CALIFICACIÓN DE IMDb
7.3/10
18 k
TU CALIFICACIÓN
Un hombre gay y un preso político están juntos en una prisión. El hombre gay narra las historias de dos películas falsas y su propia vida.Un hombre gay y un preso político están juntos en una prisión. El hombre gay narra las historias de dos películas falsas y su propia vida.Un hombre gay y un preso político están juntos en una prisión. El hombre gay narra las historias de dos películas falsas y su propia vida.
- Ganó 1 premio Óscar
- 14 premios ganados y 12 nominaciones en total
Míriam Pires
- Mother
- (as Miriam Pires)
Denise Dumont
- Michele
- (as Denise Dummont)
Antônio Petrin
- Clubfoot
- (as Antonio Petrin)
Luiz Guilherme
- Agent #2
- (as Luis Guilherme)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Reading the other reviews, I see that homophobes have been duly warned about this movie, so I won't say anything about the relationship between the two men beyond that it is complex and beautiful.
What interests me more for the purposes of this little blurb is that no one has commented on how the "film within a film" (much like the "play within a play" in Hamlet) reflects the actual events unfolding in the prison cell. Molina (William Hurt) is ostensibly retelling his favorite film to entertain Valentin (Raul Julia) and make the time pass more quickly, but he himself admits that he "embroiders" the story to make it more real. So who is to say if this film exists except in Molina's mind, and if it does, what really transpired in the film? The story about the French woman who is in love with a German officer during World War II, and must decide whether or not to betray him, is an obvious parallel to Molina's decision to betray Valentin or not. Even Molina says that he most identifies with Leni La Maison (Sonia Braga) in this film of his, and it's not just because he is a drag queen. It's because he has to choose between the man he loves and "patriotism" (in his case, represented by the police/government as well as his ailing mother).
This storytelling tactic works brilliantly, in my opinion. Kiss of the Spider Woman is indeed original, quirky, and a must-see.
What interests me more for the purposes of this little blurb is that no one has commented on how the "film within a film" (much like the "play within a play" in Hamlet) reflects the actual events unfolding in the prison cell. Molina (William Hurt) is ostensibly retelling his favorite film to entertain Valentin (Raul Julia) and make the time pass more quickly, but he himself admits that he "embroiders" the story to make it more real. So who is to say if this film exists except in Molina's mind, and if it does, what really transpired in the film? The story about the French woman who is in love with a German officer during World War II, and must decide whether or not to betray him, is an obvious parallel to Molina's decision to betray Valentin or not. Even Molina says that he most identifies with Leni La Maison (Sonia Braga) in this film of his, and it's not just because he is a drag queen. It's because he has to choose between the man he loves and "patriotism" (in his case, represented by the police/government as well as his ailing mother).
This storytelling tactic works brilliantly, in my opinion. Kiss of the Spider Woman is indeed original, quirky, and a must-see.
A bizarre, evocative film which seems strange even now -- I can't imagine what audiences made of it in 1985.
William Hurt and Raul Julia play cell mates, one gay, the other straight, rotting away in a Latin American prison under the iron thumb of a tyrannical dictatorship. At first, Julia's Latin machismo makes him repelled by Hurt's flamboyant femininity, but the two gradually bond, thrown together as they are, and discover a kind of love that transcends conventions about love and sex and that can probably only exist between two people surviving in extreme conditions.
Hurt, already known as a strapping leading man at the time, took quite a risk playing this fey character, especially at a time when movies still weren't comfortable with mainstream portrayals of gays, but his risk payed off -- he won that year's Best Actor Academy Award and became just about the hottest actor in town for a few years there in the mid-80s. Julia has a much less showy role, but the success of the film is dependent upon the strength of both male leads, and he delivers. Sonia Braga plays the eponymous spider woman, a dream figure cobbled together by both men from their imaginations and memories of old movies.
This film is a big downer, but if you enjoy well-acted, well-written stories, then the depressing ending is worth it.
Grade: A
William Hurt and Raul Julia play cell mates, one gay, the other straight, rotting away in a Latin American prison under the iron thumb of a tyrannical dictatorship. At first, Julia's Latin machismo makes him repelled by Hurt's flamboyant femininity, but the two gradually bond, thrown together as they are, and discover a kind of love that transcends conventions about love and sex and that can probably only exist between two people surviving in extreme conditions.
