Code of Silence

This movie was made right at the time I call "the peak" of Chuck Norris's career. I was really quite surprised at the 5.6 rating this movie got from viewers. As far as Norris goes, this is really good stuff. He uses many classic one liners, always staying a step ahead of Victor Camacho and "Crazy" Tony Luna's bunch. If you enjoy the "honest cop" movies, this should be near the top of your list. I would rate it right there with Clint Eastwood's performance in "Magnum Force". To top it all off, the soundtrack is really a typical 80's theme. I really wish someone would release the music from some of Chuck's movies, like Delta Force.

Well, I certainly wasn't expecting this; Chuck Norris in a genuinely good film.This is one of the better ones though. There isn't much in the way of martial arts, but there's a great one man army style finale.

It's more of a cop thriller, which has a genuinely good story and a damn good cast to boot. You've got the legendary Denis Farina and Henry Silva, who can never, ever play a good guy; he just looks evil all the time.

I love stories about corrupt cops; there's something that really grabs you emotionally because you get so angry that even "heroes" can be corrupted. Not our Chuck though, who ends up alienating himself from the force because he wants to bring down one of his own.

Code of Silence is a gritty, old-school cop thriller kinda like Dirty Harry and it's one of Chuck's more serious roles and he is actually pretty damn good in it too. Its a little slow in the first half and isn't constant action, but it is really tense in places and doesn't skimp on the violence either.

I would have given it a higher score if there was more martial arts in the film. But overall, if you're a Chuck Norris fan then give Code of Silence a watch. It's definitely one of his better films. 8 out of 10

An undistinguished action vehicle for Chuck Norris, this time playing a maverick cop (a real stretch for him) who has to battle a street war between rival drug dealers. What his movie lacks in an original plot it makes up for with an intelligent script which somewhat surprisingly focuses on characterisation instead of macho one-liners, and good pacing and direction from Andrew Davis, here cutting his teeth on the genre which would later serve him well in the likes of UNDER SIEGE.

Norris plays the typical tough-yet-likable hardman character he always seems to play, except that he's less reliant on the martial arts here. The physical fights that do ensue are generally unexciting and limp, the shoot-outs and gun battles more convincingly portrayed. Henry Silva (NICO: ABOVE THE LAW) is the chief villain, and is very good as per usual; there aren't many actors who manage to look as genuinely evil as Silva - except Christopher Walken perhaps. Dennis Farina appears in a minor role as a buddy of Norris, and the supporting cast are rounded out by passable actors and actresses who put in solid, if unmemorable, performances.

The movie draws in drug dealing and battles between rival gangs with a subplot involving police corruption, specifically an officer who accidentally shoots an innocent bystander. The various plot strands are woven together well, and there are a couple of set-pieces (like Norris taking on an entire bar) which certainly don't disappoint. The violent ending is predictable and pretty clichéd, but executed with a certain style. This is routine but solid stuff from Norris.

During the 1980's, Chuck Norris was a big star who starred in many sub par action flicks. Code of Silence(1985) is one of the raw exceptions where the action and story blends together. Code of Silence's story seems to take its roots from the Italian police thrillers of the 1970's. The locales of Chicago are beautifully shown.

Code of Silence(1985) along with Aliens(1986) contained some of the most slam bang action sequences during that period. There are two remarkable scenes that define the movie. First, the fight on top of the elavated subway. Second, the climax where Chuck takes on an entire group of villains on his own.

The sub plot involving a corrupt cop who covers up an accidential shooting adds some realism to the film. The title refers to the code that policemen uphold among themselves. Code of Silence(1985) deals with police corruption in a frank and honest many that many action specialist in the 1990's would be afraid to tackle. This is the only Police thriller I've seen where no one helps the main hero.

The director, Andrew Davis has created characters who always fight against corruption...E.G., Above the Law(Nico), The Package(Agent), Under Siege(Casey), and The Fugitive(Richard). Henry Silva is fantastic as the cool and cold blooded Luis Comacho. Dennis Farina is his usual sarcastic self in the role of a policeman named Dorato. The funniest scene is when two people attempt to rob a bar that's full of Police officers.

To me,it's kind of unfortunate that many people,when people mention the name Chuck Norris think mostly of "Walker:Texas Ranger"(if they're not thinking of the barrage of Internet facts and the Home Gym infomercials he's been doing with Christie Brinkley),which is a shame. "Walker..." may've offered people who enjoy their television simple,straight-forward and moralistic(not to meniton full of round-house kicks),but to me,Mr.Norris seems better suited for movies,where his quiet,confident and likable minimalism as an actor--which perfectly balance his awesome fighting skills--can go from introduction through denouement of a three-to-four act movie involving situation,rising tension,action,climax and conclusion,all in the tight space of two hours or so(As opposed to a recurring character over the space of twenty-plus episodes per season). But that's just my humble Opine.

THis story isn't particularly taxing,as following suit with many of this genre: Tough,upright,fair and moral Chicago Sgt.Eddie Cusack(guess who?)has two looming problems on his hands--an IAD investigation into the shooting of a young boy in the projects involving two of his undercovers,one of whom becomes his de facto partner,and a gang war brewing between Italian and Bolivian(?) drug-families,which has him becoming the guardian of a scared Mafia princess(Molly HAgan). Cusack'll need his not only his toughness but also his wits(And a police robot,to boot)to play both families(the Latino family led by Henry Silva,a piece of excellent casting) off each other AND dodge the repercussions of bitter,corrupt fellow cops to make sure that justice is preserved and the innocent young woman in his care is not made yet another mob war casualty.

Directed by rising star director Andrew DAvis(in another seven years,he'll helm the surprise hit "UNder Siege" and in eight,the blockbuster "The Fugitive"),this show uses A lot of Chicago--it's scenery,it's landmarks,neighborhoods and(last but not least)it's actors,none the least of which is someday acting staple but then former Chicago cop himself Dennis FArina(As Chuck's easy-going partner and erstwhile comic relief)--and it's all used to very good effect. About the only thing that doesn't cut muster here is the almost CAsio-like music that scores this,but being that this was a 1985 release,I'm figuring that this show was no more or less guilty of that than most films of the era. I got this movie out of the cheap,cheap CHEAP bin at the local music and movie resold store,and I must say that it better than makes up for the price paid. This film's been swept under,but to me,coupled with such lost classics as "The Octagon","Lone Wold McQuade" and "Eye for an Eye" are definitely worth your Norris film library,if you are so inclined to start one,of course.