Criatura

The main problem with this movie is the poor photography. It's just too dark. I'm guessing the darkness was used to hide the low budget set pieces. The other problem is slow pacing, but the decent gore keeps you watching.

The big question I had: what is Klaus Kinski doing in this thing? Just three years earlier he was in 'Fitzcarraldo'. What happened? That would be like Tom Hanks going from 'Forest Gump', to three years later starring in 'Leprechaun 4: In Space'.

This movie is clearly a low-budget Alien knock-off. A hand full of explorers, comprised of a cast of television regulars, investigate Titan, one of the moons orbiting Saturn, for a life-form, that's seemingly done away with all of the previous crew that visited for the same reason. The acting is pretty much sub-standard, and the script is a case of sometimes it's so bad, it's funny, especially if you watch it late enough to grab you in a relaxed frame of mind. The ever entertaining Klaus Kinski makes a guest appearance here, albeit brief, gives this a bit of a shot in the arm, with some funny nonsensical lines and casual demeanor in what's otherwise meant to be a tense serious situation. The Creature itself is obviously a guy in a big rubber suit, but you could arguably say the same thing for Alien. The other effects in the movie are OK, with a notably gooey pumpkin head explosion in one scene. All in all, not altogether bad, but there's not enough here to sustain the 97 odd minute running time. Maybe worth catching on a slow night.

Of course, this isn't a very good movie. In fact, it's pretty bad but I'm a whole different kind of movie-critic when I watch movies like this. Everybody needs some brainless and fun films to relax from time to time and William Malone's Creature is the perfect film for that. Creature is an shameless ripoff of Alien and it also stole several elements from John Carpenter's The Thing, but I hardly think that's a reason to ignore it completely. From the beginning of this picture you can easily point out those characters who're going to die but that's ok. You stay in your seat just to see in wich horrible ways they come to an end. These are the moments that make this film worth watching. Especially if you like a good share of blood, guts and gore. I tell you, some of the scenes are rated pretty high on the "vomit-scale". So, if you like to see heads flying around and love to see faces being ripped off...Creature is your cup of tea. All together, there are 2 major reasons to check this film out. The first one is the amazingly good musical score. I wasn't able so far to find out who made it, but I don't think they're big names in the field seeing the status of this flick. The score was a pleasant surprise and worth checking out. And last but not least... KLAUS KINSKI !! This guy is ( was...sorry ) a great actor. Without even trying he beats all the other acting-performances. Klaus clearly amused himself while playing the role of Hans Rudy Hofner and his own German accent really works here. I expected his role to be a little bigger but that's ok, the few times he's on screen are the most memorable ones. But it ain't really a big honor to be the best actor in this cast, though. All the others suck pretty bad. Wendy Schaal is very cute in her role of Beth but she can't act very well. That's ok, the girl who plays Susan can't act at all and above that she looks like David Bowie did during the 80's...and that's NOT a compliment !! I'm not even bothering to mention the rest of the cast. Oh, there is one last thing worth checking out on Creature. The very very stupid confession of Mrs. Bryce (Diane Salinger)at the end ...man, that's got to be the most ridiculous plot-twist I ever saw!! I laughed silly with that....4 out of 10

If a film that gets trashed for ripping off 'Alien' (some around that period unfairly got lumped in that rip-off category, than really just riding on the back of it success), I always see this one being mentioned and to make matters worse it also got labelled as crappy b-grade hokum. Hey I can't deny some similarities (mainly the look of the alien) and routine structure, but I thought it was agreeably fun and soundly made feature that used its budget restraints to good use. It even manages to incorporate a 'few' unique novelties, like that of victims being transformed in to parasite-infected zombies to do the bidding of its alien guest. Um, has something like this been done before?

