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IMDbPro

Je vous salue, Marie

  • 1985
  • Not Rated
  • 1h 12min
CALIFICACIÓN DE IMDb
6.3/10
3.9 k
TU CALIFICACIÓN
Thierry Rode and Myriem Roussel in Je vous salue, Marie (1985)
Trailer for Hail Mary
Reproducir trailer1:43
1 video
72 fotos
Drama

Una estudiante universitaria queda embarazada sin tener relaciones sexuales, lo que afecta a personas cercanas de diferentes maneras.Una estudiante universitaria queda embarazada sin tener relaciones sexuales, lo que afecta a personas cercanas de diferentes maneras.Una estudiante universitaria queda embarazada sin tener relaciones sexuales, lo que afecta a personas cercanas de diferentes maneras.

  • Dirección
    • Jean-Luc Godard
  • Guionista
    • Jean-Luc Godard
  • Elenco
    • Myriem Roussel
    • Thierry Rode
    • Philippe Lacoste
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    6.3/10
    3.9 k
    TU CALIFICACIÓN
    • Dirección
      • Jean-Luc Godard
    • Guionista
      • Jean-Luc Godard
    • Elenco
      • Myriem Roussel
      • Thierry Rode
      • Philippe Lacoste
    • 25Opiniones de los usuarios
    • 39Opiniones de los críticos
  • Ver la información de producción en IMDbPro
    • Premios
      • 3 premios ganados y 2 nominaciones en total

    Videos1

    Hail Mary
    Trailer 1:43
    Hail Mary

    Fotos72

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    Elenco principal12

    Editar
    Myriem Roussel
    Myriem Roussel
    • Marie
    Thierry Rode
    • Joseph
    Philippe Lacoste
    • L'ange Gabriel
    Manon Andersen
    • La petite fille
    Malachi Jara Kohan
    • Jésus
    Juliette Binoche
    Juliette Binoche
    • Juliette
    Dick
    • Le chien
    Georges Staquet
    Anne Gautier
    • Eva
    • (sin créditos)
    Johan Leysen
    Johan Leysen
    • Le professeur
    • (sin créditos)
    Gisele Musy
    • Maman salle d'attente
    • (sin créditos)
    Serge Musy
    • Petit garçon salle d'attente
    • (sin créditos)
    • Dirección
      • Jean-Luc Godard
    • Guionista
      • Jean-Luc Godard
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios25

    6.33.9K
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    10

    Opiniones destacadas

    8PeterMitchell-506-564364

    A beautifully told film, which may just surprise you, if shock a little too

    Without going into too much about it, this is more a image piece, the religious retelling about the story of the virgin Mary, who got mysteriously pregnant. The small film in it's starting, "The Book of Mary" is of Mary as a child, who lived in wealth. Her parents split up, where the sweet, little and very mature child, would visit her father, every often. The way the little Mary interacted with her parents, especially her mother, makes you appreciate what having a families about. The nude scene in the bath with mother and child, I admit, was confronting, it's frankness of not holding anything back, expressing the inestimable love between them, a natural human emotion, was one of many beautifully filmed scenes. I like the scene too with the father, helping the daughter with her trigonometry. Beautiful told. Some scenes were repeated, I don't why, like the shot of a jet, sailing over the woods. The second real film, has Mary grown up, her lover, a taxi driver having to come to terms with the unexplained pregnancy. Mary of course, can not allow herself to get pregnant, shunning the boyfriend when he goes to feel her stomach. This beautiful film does feature some nude shots of Mary, a beautiful actress filling the role, with such innocence, and independence in a film, it's beautifully told tale worth the view alone, for the double minded viewer. This controversial piece will cater also, to that a small number, who would given it the flick while sitting on the video shelves, including the non arty viewers. Incidentally, in Adelaide, in it's showing in 1985 at the Fair Lady, someone made a bomb threat, if the screening season went ahead.
    10byrmcusyty

    oui, non

    Hmmm...I don't know if anything that I say about this movie will be relevant to anyone else. This movie has been in my consciousness for over 20 years and has influenced me in one way or another.

    Trivia: It was because of the moving and sublime use of Mahler's 9th and Bach's Partita in this movie that I sought out the works of these composers and they've since become important points in my musical foundation.

    At the lake the professor speaks of signals from outer space, the sound in the background is an electronic bzzt bzzt...but in the next shot we see the sound is merely the professor's magic marker as he doodles.

