El ladrón Gastón escapa de una mazmorra medieval en Aquila a través de la letrina. Los soldados están a punto de matarle, pero Navarre le salva.El ladrón Gastón escapa de una mazmorra medieval en Aquila a través de la letrina. Los soldados están a punto de matarle, pero Navarre le salva.El ladrón Gastón escapa de una mazmorra medieval en Aquila a través de la letrina. Los soldados están a punto de matarle, pero Navarre le salva.
- Dirección
- Guionistas
- Elenco
- Nominado a 2 premios Óscar
- 5 premios ganados y 7 nominaciones en total
Alex Serra
- Mr. Pitou
- (as Alessandro Serra)
Russel Case
- Lieutenant
- (as Russell Kase)
Donald Hodson
- Guard on Cart
- (as Don Hudson)
Rodd Dana
- Guard at the City Gate
- (as Rod Dana)
Opiniones destacadas
Rutegar Hauer shines as Captain Etienne Navarre, a medieval knight and his petite l'amour Michelle Pfeiffer as Isabeau his wonderful Lady Hawk. John Wood plays an utterly nasty Bishop of Aquila. With Mathew Broderick as the little thief and Leo McKern the priest who betrays the two lovers.
This movie stands out for music score, knights and fair ladies in distress, and characters that you can fall in love with. It will have you rooting for the good guys and yelling at the screen for them to vanquish their enemies.
This romantic fantasy is an escape for the real world to a place where love, honor, and courage are rewarded. Where true love is possible, and two people love each other more than life itself. A love like this is almost impossible today.
I adored this film so much that I have three copies of the movie and two of the soundtrack by Alan Parsons Project. I think the background music goes so well with what is happening on the screen. Each of the main characters has their own musical composition, and will make you cheer or cry.
This movie stands out for music score, knights and fair ladies in distress, and characters that you can fall in love with. It will have you rooting for the good guys and yelling at the screen for them to vanquish their enemies.
This romantic fantasy is an escape for the real world to a place where love, honor, and courage are rewarded. Where true love is possible, and two people love each other more than life itself. A love like this is almost impossible today.
I adored this film so much that I have three copies of the movie and two of the soundtrack by Alan Parsons Project. I think the background music goes so well with what is happening on the screen. Each of the main characters has their own musical composition, and will make you cheer or cry.
As a former video store employee, I am proud to say of all the films I ever recommended, LADYHAWKE came back with all favorable reviews, and not once did anyone I rented it to take me up on my "money-back" guarantee.
No surprises there. Despite the production's troubled history between two studios (Fox and Warner's) and endless rewrites by an army of scribes, it still finds everyone involved at the top of their game, and early into most of their careers!
Rutger Hauer's bad guys were always more interesting and charismatic than his good ones, but his role as Captain Etienne Navarre was the noteable exception. In the best shape of his career both physically and artistically (with the exception of BLADE RUNNER'S Roy Batty), he painted the perfect portrait of noble hubris, tinged with the ache of unfulfilled love for his fair maiden, and the sorrow of an eternal curse that could never be lifted. Even Errol Flynn would've been envious.
Michelle Pfeiffer has been many things in her career: earthy, sensual, campy, courageous, but she would never achieve the combination of radiant strength and vulnerability that she did as Isabeau D'Anjou. There have been other actresses who have looked better and given deeper, more nuanced performances since hers...but it's a REAL short list.
When I saw the previews, I was pretty sure that the main thing I would like the least about this movie was Matthew Broderick, whose Philippe "The Mouse" Gaston was a character I was pretty sure would grate on my nerves. And for the first part of the film, he definitely does. Credit it to Matthew's likeability and talent that before the film's end, though, you're rooting for him as much as for the two leads.
