Guilty Conscience

Hopkins always delivers his svelte, arrogant and yet intimidating and refreshing self to any performance. Blythe Danner as his beleaguered wife, in an unhappy marriage. Hopkins, an esteemed trial attorney, plays the Socratic "what if?" hypothesis game with himself, as he debates how to rid himself of his bothersome wife.

Blythe Danner, however, is an equal match. She is not to be fooled. She utilizes her patrician hauteur and surprise when she discovers his one (of several) mistresses. Swoosie Kurtz portrays a young sometime lover, Jackie, who at first seems to be in league with Hopkins. She plays the damsel in distress, and Danner is intrigued.

There is an interesting twist at the conclusion, which I will not spoil. Suffice to say, well worth watching for murder and mayhem as only Anthony Hopkins can project on the screen. 8/10.

This movie will mess with your head, and you'll be delighted about it! A true sleeper, Guity Conscience is a bit talky, but delivers a deliciously tongue-in-cheek story of a prominent criminal attorney's (Anthony Hopkins) attempt to devise the perfect murder. His intended victim is his wife (Blythe Danner). Their marriage is anything but blissful, and their early interplay is civil yet icy.

Into the mix comes Hopkins' ditsy girlfriend, wonderfully played by Swoozie Kurtz, who may be much smarter than she seems. Soon the surprises start coming out of nowhere (or do they?) and the many clever plot twists along the way lead up to an equally unexpected finish. Nothing is what it seems, or is it? Finding out the answer is great fun.

A WARNING- Most DVD versions that I've seen of Guilty Conscience are very poor, both in sound and picture quality. This will detract from the viewing enjoyment, so it's worth searching out a good one.

Back in the '80s, Anthony Hopkins made a lot of TV movies, some which used his great talent to advantage, and others in which he was underused. Here he is teamed with Blythe Danner and Swoosie Kurtz in a Levinson-Link concoction, "Guilty Conscience."

Levinson and Link were really masters of suspense and mystery, responsible for Columbo, Murder, She Wrote, and many TV movies, both as producers and writers.

In this movie, Anthony Hopkins is a prominent attorney who comes up with several ways to murder his wife (Blythe Danner) who has the goods on him and can expect a huge settlement in a divorce.

In his mind, he argues the merits of the different plots before a judge, a portrait of his wife's father, and undergoes questioning by the DA, who is Hopkins in spectacles.

Enter one of his dalliances, Swoosie Kurtz, and the fun begins. How is the murder going to be done? And who's going to be murdered?

This is a wonderful movie, and the kind you couldn't make today - there's lots of talk - in fact, entire monologues by Hopkins as he talks back and forth with and to himself - and not a ton of action.

Swoosie Kurtz is a riot as the offbeat mistress, and Blythe Danner appropriately elegant and thoughtful as Hopkins' wife.

It's unfortunate that these kinds of TV movies are no longer made. In the '80s, there were many of these mystery movies: Murder by Natural Causes, Rehearsal for Murder, Vanishing Act, The Guardian, etc., all very well cast.

Today it's all true crime, which would be great, if any of them were half as well written as anything by Richard Levinson, William Link, or Larry Cohen.

For a TV movie, this is awfully good. Hopkins spends much of the movie playing out scenarios of how his murder trial would play out if he killed his wife, with a portrait of his father playing the judge. He goes through different methods of killing her, and plays out the trial until he finds the mistake in his plan. These one-man scenes are very funny, and Hopkins delivers them expertly, as one would expect.

Hopkins and Danner are great as the opposing spouses. His conversations with himself are fun to watch, as he tries to work out how to kill his wife. Not so much a whodunit, as a who's going to do it, with a wonderful twist at the end. And don't miss a word of the dialogue.