    Mary politely nodding to instructions given by her basketball coach while piano music (J.S.Bach's wtc book1 prelude 1) swells in and out overwhelming the coach and the noise on the basketball court. She is still smiling and nodding and acting according to the earthly matters at hand even though The Voice calls to her. It is a very beautiful piece of cinema.

    Mary and Joseph talking on the pier. In order to see him, Mary has to block out the blinding sun with her hand: that's the whole meaning of Mary brilliantly focused into one image.

    The "oui, non" strophe/antistrophe appears first as a monologue by the student guiding the rubik's cube manipulator's hand to the solution, and then later as a monologue by Mary guiding Joseph's hand.

    The "oui, non" strophe/antistrophe also appears in Godard's short film "Armide", his part of "Aria".

    The little girl angel instructing Mary to "be pure, be tough." (I only have the Japanese DVD, so I'm paraphrasing. The original French is more flowing.) This is the first New Wave film - the first Godard film - I ever saw.

    I discovered Jean-Luc Godard by reading James Monaco's "The New Wave".

    I only plucked the Monaco book off the library shelf because at the time I was obsessed with "New Wave" bands like The Cure, Echo and the Bunnymen, The Smiths, New Order, etc.

    The lipstick circles Myriem Roussel's open mouth, the end.
    cantleman@yahoo.co.uk

    Incoherent? No. Bad? Yes.

    First of all, the supposed obscurity or the film. The first bit, 'The Book of Mary', is a short directed by Godard's partner and long-time collaborator, Anne-Marie Mieville. Its main connection with 'Hail Mary' is that the girl, Mary, is called Mary... Oh, and that the two films are always shown together.

    Watching 'Hail Mary' while the religionists are fighting one of their wars, I find it embarrassing to admit I noticed, but: there's nothing obscure about the film; it's a dead straight retelling of all that bible stuff. A lot of the film's pleasure is recognition: oh, that was The Annunciation! Look, Jesus has run off to the Temple! Of course, Eve and her Czech emigre lover don't have anything to do with Mary and Joseph, but as soon as you realise that it's him, rather than her, who's important, it becomes clear: Oh, yeah, he's that 'voice crying in the wilderness', making ways straight, etc, John the Baptist! This is where the problems start. Visually, the film's amazing: nudes, lakescapes, sunrises, moons--transcendent images are rarely so alluring. But when religious ideas are 'updated'--the baptist as a prophet of computers and Rubik Cubes; Gabriel as air-travel--they just seem arbitrary, and the attempt to preserve their transcendent qualities plays itself out as farce. By the end, despite the technical accomplishment, I'm left thinking Godard's accidentally remade Life of Brian.

    Worth seeing for the glimpse of Binoche, though, while she's still the sexiest hen about, and before The New Bridge Lovers turned her face into a bourgoise fetish.
    9dbowkerD

    Beautiful and Thought-Provoking: A Meditation on Motherhood

    Let's just get this out of the way: Either you "get" Jean-Luc Godard, or you don't. He's a little like some of the abstract expressionist painters: some find beauty within their works, others see nothing but washes of color. He also works in a very impressionistic manner, and for anyone looking for traditional storytelling, most of his films will be frustrating at best. It's not even so much a question of "intelligence" or not; more like some people relate to certain forms of poetry more than others.

    The Review:

    I saw Hail Mary when it came out in 1985 in the one indie theater in Wash. DC brave enough to show it despite threats and a line of protesters (none of whom had seen it, of course!) came away deeply affected, even if I didn't quite understand everything he was going for. It was like reading a poem by TS Elliot: lyrical, magical, circular, and certainly way "out there." But what "it" was I knew then as I do now: It never set out to be anti-Christian, blasphemous or disrespectful to the Biblical figure of Mary.

    The movie starts from the place of the basics of the original nativity story but in the late 20th century: Average but chaste girl who is also strong-willed and independent being told that she will become pregnant via divine intervention. Disbelieving at first, she begins to feel that it is actually true, standing firm under the accusations of infidelity by her somewhat simpleton boyfriend Josef.

    Almost everything from that point on is like a poetic and subjective meditation on womanhood, motherhood, and the transformation each goes through in order to bring us all into the world. There are some side plots and a few fairly comic storylines that thread through, but that to me is the central heart of what Godard is considering. Nudity when used is naturalistic and not of a sexualized nature. Mary as a character is depicted as one of the strongest of any of the characters even if there are moments of doubt and internal conflict. Much of the film is shown in short vignette style, often with voice-over of Mary's thoughts.

