Police

You know "Police" isn't going to be a conventional policier simply because it's directed by Maurice Pialat and Pialat doesn't do conventional. Yes, there's a 'thriller' plot involving drug dealers but the plot is secondary to the way both the police and the criminals are seen to go about their business which in many ways is much the same, (a crooked lawyer, nicely played by Richard Anconina, moves between them with seemingly consummate ease).

The central character is Gerard Depardieu's charming, brutalizing inspector who thinks nothing of beating up suspects to get a confession and both he and the film may remind you of Kirk Douglas in "Detective Story" and it's a beautiful piece of acting. Equally good, as the drug dealer's girl that Depardieu falls for, is Sophie Marceau. Ultimately the 'thriller' plot is all but jettisoned as Pialat digs deeper into the lives and backgrounds of his characters which is just as well as the plot becomes both very complicated and a little ridiculous. Still, this is a Pialat picture; mean, melancholy and fiercely intelligent.

This definitely isn't the most exciting movie about law enforcement (it took me three tries to finish it because I kept falling asleep). Instead of car chases and shoot-outs it contains a lot of dialogue (some obviously improvised) and focuses mostly on the relationships between the various interesting characters. It is a kind of a police procedural, but even there it focuses on the more mundane aspects of police work that the much more famous Hollywood(and slightly more famous Italian) cop movies tend to skip over.

The whole thing wouldn't work though if it weren't for the acting. Gerard Depardieu plays one of his sympathetic anti-heroes, the kind of guy you really shouldn't like, but eventually really do. Even though she was only about 18 at the time, Sophie Marceau manages to hold her own against the great Depardieu as a potential femme fatale who is mixed up with the Tunisian drug dealers he is trying to bust. It's well known that Marceau is a "Bond girl", but it's not often mentioned that (with the possible exception of Eva Green) she's also the most TALENTED of all the "Bond girls". I was impressed with Sandrine Bonnaire for another reason. I knew she was a formidable actress from Claude Chabrol's "L'Initiation", but I had no idea how cute and sexy she was in her younger years. She has a much smaller role as a 19-year-old prostitute Depardieu's character picks up, but she handles the requisite French-movie full-frontal nude scenes both Depardieu and Marceau uncharacteristically fore-go.

The crime story here is interesting too in that both the Tunisian criminals and the cops are obviously flawed, but not unsympathetic characters. (You kind of don't want anybody to win or lose).This is kind of a slow-going flick, but ultimately it is worth it.

Just when you thought Gérard Depardieu couldn't get any sexier, he made Police. Ladies, if you want to see him as a tough-talking cop, you've got to rent this movie.

This isn't your typical cop flick. It's not loaded with action scenes, it's not particularly gritty, and it's not a comedy about two unlikely partners finding a lasting friendship as they bicker and solve an impossible case. This is just a day-in-the-life movie about cops trying to bust drug-dealers. They have to slog through uncooperative witnesses, red tape, clues that don't lead anywhere, and a moral line that they can't cross but sometimes do. Sophie Marceau is the leading lady, a bad girl who only thinks of herself. She's cute as a button, though, so even though he knows she's bad news, Gérard can't ignore the attraction he feels for her. Check this one out if you're in the mood for a French flick from the '80s with two cutie-pies as the leads.

Police is an objective appraisal of African Muslim community wherein Pialat takes us on a fantastic tour of Parisian drug dealing activities.He has vibrantly portrayed Arab world from an evenhanded French perspective by depicting individuals caught in a vortex of social context.All its characters are so vulnerable that even the slightest fantasy pays a heavy price.Pialat has acquired laudable brilliance from his leading players.Depardieu is exceptionally brilliant in his role as Inspector Mangin.Sophie Marceau is equally impressive in her role as compulsive liar Noria.She has incarnated her role with noteworthy aplomb.Police is a solemn chronicle about the interminable combat involving corrupt people on the one hand and an honest police officer like Mangin on the other hand.Police differs from other films of thriller genre by laying a good deal of emphasis on its protagonists' frame of mind.

Maurice Pialat's POLICE begins with an extensive interrogation by a cop... played by Gerard Depardieu. The shots almost exclusively flick back and forth in medium shot. To begin with, the criminal is defiant. But over the course of almost 10 minutes, he's slowly broken down into a confession. It's a fascinating scene to watch... and although it's not recreated directly throughout the rest of the movie (10 minute scenes with two shots would get tiresome quickly...), the mood of the opening scene permeates through the whole of POLICE. The movie is a slow breakdown of the facade people build around themselves.

Much of the dialogue seems improvised. Characters stumble over words, and get caught in seemingly unrelated conversations. The "Masters of Cinema" extras DVD catches Pialat berating actors on set... trying to pull something out of the improvisation. He was apparently a real pain to work for, but the end result seems to work in POLICE.

Depardieu is the centre of attention, playing the slightly shonky cop, Louis. He's hulking in size, 6ft tall and a pretty wide load, often towering over the bad guys and dwarfing the various girls he flirts with. At times, Louis is almost comedic, grabbing every ass around him. He thinks he's a whizz with the ladies and the greatest cop around... and because he throws his weight into it all, people believe him.

The depth of POLICE is we see Louis behind the charade, progressively doubting himself. He's falling in love with one of his suspects, Noria (played by Sophie Marceau, who ended up sinking into being a Bond girl in THE WORLD IS NOT ENOUGH) and it's eating away at him. He's bending more rules than ever, and getting unnecessarily interested in a girl whose own family don't trust her. Louis becomes frantic, reaching out for prostitutes, drink and - eventually - frantically humping Noria in the Police HQ.

The strength of the movie - and whether you'll like it or not - revolves around Louis. He's very irritating at the start of the movie... a letch, an idiot, someone searching for reactions from people. He's sleazy and seemingly irremediable. Yet, at the movie goes on and as his vulnerabilities creep through, he becomes strangely likable. Can he trust Noria? Is she leading him on to save herself, or is she as lost as he is? So many films have predictable relationships but this one is a good 'un. We neither trust Noria or Louis, yet we feel sympathetic towards both of them. This all leads to a real doozy of an ending - and a thought provoking one too.

POLICE isn't a quick watch. It lacks dynamic scenes, and it's only for those who can take constant dialogue. It's also not a movie laden with style. But when close-ups are used, they're used to great effect. Louis's confused big-nosed mug... Noria's seemingly flawless good looks... something's going on behind those surfaces. You may gripe at the movie needing to be shorter and tighter, but it'll leave an impact because of these two fascinating characters. And, for that reason, it's well worth getting hold of a copy of POLICE.