CALIFICACIÓN DE IMDb
6.4/10
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TU CALIFICACIÓN
La historia de un hombre que ha creado un nuevo sello de hip-hop/rap llamado Krush Groove.La historia de un hombre que ha creado un nuevo sello de hip-hop/rap llamado Krush Groove.La historia de un hombre que ha creado un nuevo sello de hip-hop/rap llamado Krush Groove.
- Premios
- 1 nominación en total
Darryl McDaniels
- Self (Run-D.M.C.)
- (as Daryll McDaniels)
Jam Master Jay
- Self (Run-D.M.C.)
- (as Jason Mizell)
Darren Robinson
- Self (Fat Boys)
- (as Darren 'Buffy' Robinson)
Bobby Brown
- Self (New Edition)
- (as New Edition)
Ronnie DeVoe
- Self (New Edition)
- (as New Edition)
Ralph E. Tresvant
- Self (New Edition)
- (as Ralph Tresvant)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Krush Groove is the most underrated rock n roll movie of the 1980s. Is it the Best music film of the 80s? No that title belongs to Purple Rain. Actually Krush Groove attempts to redo Rain's successful formula, using talented musicians generally playing themselves in a fictitious story with some realistic elements. It actually came out a year or so too early, with rap and hip hop still generally a black phenomenon despite Blondie's #1 pop `Rapture'. (Debbie Harry makes an appearance here portraying a club singer.) The one `Actor' not playing himself was Blair Underwood who played the character Russell Walker (While the REAL Russell Simmons played a stage hand named Crocket)
The story deals with a number of rap artists Run DMC, Kurtis Blow and the Fat boys in their efforts to make it big as hip hop stars. It deals with the good and bad of having a hit record on a small independent record label, competition between two brothers over the heart of a young female singer (Sheila E.), the consequences of borrowing money from a loan shark, the opportunity to sign with a major label and a talent contest looking for new hip hop talent. The contest includes an appearance from New Edition, an all too brief appearance from future superstars The Beastie Boys and an in studio audition from LL Cool J. The film was rated `R' generally for some mild violence and usage of the `F' word. (Six instances where two would automatically mean an `R' rating) It didn't do too hot at the box office. I had stated that the film came out a year or so too early. The reason I stated this was that in 1986, one year following this film's release, Run DMC's cover of Aerosmith's Walk This Way got heavy airplay on white radio, even going to number1 on album rock radio in Aerosmith's homebase of Boston MA. This success opened the door for The Beastie Boys, The Fat Boys, LL Cool J, Will Smith (known at that time as The Fresh Prince) and a large number of other hip hop and rap artists to score BIG on the Pop singles and pop album charts.
The story deals with a number of rap artists Run DMC, Kurtis Blow and the Fat boys in their efforts to make it big as hip hop stars. It deals with the good and bad of having a hit record on a small independent record label, competition between two brothers over the heart of a young female singer (Sheila E.), the consequences of borrowing money from a loan shark, the opportunity to sign with a major label and a talent contest looking for new hip hop talent. The contest includes an appearance from New Edition, an all too brief appearance from future superstars The Beastie Boys and an in studio audition from LL Cool J. The film was rated `R' generally for some mild violence and usage of the `F' word. (Six instances where two would automatically mean an `R' rating) It didn't do too hot at the box office. I had stated that the film came out a year or so too early. The reason I stated this was that in 1986, one year following this film's release, Run DMC's cover of Aerosmith's Walk This Way got heavy airplay on white radio, even going to number1 on album rock radio in Aerosmith's homebase of Boston MA. This success opened the door for The Beastie Boys, The Fat Boys, LL Cool J, Will Smith (known at that time as The Fresh Prince) and a large number of other hip hop and rap artists to score BIG on the Pop singles and pop album charts.
A lot of good review comments, so I'll just add. This movie could well be classed a historical in some respects, and is actually shown in some colleges as part of curriculum. It is based on the true and personal story of Run DMC, The Fat Boys, Kurtis Blow, Sheila E, and others breaking out rap music for the first time to the mainstream audiences against convention and against those who would view rap as non-music and a fad. It showcases the music as a true underground phenomena; fun, creative, positive, and energetic; embraced by urban youth eager to rebel. Poor, fat, whatever, just being yourself for a change was enough for you to make a go of it and be successful. There are 12 musical productions in the film and some showstopper performances by Sheila E (coached by Prince for this film) especially. This movie was based on real events and the roles played by the people themselves who lived them. In that sense it may not have a Hollywood calibre cast and complicated plot, but that wasn't the point of this film. This film was meant to showcase the struggles of a music, the struggles of artists in an emerging genre, and show people where it was at in 1985. It did just that, capturing the heart and soul of hip-hop, where it all is rooted, free from excessive profanity, free from guns and gangsterism; just go out and have fun, stand tall, express yourself, forget the nay-sayers, and throw down the creativity. And the rest is history.
"Krush Groove" features some great performances by Run DMC (including their classic "King of Rock"), the Fat Boys, Kurtis Blow, the Beastie Boys, New Edition, and a very young LL Cool J. Unfortunately, without any real plot or characterization, that's all the film really has. If you like hip-hop circa 1985, "Krush Groove" is worth watching; it you don't, then skip it.
This is a movie about the struggles of early rap groups trying to make it big in the 80's when rap was not a popular music genre. This is not the most dramatic of movies by any stretch of the imagination, but if you like old school rap acts like RUN-DMC, The Beastie Boys, The Fat Boys, and LL Cool J you will find this movie entertaining. However if you are not familiar with the 80's rap scene you may not be very impressed with this movie. I though it would be a really stupid movie at first, but once I watched it I was impressed.
It's great to see the early performances by some rap legends, but the movie itself is garbage. The story is trite, as predicted, and the acting is criminally bad.
Awesome performances, but fast forward through the rest.
Awesome performances, but fast forward through the rest.
¿Sabías que…?
- TriviaSeveral fights broke out between extras. Many Latinos were stating that Hip Hop was collaborated between black/brown while black extras argued that brown "influence" came later. The constant fighting caused so much tension on set that co-producer Russell Simmons grabbed a megaphone and shouted, "It's black invented, but now everyone is rocking to it. So lets stop fighting and finish this movie!" After Simmons made this announcement, cooler heads prevailed.
- ErroresWhen the fat boys are singing all you can eat in the when they go to the cashier with the food if you look in front of the restaurant you will see a crew member standing at the door making sure nobody goes inside. You can also see people looking inside while the scene is being filmed.
- Créditos curiososThe cast dances over the end credits.
- Versiones alternativasThe Warner Archive Collection DVD print has the opening 2001 Warner Bros. Pictures logo.
- ConexionesEdited into The Krush Groove All-Stars: Krush Groovin' (1985)
- Bandas sonorasKing of Rock
Performed by Run-D.M.C. (as Run-DMC)
Written by Larry Smith (as L. Smith), Joseph Simmons (as J. Simmons),
Darryl McDaniels (as D. McDaniels)
Available exclusively Profile Records
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Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- Rap Attack
- Locaciones de filmación
- Times Square, Manhattan, Nueva York, Nueva York, Estados Unidos(sbarro's fat boys' all you can eat buffet scene)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 3,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 11,052,713
- Fin de semana de estreno en EE. UU. y Canadá
- USD 2,905,293
- 27 oct 1985
- Total a nivel mundial
- USD 11,052,713
- Tiempo de ejecución
- 1h 37min(97 min)
- Mezcla de sonido
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