matte paintings by Albert Whitlock and Emilio Ruiz del Rio . Impressive musical score composed and conducted by the master Ennio Morricone. The motion picture is middling directed by Richard Fleischer . He's an expert director , with adventure classics (Vikings, 20.000 leagues under sea) and noir cinema (Narrow margin,Clay pigeons,Trapped). The film will appeal to fantasy buffs with enough action to make it worth looking in on . In other words, it seem likely Conan enthusiasts and juvenile viewers will be delighted because thrills, action and adventures are brilliantly presented and edited to offer the maximum impact. Rating : 5,5 ; it's an old-fashioned B film on an acceptable scale and basically enjoyable because of it.

Have just seen this film for the first time after purchasing it on DVD

It comes across as a cheap attempt to cash in on the two Conan movies.

Unfortunately, this film didn't appear to have the same budget as the Conan films and hence some of the sets and effects aren't as flash and some scenes seem hurried.

Nielsen is OK to look at but unfortunately she couldn't act if a gun was put to her head.

Arnie's supporting role looked like it was done as a favor to director Fleischer, who also directed Conan the Destroyer. Maybe Arnie wasn't confident that he would go on to headline films like Predator, Total Recall, T2, etc.

Some of the female guardians of the talisman early in the film looked like they were struggling to lift their swords and the looks on their faces suggested they were having great fun making this film. I couldn't be so jovial if I was fighting for my life.

All this aside, this film required very little concentration to watch and was mildly entertaining. I've seen a lot worse. Two stars.

I'm a great fan of the Conan series and of course my favourite is the first of the series "Conan the Barbarian". I bought Red Sonja on DVD for only $9.95 and I was surprised to find as entertaining as the first two Conan films. Arnold Schwarzenegger executed his character outstanding throughout the fight scenes and as Kalidor even though the film was focused on Red Sonja. Brigitte Nielsen was beautiful and played Red Sonja perfectly to heighten the suspense and action through the fight scenes. The Film quality was good into creating a fantasy environment. The Action scenes in this film was the main part that me through this film even though its PG there's enough blood for the warmongers to enjoy. To conclude whoever loves Barbaric films such as the Conan films or Kull the Conqueror this is the film for you.

Conan The Barbarian (1982) 8/10 Conan The Destroyer (1984) 6/10 Red Sonja (1985) 6/10

Red Sonja is a career-step-in-the-wrong-direction for Arnold Schwarzenegger. Having made a couple of sword 'n' sorcery films (as Conan) he had moved onto slightly more serious acting roles in films like The Terminator and Commando, only to make a mystifying return to the sword 'n' sorcery genre for this 1985 debacle. It's hard to figure out why he bothered, as this is weaker than both Conan films in every conceivable department. Allegedly, this was to have been the third Conan film, but for one reason or another the emphasis was shifted onto the leading female character, the titular red-head, leaving poor old Arnold to play an incredibly dull supporting role. Spare a thought, too, for director Richard Fleischer who had given the world classics like 20,000 Leagues Under The Sea, Fantastic Voyage, The Boston Strangler and 10 Rillington Place. In this - his penultimate film - Fleischer also has taken a gigantic career step backwards.

Evil queen Gedren (Sandahl Bergman) wants to rule the world, and she needs a priceless and powerful talisman to do so. She and her brutish army storm a keep populated by priestesses and steal the said talisman, massacring the helpless priestesses as they go. One of the dead priestesses has a sister named Sonja (Brigitte Nielsen), a fiery red-headed warrior, who upon hearing of her sister's death swears revenge upon the evil Gedren. Sonja rides across the land in search of Gedren's lair. Along the way she picks up travelling companions in the shape of a boy prince, Tarn (Ernie Reyes Jr) and his bodyguard Falkon (Paul Smith). She also meets the muscular warrior Conan - sorry, I mean Kalidor (!) - who offers to join her in her quest. Initially Sonja doesn't want the help of Kalidor (Arnold Schwarzenegger), preferring instead to prove that she can confront and defeat her enemies alone, but eventually she warms to him and accepts his assistance.