And let's not forget an extremely impressive supporting cast: John Wood (WAR GAMES and JUMPING JACK FLASH), Leo McKern (the OMEN films and PBS' "Rumpole of the Bailey"), Alfred Molina (PRICK UP YOUR EARS, RAIDERS OF THE LOST ARK and the TV series THE LADIES' MAN) and a wicked turn by Ken Hutchison as Navarre's nemesis.
For the couple, the friends or the family who want action AND romance, too, you can't do better, (and can always do worse.) And as far as the "music" controversy is concerned, I am a longtime fan of Andrew Powell's work back from his early days with Alan Parsons, and later with The Project, and I thought that the juxtaposition of the contemporary music with the medieval setting worked perfectly. This is, after all, a fantasy, not a historical record of true events! Enjoy it for what it is!
No surprises there. Despite the production's troubled history between two studios (Fox and Warner's) and endless rewrites by an army of scribes, it still finds everyone involved at the top of their game, and early into most of their careers!
Rutger Hauer's bad guys were always more interesting and charismatic than his good ones, but his role as Captain Etienne Navarre was the noteable exception. In the best shape of his career both physically and artistically (with the exception of BLADE RUNNER'S Roy Batty), he painted the perfect portrait of noble hubris, tinged with the ache of unfulfilled love for his fair maiden, and the sorrow of an eternal curse that could never be lifted. Even Errol Flynn would've been envious.
Michelle Pfeiffer has been many things in her career: earthy, sensual, campy, courageous, but she would never achieve the combination of radiant strength and vulnerability that she did as Isabeau D'Anjou. There have been other actresses who have looked better and given deeper, more nuanced performances since hers...but it's a REAL short list.
When I saw the previews, I was pretty sure that the main thing I would like the least about this movie was Matthew Broderick, whose Philippe "The Mouse" Gaston was a character I was pretty sure would grate on my nerves. And for the first part of the film, he definitely does. Credit it to Matthew's likeability and talent that before the film's end, though, you're rooting for him as much as for the two leads.
And let's not forget an extremely impressive supporting cast: John Wood (WAR GAMES and JUMPING JACK FLASH), Leo McKern (the OMEN films and PBS' "Rumpole of the Bailey"), Alfred Molina (PRICK UP YOUR EARS, RAIDERS OF THE LOST ARK and the TV series THE LADIES' MAN) and a wicked turn by Ken Hutchison as Navarre's nemesis.
For the couple, the friends or the family who want action AND romance, too, you can't do better, (and can always do worse.) And as far as the "music" controversy is concerned, I am a longtime fan of Andrew Powell's work back from his early days with Alan Parsons, and later with The Project, and I thought that the juxtaposition of the contemporary music with the medieval setting worked perfectly. This is, after all, a fantasy, not a historical record of true events! Enjoy it for what it is!
Ever since I was a kid, I loved fantasy movies. As a matter of fact, anything with sword fights was great in my book. And since I grew up in the days before Lord of the Rings came along, my favourites were always mid-to-late-eighties fantasy epics like The Princess Bride, Willow, and Ladyhawke.
It's all about an outcast knight and his lover, who have been cursed by an evil bishop to become animals during night and day, so they're never together in human form. He becomes a wolf and she becomes a hawk (hence the title). The knight enlists the help of a young thief to break into the cathedral and take his revenge on the bishop. Aside from the basic premise, it's more of a historical movie than a fantasy movie. There's no magic other than the curse, and no trolls or giants or anything, which was partly the reason I enjoyed it so much.
I've also always loved this movie for it's great storyline and interesting characters. Philipe's conversations with God still amuse me, as does the drunken monk played by Leo McKern ... It comes from director Richard Donner, who of course brought us Superman I & II, the Lethal Weapon movies and so on. This is essentially a well-directed movie, although a lot of people have issues with the choice of soundtrack. It's kind of a techno-poppy thing, which I blame NeverEnding Story for. A lot of eighties fantasy movies went with the same idea, but it works with Ladyhawke better than it works with most others, although I would of course prefer a more conventional and less intrusive score. On the whole, the sets and the props are pretty convincing, although some of the fight sequences aren't particularly great.
