Los últimos guerreros del Bronx

Wow, this is italian exploitation flicks at it's best. Guess this one came because of the post-apocalyptic hype after "Escape from New York" and "Mad Max", and got stuff like "Rollerball" also in it. Of course it's an awful movie full of missing links. But here is simply no need for explanations, this question would be stupid. It's the full atmosphere of 80ies italo exploitation thrash: good explosions (gas!gas!gas! - nothing digital! I reminisce in nostalgica), crazy overacted characters, some bare breasts, a setting full of cheap dirt. Those movies are so honest in their cheasiness and roughness, I love 'em. - And the eighties were best! Italy full ahead! A pitty the video-market got down and what is left is filled by the majors with hollywood-cheapos exploiting themselves with their own cheap ripp-offs which have no life of it's own; a pity, no good exploitation-scene nowadays...

And hey, wow, this one has them all in it: Joe d'Amato, Al Cliver, Laura Gemser, Michele Soavi and George Eastmen. - A Fest! Gets a nerdish 7 out of 10!

Despite the slow-going and uninteresting first half, ENDGAME really picks up when a group of telepaths and mercenaries hired to guard them leave in a caravan to escape the city. The group's adventures in the wasteland are quite entertaining, beginning with an exciting low-budget battle sequence when a huge force of blind cultists with a vast array of odd weapons attack. Naturally, these blind types aren't the best at aim (or tactics) and are summarily mown town in waves much like ZULU or THE ALAMO. However, this scene alone is quite funny and stands out as a reason to see this movie above most of the rest of Post-apocalyptic dirge the Italians flooded out in the early 80's to capitalize off of MAD MAX 2.

Lots of cool shootouts, lots of cheesy gore and makeup, and a lot of silly dialog make this movie a winner for fans of Italian C-movies. On top of that, the cast is hard to beat with an odd assortment of Spaghetti Western, Polizioteschi, and Sexploitation movie veterans not seeming too out of their element wearing goofy costumes and fighting each other in the same abandoned rock quarry. Massacessi, who began and ended his career making smut, had a brief period in the 80's where he really tried hard to make non-lowest-common-denominator-type movies largely on his own under his Filmirage company (of which this film is one of the first and best examples). Eventually though the law of diminishing returns took hold and one of the company's final productions would be the legendarily noxious TROLL 2.

This film is pretty hard to find though, which is a bit of a shame, as with a cleaned up transfer may play a little better than the gritty old VHS tape.

Like, i went in with zero in mind and this movie was a well made sci fi post apocalypse b movie. For little budget they had they still created very nice scenery and environments.

It's still the 80s b feeling it it but this was like way better then the 5 people give it here.

Endgame - Bronx lotta finale (1983)

** (out of 4)

Set in a post-apocalyptic world, Ron Shannon (Al Cliver) is a warrior who has won a television show, which puts one strong man against others for a title. He is asked by a group of mutants (led by Laura Gemser) to guard them and transport them to a location where they can live on. Shannon takes the job and recruits some other men but soon it's clear that Col. Morgan (Gordon Mitchell) will stop at nothing to make sure all the mutants die.

ENDGAME - BRONX LOTTA FINALE is another Italian film that rip-offs MAD MAX. Who knows how many of these films were made but this one here comes from cult director Joe D'Amato and for the most part it's mindless entertainment and you should find it somewhat entertaining as long as you don't take it too serious.

In all honesty, the plot it somewhat of a mess and it's probably more complicated than it should have been. The biggest problem with the movie is the fact that the dialogue scenes are so deadly boring that you can't help but wish they had been edited out all together. After all, how many people come to a movie like this to hear any sort of talk? The film's entertainment comes from the non-stop action and this is where people can have some fun. There are all sorts of action scenes with shoot-outs, fights with blind people and more non-sense. The action is pretty fast and furious and makes for a much better time.

Genre fans will certainly enjoy the cast that they have lined up even though the dubbing, as you'd expect, was pretty bad. Cliver might always be remembered for his role in Lucio Fulci's ZOMBIE but he's always fun to watch. Gemser had already made several film with D'Amato but she really isn't given too much to do here and yes boys, she keeps her clothes on throughout the film. George Eastman also appears in a small role and when you add in Mitchell you've got four likable actors.

D'Amato does a pretty good job in the director's chair and in fact I was surprised to see how well he handled the action scenes. These scenes are what makes the film so ENDGAME - BRONX LOTTA FINALE will appeal to fans of the genre.

In the year 2025, a nuclear holocaust has left New York City ruined, inhabited by persecuted telepathic mutants. Keeping the people pacified is the reality television program Endgame, where a new hero must save a group of people and fight to the death.

Directed by Joe D'Amato (under the pseudonym Steven Benson) Endgame (Bronx lotta finale) is one of the better executed Italian post apocalyptic B-films. The action seems endless especially in the closing act as scavenger packs and telepathic mutants fight it out with hunters, gladiators and military elite. There's an unnecessary rape scene, this aside the majority of D'Amato's Max Road Warrior meets Beneath the Planet of the Apes is very watchable especially if you enjoy the likes of Rats: Night of Terror, Warriors of the Wasteland and Bronx Warriors.

The locations and costumes deserve a mention. Carlo Maria Cordio's music working best when it's borrowing cues from Vangelis' Blade Runner score.

Interestingly, the TV game concept (even though not fully explored) predates The Running Man a good four years before Arnold Schwarzenegger's scifi romp and was made around the same time Stephen King's pseudonym book was published.

Overall, not too shabby at all.