Red Sonja is a staggeringly poor film, all the more so when one muses that it was made in 1985 when the sword 'n' sorcery genre was close to its end. It seems so simplistic and amateurish that one could easily mistake it for an early example of its kind. The performances are poor on the whole, ranging from Bergman's embarrassingly OTT villain to Reyes' unbelievably irritating spoilt brat to Schwarzenegger's wooden and unenthusiastic hero. Nielsen is slightly better as the heroine - presumably full of enthusiasm at the thought of being in her first starring role - but she is let down very badly by the stupidity of Clive Exton and George MacDonald Fraser's script. The film is riddled with goofs, including a scene where Schwarzenegger is seen in close-up hacking down bad guys but in a long-shot in the same sequence there isn't a corpse in sight. Technically it is very inept too, with sub-standard special effects and appallingly mechanical monsters. There are a few compensations, such as Ennio Morricone's enjoyable music (Morricone spent a great deal of the '80s providing good music for awful films, e.g The Island, Treasure of the Four Crowns and Hundra). Another compensation is Giuseppe Rotunno's lensing of the locations - in fact, much of the time it's a hell of a lot more gratifying to look at the lovely scenery than the actors standing in the foreground! There were very few sword 'n' sorcery films after Red Sonja, so in some ways it might go down in history as the film which destroyed its own genre.

Personally this is one of my all time favorite movies since I was very young. That being said I had not seen this movie in over a decade before seeing it on the shelf at the grocery store where I purchased it.

I had just watched the two Conan movies a few nights prior and I sat down with my lady to watch an old favorite.

To me this movie was infinitely more enjoyable than the Conan movies. And even as an adult some 20 years later with a much wider and esoteric taste in movies, music and games; I found this movie a blast and I'm not going to say it's a 10 and nor am I going to play the role of lap top critic.

I'm just going to say this: In a world of horrible blockbusters like GI Joe and Transformers I feel Red Sonja was money and time well spent.

It is sad that Schwarzenegger was the best thing about this production, especially considering the fact that he had not yet come into his own, and was still as stiff as cardboard in his dialog delivery.

Actually, this isn't as bad as some critics say, but it isn't good, either. It IS amusing, and DOES play like a poor country cousin of the Conan line, making it a conflicted, uneven, poor work. And speaking of poor, the quality is terrible, due to the era in which this was filmed, but that is not the only reason.

The story herein is inferior, even to the Conan line, but moreover, it loses itself in the "Red Sonja must be dominated by big strong Schwarzenegger" ploy, and entirely forgets its purpose, if it ever had one.

It's entertaining, but in a low-budget, guilty-pleasure "B" kind of way.

It rates a 4.2/10 from...

the Fiend :.

It's been ages since I've seen this film, and it holds about as much interest for me as when I first saw it. It's entertaining on a certain level, and holds some interest.

Some minor notes before progressing with my comments; Kalidor in reality is Conan's alternate name. That is to say Conan and Kalidor are one in the same person as per Robert Howard's authorship. Ergo Laurentis casting Arnie in the role was most likely deliberate, though Governor Schwarzenegger and his then agent may have had the wool pulled over their eyes and had this little fact kept from them when approached for the role. In fact and essence you're seeing "Conan the Barbarian III", in spite of the Red Sonja title.

But, enough of that. Can Bridgette Neilson act? Yeah, sure. Is she Oscar material? Err... no. Was she right for the role? Probably. How about the other roles? Me, I think Sandahl Bergman rejoining the Conan cast as a lesbian queen was a fine choice. And pardon my prurient interest, but I think she's hotter as a brunette with short hair than as a natural blonde :)

The film is what it is; a thinly veiled knockoff of the first two Conan films, though again, it really IS a third (albeit unofficial) installment of the "franchise", so to speak. The sets and art direction for a moderately budgeted sequel are actually fairly impressive, though one gets the sense that there's some slight of hand being used to mask budgetary limitations.

And, believe it or not, it works after a fashion. There's the usual "we can't afford to costume real life size armies, so we'll allude to armies and battles in dialog, than actually show them" thing going on. But there're enough costumed bodies to get the gist across that our antagonist does command vast hosts to conquer the Hyborean world.

Other technical aspects; it's not a poorly shot film, but the cinematography doesn't recapture Milius' touch with the first Conan film. But, then again, there is a kind of artistic professionalism that comes across in this movie that can be admired after a fashion. The one thing that strikes me visually, other than the elaborate and well designed costumes and set pieces, is the fact that even though the cinematography is respectable, there's no real "theme" to it. The shots are fairly static, but well composed, yet there's no underlying dynamic to them. In essence the cast and crew were told to do their best with the material they were given, and they do so in spades.