Here we have an early Matthew Broderick performance which shows how little his acting skills have developed since. Not that he's a bad actor, just an early bloomer I guess. Cult icon Rutger Hauer, of whom I have always been a huge fan (Blade Runner, The Hitcher, The 10th Kingdom) gives a fantastic performance as the outcast knight, and as we all know it's never a bad idea to have Michelle Pfeiffer in a movie.
You should definitely see this movie if you're a fan of the genre, or of any of the actors involved. It's a wonderful fantasy adventure for all ages.
It's all about an outcast knight and his lover, who have been cursed by an evil bishop to become animals during night and day, so they're never together in human form. He becomes a wolf and she becomes a hawk (hence the title). The knight enlists the help of a young thief to break into the cathedral and take his revenge on the bishop. Aside from the basic premise, it's more of a historical movie than a fantasy movie. There's no magic other than the curse, and no trolls or giants or anything, which was partly the reason I enjoyed it so much.
I've also always loved this movie for it's great storyline and interesting characters. Philipe's conversations with God still amuse me, as does the drunken monk played by Leo McKern ... It comes from director Richard Donner, who of course brought us Superman I & II, the Lethal Weapon movies and so on. This is essentially a well-directed movie, although a lot of people have issues with the choice of soundtrack. It's kind of a techno-poppy thing, which I blame NeverEnding Story for. A lot of eighties fantasy movies went with the same idea, but it works with Ladyhawke better than it works with most others, although I would of course prefer a more conventional and less intrusive score. On the whole, the sets and the props are pretty convincing, although some of the fight sequences aren't particularly great.
Here we have an early Matthew Broderick performance which shows how little his acting skills have developed since. Not that he's a bad actor, just an early bloomer I guess. Cult icon Rutger Hauer, of whom I have always been a huge fan (Blade Runner, The Hitcher, The 10th Kingdom) gives a fantastic performance as the outcast knight, and as we all know it's never a bad idea to have Michelle Pfeiffer in a movie.
You should definitely see this movie if you're a fan of the genre, or of any of the actors involved. It's a wonderful fantasy adventure for all ages.
This wonderful flick deals with marvelous adventures about star-crossed lovers caught in an nasty spell . The movie is set in the south of France and, based on certain astronomical events that occur, can be dated to 1239 . Philipe Gastone (Matthew Broderick , though he seem better suited to a teen film) , a wisecracking thief , nicknamed the ¨Mouse¨ escapes from the dungeon at Aquila, sparking a manhunt led by officer Marquet (Ken Hutchison) . As a crafty young pickpocket stole his way out of a tyrant's dungeon and plunged into an adventure beyond even his own wildest imaginings . He is nearly captured when Captain Navarre (Rutger Hauer , though Richard Donner originally wanted to cast Kurt Russell , when Russell dropped out a few days before began, the part was handed to Hauer) riding his horse named Goliath saves him . Stalwart Navarre is condemned by an evil curse in which he and a gorgeous maid (Michelle Pfeiffer is perfectly cast as a pretty heroine) are lovers but separated by night and day . No power on Earth can save them , no force in Heaven will release them . The young along with a priest (Leo McKern) help the protagonists in their quest to break the spell by destroying its creator , a villain bishop (John Wood) . As both of whom become their unlike allied .
