Kommando Leopard

This is the second part of a war actioner trilogy which seems to enjoy some kind of cult status – the others being CODENAME: WILD GEESE (1984) and THE COMMANDER (1988) – and featuring the same star (Lewis Collins), producer (Jess Franco regular Erwin C. Dietrich) and director (Margheriti, who dabbled in every "Euro-Cult" subgenre there is, though he was at his best perhaps handling atmospheric Gothic chillers). Actually, it provides little more than standard heroics – albeit done on a fairly elaborate scale, with a couple of notably spectacular action sequences (including the blowing up of a dam, a stationary airplane and a moving train); allegedly, it was the most expensive Swiss-budgeted production up to that time.

Collins plays Carasco, a quasi-mythical leader of a band of revolutionary mercenaries – which include feisty Cristina Donadio, cynical John Steiner and world-weary Luciano Pigozzi (who is curiously uncredited) – up against the dictatorial regime of an unidentified Latin American state and, more specifically, Klaus Kinski's bloodthirsty militia. Another major character is that of the heroic priest (Manfred Lehmann) of a war-torn village who stands up to Kinski and, consequently, earns the respect and help of the mercenaries; the religious/political elements of the plot may be intended to give the whole a more serious tone than the typically mindless Euro-Cult fare – but we've still seen this "saintly martyr vs, cruel oppressors" scenario countless times in earlier and better Hollywood movies, so that this segment is actually more predictable than anything else.

The German 2-Disc set of the film which I happened upon at a local DVD rental outlet also contains a 50-minute "Making Of" Documentary but, unfortunately, I didn't have time to watch more than a few samples from it...

Commando Leopard is cheesy but enthusiastic action trash for the most part. It's not extremely different from any other jungle-set, exploitation war movie from the 1980's. However, it does have 3 notable elements: First, the photography shows occasional flourishes of style that you wouldn't expect in a cheap 80s action b-movie. It's shot in 2.35:1 widescreen and every so often you get an artfully composed shot, a low angle "hero pose" image (which are far more common to big budget post-1990 action movies!), or a visceral over-the-shoulder camera angle on the gun play. The photography is nothing spectacular as a whole, but it does give the film an intermittent visual slickness that sets it apart from the bland coverage common to 1980's B-movie cinematography. Second, legendary actor Klaus Kinski is in the movie. Third, Commando Leopard is quite ambitious with at least 3 large-scale destruction/explosion scenes. There's a sense of enthusiasm to the affair that makes it easy to watch. Overall, it's one of the better examples of low-budget, exploitation film-making in the genre and era.

Italian B movies don't get better than this. Great cast, fantastic action sequences, great score and top notch direction from old hand Antonio Margheriti. If there was a trio of movies that should be released on DVD it is CODENAME WILDGEESE, this and THE COMMANDER. Maybe Anchor Bay will do the right thing and get it out on disc.

Antonio Margheriti was a director who knocked out many films from different genres depending what was popular at the time in the Italian B-movie industry. He made films in various sub-categories - science fiction, Gothic horror, peplums, spaghetti westerns, gialli, pollsters, a creature feature, a cannibal movie, various action flicks – you name it! Commando Leopard is one of the latter, an 80's action-fest set in Latin America about an evil dictator and his sadistic adviser in their war against heroic resistance fighters.

Its story is very routine stuff really, that only serves as a platform for much explosions and shooting. But I would have to say that this is an above average example of this kind of thing. It has a decent enough cast, with Lewis Collins and John Steiner doing well enough as the chief resistance fighters and, better still, Klaus Kinski on hand for yet another turn as a bad tattie; in this case the psychotic military adviser who blows up a plane of children as part of his day job! What really elevates this one though are some very well crafted destruction scenes where we have a dam, a bridge and a train blown up in impressive ways but best of all is the aforementioned destruction of a passenger aircraft just before landing. This sequence really is very well executed indeed and illustrates that this is an 80's action film which has been made with a bit of effort.

As a kid I saw CODENAME: WILDGEESE and was none-too-impressed. Since then, I've developed more of a taste for these Italian films and found that Antonio Margheriti is possibly the best of the bunch when it comes to action scenes. Bruno Mattei is a close contender (and no I am not joking) but Margheriti takes the cake for best explosion-filmer in Italian cinema.

The airplane explosion at the airport about halfway through is reason enough to track down this movie. It looks completely awesome! Equally cool is a massive oil refinery/train explosion later in the film, not recycled footage from THE LAST HUNTER either! Also notable are a couple helicopter explosions and a huge dam getting busted.

The plot is negligible and the acting and photography pretty routine, but the great cast and action sequences make up for that. Klaus Kinski is underused as usual, but appears to be having a lot of fun firing blanks from his M-16 and mowing down dozens of extras. The (Morricone?) musical score is pretty light and well-used for the most part, working well with the action scenes. However, Margheriti undermines the ending of the film with a completely awful song "In The War" which plays over the ending credits. This is pretty similar to the endings of a lot of his films from the time period, though it doesn't end with a freeze-frame oddly enough.

If you're a serious action buff, you shouldn't go without this movie!