This isn't to say the film is outstanding, because it isn't. But everyone puts their best foot forward in a film that's pretty much all- business. That is to say it was given a nice clean professional coat, but lacked a certain integrity that comes across in the script. We are, in fact and essence, watching Robert Howard's feminized version of Conan do her thing and not much else.

What could have improved this film? Lots of things, I suppose. A bigger budget for one to actually stage some large battle sequences as Sandahl's character goes about conquering the world. Neilson does her double-Y chromosome thing as an Arnie imitation, but is perhaps off par by a stroke or two in terms of performance. Arnie does his thing, and Sandahl does hers (she actually gives a respectable performance). Reyes Junior is who he is, and does an adequate job as a spoiled brat.

The truth of the matter is that this film was made in the 80s, when female marketed films weren't seen as big money makers, and so it was budgeted as such; i.e. it wasn't expected to make lots of money, but financed to put on a good show. Red Sonja is to the Conan films as Supergirl was to the Superman films.

All in all it's another De Laurentis production. Take it for what it is, interesting and entertaining popcorn fare.

Arnold the Barbarian meets his match in the shapely form of statuesque Brigitte Nielsen as Red Mullet, who rivals The Austrian Oak's ability with a blade while proving herself equally as inept as the musclebound star at delivering her lines. With these woefully wooden performers sharing much of the screen-time, working from a pitiful script that is heavy on the cheeze, Red Sonja is unintentionally camp, mid-80s sword and sorcery adventure that proves far more amusing than thrilling.

In the film's horribly trite opening scene, young Sonja rejects the sexual advances of evil Queen Gedren (Sandahl Bergman), slashing the wicked ruler's face as she struggles to escape; as a result, the queen orders her guards to kill Sonja's family and gang rape the insolent young woman. Years later, having learnt fighting skills from an old master, Sonja is given the opportunity to settle the score when she embarks on a quest to recover a powerful talisman that has been stolen by the despotic Queen Gedren. Together with man mountain Kalidor (Arnie), irritating Prince Tarn (Ernie Reyes Jr.) and his willing slave Falkon (Paul L. Smith), Sonja travels to the queen's fortress to destroy the talisman and put an end to Gedren's tyranny.

Despite fairly decent production values—the film boasts impressive sets and costumery, reasonable effects (including some lovely matte paintings), spectacular cinematography, a rousing score from Ennio Morricone, and some well choreographed swordplay—Red Sonja is a rather embarrassing addition to the barbarian genre as a whole. The flat direction from Richard Fleischer renders the action scenes ineffective, the acting is diabolical, the storyline and dialogue utterly asinine, and the film's uneven tone makes it hard to figure out who the intended audience was: much of the movie seems light-hearted and rather juvenile at times, but the severed limbs and gouts of blood make it unsuitable viewing for children.

Of course, quite a few giggles can be had from the film's shoddier elements, which include a glowing wood spirit that inexplicably bestows special powers on Sonja (although just what these powers are is never really clear), Arnie riding a mechanical water dragon, Queen Gedren's giant vibrating pet spider, and a shonky steam-driven video screen that wouldn't have looked out of place in a Buster Crabbe Flash Gordon serial from the 30s.

Veteran director Richard Fleischer follows up his movie "Conan the Destroyer" with this fantasy-adventure also based on the writings of Robert E. Howard. Ultimately, this movie is a trifle compared to the original "Conan the Barbarian", but if the viewer isn't too demanding, it may yield adequate entertainment.

Like "Conan the Destroyer", it's supposedly aimed at a younger demographic, but is actually a little strong for its PG-13 rating, with some gory bits, decapitations, implied rape, and the lesbian overtures made by the villainess towards the heroine.

The movie is basically competently made, with good production design (by Danilo Donati) and stunts, reasonably diverting swordplay, and a decent pace (this only runs 89 minutes long). There's also a fairly effective score by the great Ennio Morricone. However, there's never much of a sense of danger; this story definitely lacks edge.

Said story centres around the title character, played by Brigitte Nielsen in the role that introduced her. She's a warrior whose people were wiped out by an evil queen (Sandahl Bergman, who of course was Valeria in "Conan the Barbarian") and she embarks on a quest to destroy a powerful "talisman" that's fallen into the queens' hands. Her fellow travellers include muscle bound Kalidor (Arnold Schwarzenegger, presumably doing a favour for Fleischer), an insufferable brat of a prince (Ernie Reyes Jr.) and the princes' put-upon, comedy relief guardian Falkon (Paul L. Smith).

