Resurrección satánica

Most of the cheap or not so cheaply made horror films these days are nothing more than a tedious exercise in how to bump off as many teenagers in as many different ways as one can imagine in ninety minutes or less. One need only watch recent films such as Wrong Turn or the remake of Texas Chainsaw Massacre to realize how far the horror genre has fallen. Once John Carpenter made the first Halloween film, we have been subject to an endless series of copy cat films whose only purpose seems to be finding an imaginative way to slice and dice the local teenage population. All of the Freddies, Jasons, and Michael Myers films combined don't come close to having an ounce of the entertainment and imagination of Producer Brian Yuzna and Director and Writer Stuart Gordon's Re-animator.

Professor Herbert West (Jeffrey Combs) is a scientist who has discovered a formula which brings the dead back to life by reanimating their tissue. After an experiment in Switzerland goes awry, he moves to Miskatonic University to continue his experiments. One thing Professor West isn't and that is modest. He even takes a few moments to ridicule a professor, Dr. Carl Hill (David Gale) when he disagrees with him about when death actually occurs. He eventually rents a room from fellow student Dan Cain (Bruce Abbot). Dan is dating Megan Halsey (Barbara Crampton) who is the daughter of the college dean, Alan Halsey (Robert Sampson). What Dan doesn't know is that the aforementioned Dr. Hill has a perverted eye on Megan also. We know this because of the sleazy stares Dr. Hill eyeballs her with when ever she's around. Think of Megan as being an overage Lolita and Dr. Hill as Humbert Humbert and you've got the idea. All of this is not window dressing as it would be in some other films. It all comes into play very nicely. It goes without saying that sooner or later, Dr. West will be making good use of his reanimation formula, in ways only those with the most grotesque sense of humor can imagine. To say any more than that would deny you of the true pleasures of this film.

How can a film that is so explicitly graphic and perverted in nature be fun? It's because every person involved in the making of Re-Animator was smart enough not to take it too seriously themselves. Everything in this film is so wildly over the top, that you can't help but chuckle right along with them as they wink their eye at you. There may be certain moments of the film that would normally sicken even the most hardcore horror film fanatic, but since Yuzna and Gordon never once let Re-animator sink into the tedious by the numbers game of other films of these nature, these same scenes become intentionally cartoonish and silly.

But more than anything, this film owes it's life to it's cast. Jeffrey Combs as Herbert West should serve as the model for anyone wanting to make a film involving a mad or semi-mad scientist. Given this kind of role, there is many an actor who would have been tempted to ham it up and alas in many horror films they do just that. However, when Combs seems to imply that he is the smartest man on the planet and the rest of us are Neanderthal, we don't hate him for this implication at all. He is so good at making us believe he is the smartest man since Einstein and we are all nothing but Cro-magnon man by comparison that we love him for it just the same. He may be crazy, but he's a fun kind of crazy.

David Gale as the smarmy Dr. Hill, is a joy to watch also. He has some of the most ridiculous scenes in the film yet somehow manages to keep a straight face through it all. He gives new life to the old saying about not losing your head over a piece of tail.

Bruce Abbot as Dan Cain is the perfect contrast for West. He is a straight arrow, is madly in love with Megan, yet somehow lets himself become involved in West's experiments. Abbot also is smart enough to know that the center of this film is West, and never once overplays his role to try and overshadow him. As for Barbara Crampton, she should have won some kind of award, just for the abuse the producers put her through as Megan. Is there an award for most abuse of a female by the walking dead?

Re-animator was made on a budget of less than a million dollars which is truly remarkable. There isn't a film budget in the world though that can replace the imagination and daring rampant through out Re-Animator. And when a horror film is that well done, and is something all the Freddies, and Jasons, And Michael Myers can only dream about, I have no choice but to give it my grade which for Re-Animator is an A.

Considering the 70's was a decade of monumental proportions as far as films went, it was a shame the 80's had to produce such dreck, especially where horror films are concerned. In the 70's we had "The Exorcist", "Halloween", "Texas Chainsaw Massacre", "Phantasm"-just to name a few. The 80's did produce a small but stellar group of classics, however, including "Evil Dead" 1 & 2, "A Nightmare On Elm Street", "An American Werewolf In London" and, of course, "Re-Animator". Like "Werewolf" and the "Evil Dead" films, part of "Re-Animator"'s success and notoriety is the film's deliciously sinister blend of horror and humor. Wait let me correct that-perverse horror and sick humor. In accordance with the decade that birthed it, this film is typically over the top and totally gratuitous, pulling out all the stops at every turn. Jeffrey Combs heads a great cast as Herbert West, a strange and eccentric but brilliant young doctor/scientist who has perfected a syrum that can reanimate the dead. Circumstances get out of hand when a medical student and his fiance (Bruce Abbott & Barbara Crampton) get involved in West's work and a plagarist rival doctor (David Gale) plots to steal his idea. Horror and hilarity ensue from there on, thanks to imaginitive visual effects coupled with clever dialogue. For nitpickers like myself there are a few minor inconsistencies in the screenplay, but it does very little to hinder the film. Ironically, several scenes that wound up on the cutting room floor (included on the dvd) would have fleshed out those minor story flaws, but they were excised-and probably rightly so-in the name of pacing. Besides, any flaws in writing are easily forgotten about thanks to the terrific performances. Here is a cast that really brought the characters "to life" so to speak; Combs as the nerdy scientist and Gale's lecherous Dr. Hill are both standouts. And Stuart Gordon's strong direction holds the whole thing together even when the film threatens to be crushed by it's own outlandishness. For those interested, check out the sequel "Bride of Re-Animator" that followed 4 years later. It doesn't hold a candle to this one, but it's plenty of fun in it's own right.