The film looks cheap, but director William Malone (hey I might like 'Scared to Death (1982)' more) does a commendably steady job of getting plenty of moody atmospherics from the confined low-budget sets (which is murkily photographed) and enough gory splatter to keep our minds at rest. Plus at an added bonus you get the flamboyant Klaus Kinski making a scene. Who knew watching someone munching a sandwich could be so mesmerizing. A small and unusual appearance, but what a scene it was. The rest of the performances end up being stiff, but there's the familiar faces of the credible Lyman Ward and Diane Salinger. Wendy Schaal makes for a wholesome leading girl.

The premise had something good to work with, but the script (with numerous references) is a turgidly silly mess and the real sore point. It really does go on to peter out with the main interest losing out the further along it goes, as you know every single step before it hit's the screen. Despite some nasty cracks and paranoid spells, the latter half just seems to get bogged down in some banal patches. Some of the make-up FX/special effects stand-up for what it had, but the alien costume isn't all that convincing that when it figures in its full glory. You can see why it mostly stays hidden in the dark up until then.

Accessible, but strictly fundamental none-the-same.

The director of the creature feature SCARED TO DEATH (1980) returns to familiar territory with this monster(s)-in-space flick; one of many similar films released in between the hits ALIEN (1979) and ALIENS (1986). Some time in the near future, rival corporations Richter Dynamics (out of Germany) and NTI (out of the U.S.) are competing for new materials to advance their manufacturing technologies. A geological research team stationed on Titan, Saturn's largest moon, runs into trouble in the form of a vicious alien creature, who makes short work of the team. Not long after, an alien-controlled ship flies directly into the space station Concord and blows it up. Suspecting an other worldly force is perhaps responsible, a seven- member group of volunteers from NTI - headed by corporate honcho David Perkins (Lyman Ward) - hope to make the archaeological discovery of the century by discovering alien life on Titan.

Upon approaching their destination, Captain Mike Davison (Stan Ivar) is forced to crash land their ship, the Shenandoh. Suffering extensive ship damage and facing a quickly-dwindling oxygen supply, the crew set out to get help from a German ship stationed nearby but discover it littered with the corpses of the crew. A big, blood-thirsty creature soon pops in for a visit and makes short work of crew-woman Susan (Marie Laurin). And that large, somewhat awkwardly-designed alien isn't the only odd creature inhabiting the planet. Outside, they stumble across the remains of a crashed alien ship and it was hauling a collection of different alien life forms; some of which are still living. One species is able to use "collective intelligence" to impersonate its victims to lure the others to their doom, which mechanic John (Robert Jaffe) soon finds out first hand when the dead "Susan" pays him a visit and strips off her clothes. And then something truly weird and terrifying happens: Klaus Kinski shows up. Ahhhh!

Kinski's character - Hans Rudy Hofner - is the sole survivor of the German expedition, and he acts extremely weird and hilarious childish and giddy as if he's not taking a second of this seriously explaining that the aliens have "vaited fer dem fer two tousan zenturres." I've watched three Kinski movies this past month and in all three of them he plays a character who grabs one of the female cast members and then squeezes their breasts! The victim this time out is Diane Salinger, who plays a potentially fun character - a tough security officer - but, like Klaus, she's not given enough to do and vanishes from a large portion of the film. Most of the action centers around the two male leads and the cute Wendy Schall (who now voices the mom of the animated series "American Dad"), who plays some kind of electronics expert.

Overall, this is a watchable, albeit clichéd and wholly forgettable, movie. The script is generic but otherwise it's well-made, the cast, art direction and special effects are all competent and there's some nudity and some gore, including a face getting ripped off, an exploding body and a female doctor (Annette McCarthy) getting her head ripped off. But at the end of the day, it's really nothing more than a passable time waster. I guess there are worse things.

Despite being pretty mediocre overall, this 750K-budgeted film ended up becoming quite profitable; making back its entire budget opening weekend alone in less than 200 theaters. As a reference point, Tobe Hooper's messy LIFEFORCE, released just a few months later the same year, didn't even make back half its huge 25 million budget in 1500+ theaters.