Kojak: The Belarus File

Probably pro-Kojak sentiments coupled with the courageous story line led to my exaggerating a "fair" rating for this movie. Probably a fair rating of this movie should be 8. But the inexplicable weighted average by others of 5.3 is neither fair nor understandable.

The action and style is classic Kojak; even "Styros" (Terry Salvalas' real life brother) acts in this movie. I think Salvalas and Susan Pleshet did a good job of carrying the story of a Nazi concentration camp survivor tracking down aging Nazis to execute them by taking justice into his own hands. The one glaring flaw is that Pleshet's character (an ambitious State Department attorney on her way up ... who is supposed to derail Kojak's murder investigation) is not likely to have faced a lifetime prison term by handing over to Kojak "Top Secret" files ... just to prove to Kojak that she can be trusted. But otherwise, I think the movie made its point that mass murderous Nazis were (and continue to be) protected by various branches of the United States government. So making an action-adventure "crimmie" about it takes some guts and deserves some glory.

This movie is worth seeing for entertainment and for educational values.

This important TV movie has never been issued on DVD, but only as a 1980s video, so that it is very difficult to obtain. It may be the only accurate portrayal of one of the shadier aspects of American post-war foreign policy ever filmed. It is based upon the 1982 book by John Loftus, THE BELARUS SECRET, which is a historical work, not a novel as stated by IMDb. The film was made as a stand-alone TV movie spin-off of the famous KOJAK detective series, starring Telly Savalas. This film tackles a profoundly controversial and disturbing subject, namely the protection of Nazi war criminals by the security establishment of the United States Government. As Savalas and Suzanne Pleshette, the female star of the film, both say, it is a total disgrace and insult to what America is supposed to stand for. The reason why the title refers to the country of Belarus is that it concerns SS officers from there who have made their way under American official protection to new lives under false identities in the USA. Belarus at the time this film was made was part of the Soviet Union. Today it is an independent, but far from free, country, headed by the man widely called in the press today 'the last dictator in Europe'. Belarus in an earlier age was known as Byelorussia, and also as 'White Russia'. During the War it was under German occupation, and many locals enthusiastically did the Nazis' dirty work for them, just as the Vichy French did, only more so. So keen were the Belarusians to aid the Nazis that some of them were initiated into the SS and carried out their murderous duties as SS officers. Hundreds of thousands of people died at their hands. After the War, many of these horrible mass-murderers were brought to America secretly and evaded trial. Thousands of SS officers came to America after the War, some as part of Operation Paperclip, and others under various other programmes, many of them given protection by those great Nazi-lovers, the Dulles Brothers, who were the American lawyers for the Gestapo's front organisation in America in the 1930s. Interesting, isn't it, that two men whose salaries came indirectly from the Gestapo before the War ended up respectively as American Secretary of State and Director of the CIA? What does that tell you? And everybody thought Germany lost the War! The Belarus part of this disgraceful story has been extensively exposed, and the book by Loftus has been reissued in recent years, giving all the gory details. It is readily available as a paperback and is based upon contemporary documents and is full of proof, not merely assertions. In this film, Max von Sydow plays a former inmate who suffered under the Belarus SS and is trying to expose them and bring them to justice. Savalas, as Detective Lieutenant Kojak of the New York Police Department, becomes involved as the investigator of the murders of various strange elderly men living under false names, one with a false grave, whose files are all kept under wraps at the State Department in Washington, and who he discovers all came from Belarus. This is not just a film, it is an education.

One fine day elderly concentration camp survivor Max Von Sydow spots Herbert Berghof in Manhattan. With what Berghof did to Von Sydow back in the day you don't forget that face. In fact Berghof leads Von Sydow to a lot of other familiar faces from those bad old days in a concentration camp run by White Russian collaborators with the Nazis.

When several elderly men start getting abruptly dead that brings Lt. Theo Kojak on the scene. He's got a new young detective to take the place of Crocker in Alan Rosenberg. And in checking immigration files he has to deal with the State Department in the person of Suzanne Pleshette.

Nice work if you can get it, but Pleshette is to misdirect Kojak and she makes a good try. But Telly Savalas has been around the block a few times.

It all has to do with a scheme hatched in the minds of some fervent anti-Communists in the beginning days of the Cold War. When Berghof and Von Sydow meet with Savalas and Rosenberg it's quite the climax.

Just who gets to fulfill his mission.

With the exception of Kevin Dobson all the other detectives from Manhattan South are there along with Dan Frazer as Captain McNeill. But that would be it for them.

It's a good made for TV movie about the most passionate law and order cop that television ever invented.

This was a full-length movie featuring the television series star "Kojak," played by Telly Savalas. He made the fictional New York city detective a pretty famous person. This movie came later but the lollipop-sucking "who loves ya, baby?" wise-cracking cop was not that in this movie. His partner, "Crocker" wasn't in here, either, and his boss "Frank" only made an appearance at the end. All of that didn't make this as attractive a film as it should have been. Also, at least for me, I didn't find the deep raspy-voiced overdone eye make-upped Suzanne Pleshette to be an attractive female lead. Almost any other woman would have been this more tolerable to watch.

Despite all of the above, Salavas and the story were still pretty entertaining and the movie was filmed nicely, meaning nice photography, better than the TV series and a big cut above most made-for-TV movies. That, and some dramatic music, helped make this worth watching. However, it's not worth keeping. If you like Kojak, you're better off waiting for the TV series to come out on DVD. The first season was issued, but where's the rest?

A great story! Kojak investigates a series of recent killings that involve Russian Jews that worked with the Germans 40 years earlier to help imprison Jews in Hitler's concentration camps. Kojak is tied closely to the case by friends that are in the middle of the case. Susan Pleshette gives a great performance as Kojak's unofficial assistant and possible love interest. Max Von Sydow is, as always, great.

Perhaps now that the first season of KOJAK is now on DVD we can look forward to a DVD release for this film, as well as the several other KOJAK movies made in the late 80's and early 90's.