Academia de genios

The CIA is developing a secret weapon called the Crossbow. Arrogant popcorn hating Dr. Hathaway (William Atherton) is making the important high energy laser for the program. He recruits high schooler Mitch Taylor (Gabriel Jarret) into his university team. Chris Knight (Val Kilmer) is the irreverent science genius. Kent (Robert Prescott) is the brown-nosing student leader. Jordan (Michelle Meyrink) is the awkward science girl. Lazlo Hollyfeld (Jon Gries) is a mysterious guy who lives in a secret room in the closet. Chris is about to graduate but Hathaway blackmails him unless he fixes his laser.

Val Kilmer is great as the irreverent genius. It's like a really smart John Belushi. I do wish that Gabriel Jarret has more charisma. Michelle Meyrink is one of the great 80s adorable geeky girls. And Robert Prescott is always good as the annoying douche. The cast led by Kilmer is just perfect and fun. This is one of the better director Martha Coolidge movie from the 80s.

Had very fond memories of this film as a kid in the 80s. Still holds up even today. DVD widescreen format shows off how well directed this movie is. Val Kilmer is terrific as the genius slacker hero. The whole cast gel well together, and the dialogue is very sharp and well-written (reminded me of TV show Scrubs in places). Had me laughing out loud in many places - rare for a modern version like American Pie. Lots of tasty 80s musical montages scattered throughout. Something really likable and positive about this movie, leaves you feeling really good at the end. Highly recommended - really hasn't dated at all. An enjoyable trip down 80s memory lane!

Real Genius is a hilarious political commentary of the 1980's. Mix greed, government corruption, college pranks and a truly talented cast, and you have the movie "Real Genius". This movie is a family favorite for us, and with good reason. Clean language, developed plot, and fun, the "Real Genius" is great for the family collection. There are scenes in this movie that will stick with you long after you have seen the movie. Kilmer is upbeat and charming in the lead role as are all of the supporting actors/actresses. The lighthearted movie is brought to real-life with the reality of laser technology and the influence of greed which infiltrates every aspect of life - even college campus'.

First off: This is an 80s movie. It contains within it certain aspects of the 80s film genre which may cause you to cringe. A youthful, innocent boy gets corrupted by the feckless rebel; a vicious adult has his own agenda; boy gets seduced by teenage girl who may or may not be the current sex symbol. All generalizations aside, the roles in this movie are well-written and well-played. Val Kilmer is at his absolute best, William Atherton is as sly as Jeffrey Jones is oafish in "Ferris Bueller's Day Off." The supporting heroine is annoying and unneeded, but who needs her when you've got Jonathan Gries to laugh at? All-around fun and plenty of one-liners that'll have you wishing you could be so witty.

The imagination and quality of Hollywood movies in the early and mid 80's had regressed back to the pre "Bonnie and Clyde" days (the early and mid-60's being the worst ever period of American movie-making).

Fortunately there were a few gems like "Real Genius" to sustain audiences. Any film that features a memorable moment like Deborah Foreman's articulation of her standards for a male companion, a memorable character like Michelle Meyrink's hyper-kinetic Jordon, and the memorable sight of a house exploding from the force of a giant Jiffy Pop container can never be forgotten.

And who doesn't feel good just watching the neighborhood kids play in a mountain of popcorn to the sound of Tears For Fears' "Everybody Wants To Rule The World".

Although "Real Genius" has not totally escaped the ravages of the past 20 years, it has held up reasonably well. Now it can even be appreciated as a sort of time capsule, demonstrating rather strikingly the complete computerization of the applied sciences that has occurred during the relatively short time period since its 1985 release. Other than Kent's incidental use of an early computer in his dorm room and a mostly decorative monitor in the lab, these now essential machines are absent from this techno film. Amazing!

Then again, what do I know? I'm only a child.