    The one area I found distracting was how abrupt many of the transitions, especially the music and general sound design, but also visually from scene to scene. I understand that this was for the most part intentional, but personally feel like it might have been more effective to have overlapping sound edits or fade-off than such abrupt cuts. Either way, now as then, I came away feeling inspired and thoughtful both regarding her story but the more universal story of motherhood that the film so obviously celebrates.

    So why the controversy anyway? Though in my opinion the movie does not seek to be disrespectful to the figure of Mary, it doesn't seek to venerate or worship her either. For the people who object to the movie therein will be the problem (again, assuming they even see it at all). But that's NOT really the problem of the movie, it's the problem with how the figure of Mary has been deified into something far beyond a mere mortal woman. That mythologizing, to me is completely at odds of what made the story original story compelling in the first place. If Mary was always something of a demi-god then how does anything she went through even matter?

    NOTE: Most streaming platforms still won't show Hail Mary, but the public library streaming service Kanopy does, so that is one option if you want to watch it.

    THE BOOK OF MARY (short film) I should also mention all original screenings in its initial theatrical release were accompanied by the 30 min. Short film The Book of Mary (French: Le livre de Marie) by Godard's longtime companion/collaborator Anne-Marie Miéville. This is still the case with many streaming platforms.

    Despite both having "Mary" characters, there seems to be almost no relation from the one film to the other, which probably contributes to many viewers confusion. It's a great little short, but personally I can't see how they relate.
    7zetes

    typically iconoclastic Godard

    Hail Mary is done in the exact same style as the only other late Godard film I've seen, First Name: Carmen, which, I believe, he did right before this one. The narrative is fractured, much more so than even his classical films such as Breathless and Pierrot le fou, and it is impossible to understand exactly what's going on. Like in many of his early films, he plays with sound effects and music. It may have been clever and interesting in Une femme est une femme, but it has grown old here.

    Still, Hail Mary, like First Name: Carmen, musters enough mood to make it well worth seeing. With First Name: Carmen, I was interested at the beginning and bored by the end. Here, although the prologue is quite good, the first half of the real film bothered me, and the second half grew more interesting as it progressed. What I'm saying here is that you have to stick with it and be patient. It can be rewarding.

    Also, Hail Mary seemed to me one of Godard's more visually accomplished films, probably second to Vivre sa vie. You'll see some of the most gorgeous photographs of clouds and the sun, the moon, fields, flowers, and nude women. Some of the nudes are absolutely stunning and it never felt to me pornographic (unlike First Name: Carmen). They reminded me of beautiful paintings that I have seen by the likes of Lucien Freud (I don't know if people know him, but I was particularly struck by some of his sleeping nudes; I think he is the son of Sigmund, and I know he was a companion of Francis Bacon). Other more abstract photos reminded me of Picasso. 7/10.

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    For Ever Mozart
    6.1
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    Adiós al lenguaje
    5.8
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    Soigne ta droite
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    Nouvelle vague
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    Détective
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    7.1
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    Elogio del amor
    6.3
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    Argumento

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    ¿Sabías que…?

    Editar
    • Trivia
      Pope John Paul II publicly condemned the film, stating that it was likely to offend the deeply religious. His remarks have since been used as a means to advertise the film.
    • Citas

      Juliette: If God exists, then nothing is allowed.

    • Conexiones
      Featured in Histoire(s) du cinéma: Les signes parmi nous (1999)
    • Bandas sonoras
      Toccata and Fugue in D-minor, BWV 565
      (uncredited)

      Written by Johann Sebastian Bach

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    Preguntas Frecuentes17

    • How long is Hail Mary?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 23 de enero de 1985 (Francia)
    • Países de origen
      • Francia
      • Suiza
      • Reino Unido
    • Sitios oficiales
      • Gaumont (France)
      • Juliette Binoche: The Art of Being - Official Fansite
    • Idioma
      • Francés
    • También se conoce como
      • Hail Mary
    • Locaciones de filmación
      • Nyon, Canton de Vaud, Suiza
    • Productoras
      • Sara Films
      • Pégase Films
      • JLG Films
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

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    • Presupuesto
      • USD 600,000 (estimado)
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      • 1h 12min(72 min)
    • Relación de aspecto
      • 1.33 : 1

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