This movie is campy, gory fun, amusing in parts, generally entertaining... and Jeffrey Combs is perfect as West--calm, creepy, and endearing at the same time. But at the same time, it lacks the beauty and eloquence of H.P. Lovecraft's original story, "Herbert West--Re-Animator." The modern, 1980's setting seems odd and a bit awkward. West would be much more at home in the world around the nineteen-teens and twenties, when the original story was written and set.

Lovecraft's works are so much more than just shocking tales and monster stories. They're beautiful and engaging, thrilling and--not just gory, but genuinely morbid in the truest sense of the world; a sense that seems to have been largely lost in the world of modern horror.

Re-Animator possesses none of the first three qualities. It does have some true morbidity--but only in the very small parts wherein it remains true to the source material.

To sum up: This is a good, entertaining movie, if you don't mind some gore. It's definitely worth watching. But it's the kind of movie you watch one night and then the next night forget about. It's far from worthy of cult classic status.

In Austria, the medical student Herbert West (Jeffrey Combs) develops a serum to resuscitate the dead while working with a famous scientist that mysteriously dies. Herbert travels to Massachusetts and his application is accepted by the Miskatonic Medical University Dean Alan Halsey (Robert Sampson); then he moves to the basement of the house of Daniel 'Dan' Cain (Bruce Abbott), a medical student that is seeking a roommate to share his expenses and that is in love with Alan's daughter Megan Halsey (Barbara Crampton). When Megan's cat disappears, she finds it dead in Herbert's refrigerator. Later, Daniel hears a cat and Herbert screaming and he sees the cat alive violently attacking Herbert and they kill the animal again. Herbert invites Daniel to work with him, but Megan sees the bizarre experiment and tells her father that expels the students from the University. But Herbert and Daniel go to the morgue to find a corpse to revive and they are surprised by the dean that is murdered by a resurrected man. Herbert injects the re-animating fluid in Alan that revives but the envious and greedy Dr. Carl Hill (David Gale) wants his formula to become famous.

"Re-Animator" is one of my favorite cult-movie and I have just watched it again at least for the sixth time (last time I saw it was on 21 March 2000). This funny and gore B-movie has excellent special effects and made Jeffrey Combs worshiped for the rest of his career. Barbara Crampton is very beautiful and the scene in the laboratory with she naked and Dr. Carl Hill beheaded is one of the funniest I have ever seen. My vote is eight.

Title (Brazil): "Re-Animator"

Note: On 26 August 2012, I saw this film again, now on DVD.

Note: On 25 June 2015, I saw this movie again.

The astute viewer will immediately pick up on the tone of Re-Animator. The introduction (added to the film at the last minute before its release) is a glimpse of the over-the-top nature of the entire production. If one were to be frightened by this intro, he or she will be comforted by the playful cheer of the opening title music. The score was heavily inspired by the famous Psycho score, a classic by Bernard Herrmann.

The movie, inspired by H.P. Lovecraft's `Herbert West: Re-Animator', follows a simple plot. Herbert West (played to precise pitch perfection by Jeffrey Combs who, like Bruce Campbell, is a B-Movie legend) is new at Miskatonic Medical University. Immediately, Herbert clashes with Dr. Carl Hill (David Gale) on the subject of `brain death'.

At the same time, Dan Cain (Bruce Abbot) is looking for a roommate. He is also dating Dean Alan Halsey's (Robert Sampson) daughter, Megan (Barbara Crampton). When Herbert West shows up at Dan's door one night during a `study' session, Megan is immediately suspicious. Why is Herbert so anxious to move in? Why is he so interested in the basement?

It is not long before the cat is dead, re-animated and dead again. The early scenes of violence are disturbing and hilarious at the same time and are only a taste of what is to come. Dan tries to resist the temptation of power inherent in the re-animating fluid, but is sucked into Herbert's mad world of life giving.

There is a turn of events about halfway through the film (which I would be crazy to spoil) that almost screams to the viewer, `We aren't playing by the rules here.' The storyline twists its way to the famous conclusion that, if you haven't heard of it, will leave you breathless. Even if you know what is going to happen, when you finally see it, in all of it's gory, sexual glory you understand why this classic has achieved such a status. The finale of the film is twisted in so many ways it's impossible to count.

Obviously, I loved the movie. Having never been anything but a horror fan, I cannot say it will suit everyones' tastes. The film is so over-the-top that the outrageous gore becomes less and less shocking. The timid viewer may want to shy away from this masterpiece. Anyone with even the slightest curiosity should seek this movie out.