Imaginative as well as lush fantasy about a weird curse in which our heroes take on several adventures and dangers . This is an imaginative , glamorous , strange fantasy based on the wonderful adventures by a group of heroes against an evil bishop . Fantastic film contains sense of adventure , thrills , and lots of imagination . From start to finish fantasy , action , duels and delightful adventures are interminable . Exciting and interesting screenplay by Michael Thomas , Tom Mankiewicz and David Webb based on a story by Edward Khmara . Edward Khmara took the issue to the Writers Guild Association and was awarded a cash settlement from Warners, but the medieval legend claim wasn't dropped ; and Warner Brothers falsely marketed the movie as being based on a true medieval legend . As this is a mysterious as well as intriguing seven-hundred-year-old legend of horror and love . Starring a considerable cast of top-names performers such as Rutger Hauer , Michelle Pfeiffer and Matthew Broderick . Support cast is frankly enjoyable such as Leo McKern as Father Imperius the Monk , John Wood as Bishop of Aquila , Ken Hutchison as Marquet , and Alfred Molina as Cezar . Marvelous special effects are visually stunning , though a little dated , and magnificently realized with no computer generator . Several different hawks were used , one to sit on Rutger Hauer's arm and another for the flying scenes.
Impressive production design by Wolf Kroeger , including luxurious scenarios , filmed on location in Italy , such as Campo Imperatore, L'Aquila, Abruzzo, Castell'Arquato, Piacenza, Emilia-Romagna, Rocca di Calascio, Calascio, L'Aquila , Soncino, Cremona, Lombardia,Torrechiara, Langhirano, Parma, Emilia-Romagna, Catatombe , Rome and three of the castles used for the film were owned by Italian film director Luchino Visconti . Colorful and glimmer cinematography shot in Technovision by Vittorio Storaro , Bernardo Bertolucci's usual cameraman . Anti-climatic though generally entertaining musical score composed by Andrew Powell by means of modern synthesizer ; however sometimes resulting to be effective and agreeable . This big-budgeted , overlong , appreciated film achieved hit at box office and today is very well considered and it will please the young and the young at heart . The movie was compelling and imaginatively directed by Richard Donner . The picture was nominated for two Academy Awards, for Best Sound Editing and Best Sound Mixing, but failed to win either Oscar . ¨Ladyhawke¨ might be described as an extraordinary fantasy full of imagination and color . It's a tale for teens and adults in which entertainment and amusement are guaranteed . Rating : Good , better than average . Worthwhile watching .
Imaginative as well as lush fantasy about a weird curse in which our heroes take on several adventures and dangers . This is an imaginative , glamorous , strange fantasy based on the wonderful adventures by a group of heroes against an evil bishop . Fantastic film contains sense of adventure , thrills , and lots of imagination . From start to finish fantasy , action , duels and delightful adventures are interminable . Exciting and interesting screenplay by Michael Thomas , Tom Mankiewicz and David Webb based on a story by Edward Khmara . Edward Khmara took the issue to the Writers Guild Association and was awarded a cash settlement from Warners, but the medieval legend claim wasn't dropped ; and Warner Brothers falsely marketed the movie as being based on a true medieval legend . As this is a mysterious as well as intriguing seven-hundred-year-old legend of horror and love . Starring a considerable cast of top-names performers such as Rutger Hauer , Michelle Pfeiffer and Matthew Broderick . Support cast is frankly enjoyable such as Leo McKern as Father Imperius the Monk , John Wood as Bishop of Aquila , Ken Hutchison as Marquet , and Alfred Molina as Cezar . Marvelous special effects are visually stunning , though a little dated , and magnificently realized with no computer generator . Several different hawks were used , one to sit on Rutger Hauer's arm and another for the flying scenes.
Impressive production design by Wolf Kroeger , including luxurious scenarios , filmed on location in Italy , such as Campo Imperatore, L'Aquila, Abruzzo, Castell'Arquato, Piacenza, Emilia-Romagna, Rocca di Calascio, Calascio, L'Aquila , Soncino, Cremona, Lombardia,Torrechiara, Langhirano, Parma, Emilia-Romagna, Catatombe , Rome and three of the castles used for the film were owned by Italian film director Luchino Visconti . Colorful and glimmer cinematography shot in Technovision by Vittorio Storaro , Bernardo Bertolucci's usual cameraman . Anti-climatic though generally entertaining musical score composed by Andrew Powell by means of modern synthesizer ; however sometimes resulting to be effective and agreeable . This big-budgeted , overlong , appreciated film achieved hit at box office and today is very well considered and it will please the young and the young at heart . The movie was compelling and imaginatively directed by Richard Donner . The picture was nominated for two Academy Awards, for Best Sound Editing and Best Sound Mixing, but failed to win either Oscar . ¨Ladyhawke¨ might be described as an extraordinary fantasy full of imagination and color . It's a tale for teens and adults in which entertainment and amusement are guaranteed . Rating : Good , better than average . Worthwhile watching .