The acting ranges from acceptable (also appearing is Ronald Lacey of "Raiders of the Lost Ark" as the queens' creepy flunky) to just incredibly laughable. Nielsen and Bergman are so terrible that their performances are sure to generate some big guffaws from the viewer. Still, they both look great, and that has to count for something. Reyes Jr. certainly does succeed at making his character annoying.

While it manages to remain watchable throughout, this is pretty forgettable once it's over. It's got some amusing moments, but none to give it any real spark.

Five out of 10.

I absolutely loved this movie! I know, I know, maybe the acting isn't the BEST we've ever seen, but it's not bad. I loved Brigitte Nielsen in this; she was awesome. And not to mention Ernie Reyes Jr, he was so adorable! I love action movies, and this is an action movie by all means. Arnold was really good too. This movie was really fun and very visual. I really recommend it if you're a fantasy movie nut!

The first thing you'll notice is the stilted dialog. It's very off putting. A lot of fantasy movies from the 80s were like that. The longer the movie goes the better it gets. Brigitte Nelson has the king of all mullets. She has a cute accent like Arnie's. It's kind of a lame movie the way Conan the Destroyer was. It's kind of awkward and clunky. Don't expect too much by more modern standards. It's an OK movie.

If you love the good ol' Conan movies with Arnold Schwarzenegger, you will like Red Sonja too. Regarding the genre, Sword & Sorcery, there are not too many good movies, but Red Sonja belongs to those few. Still a fine gem of an adventure movie with a solid production and some cheesy flavor, that got the right spirit to put Robert E. Howard's fantasy/vision into moving pictures. Good.

"Red Sonja" is flawed, weak and lacking. Even the camp-ness isn't good.

There are only two good things about "Red Sonja"; The costumes (even though the Red Sonja costume is ridiculous. It's ironic that a girl who is even afraid to be touched by men, because she was raped, still choose to wear so few little clothes, even when it rains.) and the music by Ennio Morricone. Still the movie is somewhat watchable but certainly not recommendable.

The story is extremely simple and they didn't even bother to make it interesting. The story could have been forgotten if there had been some good action sequences and some humor, both are present but are seriously flawed in many ways. The movie takes itself too serious and tries to impress but fails completely.

Brigitte Nielsen is an horrible leading lady. I don't know who's accent is worse; Hers or Arnie's and on top of that; She can't act. There is also absolutely no chemistry between the two characters which makes the love story totally unbelievable. Even worse was Sandahl Bergman as the main villain who acts more poorly than a paper bag. Ronald Lacey was somewhat good in his role, but my God he looked horrible, he changed so much since his (only well known) role in "Raiders of the Lost Ark". Maybe it had something to do with his illness which claimed his life in 1991? And by the way, what was with all those "Raiders of the Lost Ark" actors in this movie? Next to Ronald Lacey, Pat Roach, Terry Richards and Tutte Lemkow appeared in a role, it seemed like some kind of "Raiders of the Lost Ark" reunion.

The only times when the movie gets a bit interesting is during the (sword)fights even though some of them are needless and weak.

Only really watchable for the fans of the fantasy-genre.

4/10

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This is a wonderfully moral sword and sorcery epic. Arnold Schwarzenegger portrays a heroic man of high character unlike the amoral Conan. His portrayal of Kalidor is understated and that makes it WORK.

Brigitte Nielsen while a raw talent, still manages to put this film over.

She is what one expects a Red Sonja to be: a simple, brave, barbarian woman with a sense of loyalty and oath upholding that is so alien to our modern world.

Sandahl Bergman as the nefarious Queen Gedren is marvelous. She has a plum role playing a villainous megalomaniac and she enjoys every minute of it.

Paul Smith and his sidekick Ernie Reyes Jr. almost steal the show, quite charming. Again there is a humanity in Smith's character, this loyalty and taking seriously of an oath that rings true for the imagined world of this sword and sorcery entry.

Tutte Lemkow's portrayal of a wizard is one of the minor roles that is very well done.

Of all the sword and sandal movies I have seen over the years I have a special place for this 1985 film.

It is a feel good movie, romantic, exciting, beautiful scenery and costumes and an excellent ARNOLD film.