Hurt, already known as a strapping leading man at the time, took quite a risk playing this fey character, especially at a time when movies still weren't comfortable with mainstream portrayals of gays, but his risk payed off -- he won that year's Best Actor Academy Award and became just about the hottest actor in town for a few years there in the mid-80s. Julia has a much less showy role, but the success of the film is dependent upon the strength of both male leads, and he delivers. Sonia Braga plays the eponymous spider woman, a dream figure cobbled together by both men from their imaginations and memories of old movies.
This film is a big downer, but if you enjoy well-acted, well-written stories, then the depressing ending is worth it.
Grade: A
This film, about two thoroughly different souls turning into each other, is one of the all-time greats. The writing is crisp, the acting is phenomenal, and the story is exquisite. I have read the book in both Spanish and English, seen the musical four times, read the script of the play, and watched this movie over and over again... I recommend it to anyone who wants a true powerhouse drama, not a schmaltzy tearjerker.
Luis Molina and Valentin Arregui are cell mates in a South American prison. Luis, a trans individual, is found guilty of immoral behavior and Valentin is a political prisoner. To escape reality Luis invents romantic movies, while Valentin tries to keep his mind on the situation he's in. During the time they spend together, the two men come to understand and respect one another.
William Hurt won the Academy Award for Best Actor. The film was also nominated for Best Picture (the first independent film to do so -- it lost to "Out of Africa"), Best Director, and Best Adapted Screenplay. Hurt also won Best Actor at the BAFTA Awards, the 1985 Cannes Film Festival and several other festivals. The film was awarded the inaugural Golden Space Needle award from the Seattle International Film Festival.
William Hurt is incredible, but so is Raul Julia. It seems he is today (2015) best remembered for playing Gomez Addams, but he was so much more than that.
William Hurt won the Academy Award for Best Actor. The film was also nominated for Best Picture (the first independent film to do so -- it lost to "Out of Africa"), Best Director, and Best Adapted Screenplay. Hurt also won Best Actor at the BAFTA Awards, the 1985 Cannes Film Festival and several other festivals. The film was awarded the inaugural Golden Space Needle award from the Seattle International Film Festival.
William Hurt is incredible, but so is Raul Julia. It seems he is today (2015) best remembered for playing Gomez Addams, but he was so much more than that.
The first time I saw this movie it had just been released. The theater was packed and my wife and I ended up sitting in the front row on a wing. I hated the movie. I couldn't understand what all the hoopla was about and it just didn't sit well. My wife and I discussed the movie after wards and she couldn't believe I didn't like it. She liked it a lot. After discussing it I agreed to see it again and not sit in the front row. I quickly discovered I was wrong about the movie. William Hurt and Raul Julia are outstanding. This movie resonated on many different levels that it's hard to describe. The friendship between the two main characters was absolute regardless of their present unfortunate situation. They are two ordinary people thrown together by fate in an extremely difficult situation and they make the best of it. The conflicts going on around them would destroy lesser men. Their reality is bleak, at best, and they find a way to survive. Powerful performances at every level are the order of the day. Sonja Braga is a delightful distraction as real as any fantasy. I can't wait for this movie to come out on DVD!
¿Sabías que…?
- TriviaReportedly, William Hurt and Raul Julia worked for nothing but the payment for their air tickets and hotel bills in Brazil, where the film was shot.
- Citas
Luis Molina: The nicest thing about feeling happy is that you think you'll never be unhappy again.
- ConexionesFeatured in The 58th Annual Academy Awards (1986)
- Bandas sonorasJe me moque de l'amour
Lyrics by Manuel Puig, David Weisman
Music by John Neschling (uncredited)
Sung by Sonia Braga (uncredited)
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Detalles
- Fecha de lanzamiento
- Países de origen
- Idiomas
- También se conoce como
- Kiss of the Spider Woman
- Locaciones de filmación
- Minhocão, Via Elevada Presidente João Goulart, São Paulo, Brasil(Molina's apartment is located near the elevated highway)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total en EE. UU. y Canadá
- USD 17,005,229
- Fin de semana de estreno en EE. UU. y Canadá
- USD 55,962
- 28 jul 1985
- Total a nivel mundial
- USD 17,009,654
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