Matthew Broderick stars in Ladyhawke in a role with an oriental setting would have been done by Sabu. There is a lot similaritity between Ladyhawke and the
Thief Of Bagdad.
Our juvenile thief is Broderick who is about to be caught by the local troops and pay for his crimes when his capture is interrupted by a strange knight and a hawk. The knight is Rutger Hauer and he's the object of the hate of the local Bishop who runs the town.
Back in the days of The Code this film could never be made. One could not show a clergyman in a bad light and John Wood as the Bishop is as bad as they come. He has an obsession with Michelle Pfeiffer who is the true love of Hauer.
Wood if he couldn't have her, summons the powers of the black arts and curses them both. They can never find happiness because at sunrise Pfeiffer turns into a hawk and Hauer at sunset turns into a wolf and vice versa. Their time together is a moment or two at sunrise and sunset.
This medieval fairy tale is well done and the main players are well cast who also include Leo McKern as a defrocked priest. The sets are outstanding and Ladyhawke got two Oscar nominations in the sound department but lost.
A nice timeless fairy tale from Hollywood.
Our juvenile thief is Broderick who is about to be caught by the local troops and pay for his crimes when his capture is interrupted by a strange knight and a hawk. The knight is Rutger Hauer and he's the object of the hate of the local Bishop who runs the town.
Back in the days of The Code this film could never be made. One could not show a clergyman in a bad light and John Wood as the Bishop is as bad as they come. He has an obsession with Michelle Pfeiffer who is the true love of Hauer.
Wood if he couldn't have her, summons the powers of the black arts and curses them both. They can never find happiness because at sunrise Pfeiffer turns into a hawk and Hauer at sunset turns into a wolf and vice versa. Their time together is a moment or two at sunrise and sunset.
This medieval fairy tale is well done and the main players are well cast who also include Leo McKern as a defrocked priest. The sets are outstanding and Ladyhawke got two Oscar nominations in the sound department but lost.
A nice timeless fairy tale from Hollywood.
¿Sabías que…?
- TriviaSpike II, the hawk featured in this movie, worked in the Universal Bird Show until 2000, when she was transfered to the National Audubon society and became an Audubon Ambassador until she died in May 2007. Another hawk was used for flying scenes, and another to sit on Rutger Hauer's arm. One enjoyed Hauer's company so much it would ruffle its feathers when seated on his arm, making it look more like a chicken.
- ErroresWhen the Mouse first escapes the dungeon and pops out of the water, it cuts to two soldiers, one of whom is searching for his moneybag. However, the Mouse doesn't steal his moneybag until the next scene.
- Créditos curiososWith Loving Memory to "Little Pasta"
- Versiones alternativasThe VHS and DVD prints do not feature an opening logo.
- ConexionesFeatured in At the Movies: King David/Lady Hawke/Fraternity Vacation (1985)
Selecciones populares
Inicia sesión para calificar y agrega a la lista de videos para obtener recomendaciones personalizadas
- How long is Ladyhawke?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Idioma
- También se conoce como
- El hechizo del halcón
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 20,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 18,432,000
- Fin de semana de estreno en EE. UU. y Canadá
- USD 3,450,536
- 14 abr 1985
- Total a nivel mundial
- USD 18,432,150
- Tiempo de ejecución
- 2h 1min(121 min)
- Color
- Relación de aspecto
- 2.39 : 1
Contribuir a esta página
Sugiere una edición o agrega el contenido que falta