Un niño y su hermano no se llevan bien. Los separan y los envían con sus familiares para que dejen descansar a su madre enferma.Un niño y su hermano no se llevan bien. Los separan y los envían con sus familiares para que dejen descansar a su madre enferma.Un niño y su hermano no se llevan bien. Los separan y los envían con sus familiares para que dejen descansar a su madre enferma.
- Dirección
- Guionistas
- Elenco
- Nominado a 2 premios Óscar
- 15 premios ganados y 5 nominaciones en total
- Ingemars mamma
- (as Anki Liden)
- Berit
- (as Ing-Mari Carlsson)
- Farbror Sandberg
- (as Leif Ericsson)
- Mannes farfar
- (as Arnold Alfredson)
- Farbror Arvidsson, Ullas far
- (as Didrik Gustavsson)
Opiniones destacadas
This is a true story based on the life of a real child whose mother was a famous Swedish writer, who had a terrible temper and also died of a disease of the lungs. As a special, there is a delightful interview with the director which is insightful on several levels. He talks about what it was like working with the child actors and how natural they were about their work. He talked about how he only realized how unconsciously hooked into the film he had become after seeing it several years after completion. The reason given was that he too was the child of a famous writer/mom who needed her space and privacy. He too had children and then was divorced. So, on many levels he found the film a cathartic experience AFTER he had watched it in a theater and watched how other people responded.
What is clear about this film is that it is charming without being cheap or smarmy. The unpretentious manner in which a touching and sad story is told is such a joyful antidote to the average Hollywood film. Unlike most American films which say too much, are too loud and spoon feed all thinking into the audience with the assumption that we are dumb, insensitive and unable to connect the dots, this drama delights with it's simplicity, allowing the drama to come to us in an unhurried telling. This film won several awards and most deserving it was. At the end we both cry and smile at the outcome. What is strengthening to know, is that the real life boy whose story this is, thrived. A really great film indeed.
Sounds pretty obvious but it isn't. This film is beautifully directed by Lasse Hallstrom and perfectly captures what it's like to be a young boy growing up. That it takes place in 1950s Sweden makes no difference--all young boys go through the feelings and emotions shown in this movie. Some posters have complained about a (brief) instance of a topless young girl. Well--like it or not, kids that age DO think about sex and do "explore" their feelings with other kids. I actually think it's great that this film didn't shy away from that subject. Glanzelius is just great in the role and has a VERY expressive face (some of the looks he gives are fascinating and hilarious too). An excellent film.
This was a surprise hit in the US in 1985. It was so big Glanzelius actually toured the country with his parents to promote the movie. I remember seeing it in 1985 and loving it--it still holds up. A must-see.
As charming as a film of this sort can be, despite the episodic nature of the telling. All of the performances are right on target and the director has woven a tapestry of individual scenes that sparkle with truth and innocence. Makes you examine your own childhood feelings of loneliness or rejection--and the explorations that all of us are subject to.
By all means, a film worth watching. I hope to see it again--and this time from the very beginning. I missed some of the film and would like to see the complete work.
First - only watch the version with subtitles. The dubbed version isn't as accurate which destroys the subtle humour which gives lightens the movie enough to make it enjoyable.
This is a "sit alone with a cup of coffee" film, not a "crowd on the couch with beer and pizza movie."
Anton Glanzelius is good as the 12-year-old who not only stars in the movie but does a good job narrating it as well. When he finds himself in a tough situation, he always compares himself to something worse, such as a Soviet space dog and its unfortunate lot. The tomboyish-looking young girl who flirts with him, Melinda Kinnaman, is fun to watch, too. I wonder what she looks like now as an adult?
For kids that young, I thought there was a little too much emphasis on sex, but mostly it's just natural curiosity of what the other sex looks like, and the intentions are innocent.
Overall, it is a charming film with almost all (one exception: his older brother) likable people.
¿Sabías que…?
- TriviaThe only film that year to be Oscar nominated for Best Director, but not Best Picture.
- ErroresA part of the helicopter can be seen while Ingmar is sitting on the train down to his uncle for the second time
- Citas
Ingemar: In fact, I've been kinda lucky. I mean, compared to others. You have to compare, so you can get a little distance from things. Like Laika. She really must have seen things in perspective. It's important to keep a certain distance. I think about that guy who tried to set a world record for jumping over buses with a motorcycle. He lined up 31 buses. If he'd left it at 30, maybe he would have survived.
- ConexionesFeatured in The Cider House Rules: The Making of an American Classic (1999)
- Bandas sonorasFar, jag kan inte få upp min kokosnöt
(original song title "I've Got a Lovely Bunch of Coconuts")
Written by Fred Heatherton (joint pseudonym of Elton Box, Desmond Cox and Irwin Dash) (uncredited)
Swedish lyrics by Povel Ramel
Performed by Povel Ramel (uncredited)
Selecciones populares
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Detalles
Taquilla
- Total en EE. UU. y Canadá
- USD 8,345,266
- Fin de semana de estreno en EE. UU. y Canadá
- USD 11,667
- 3 may 1987
- Total a nivel mundial
- USD 8,349,284