Tumbas de hielo

Corporate exec Miles Creighton (Michael Beck) dies, and is cryogenically frozen in the hopes that he can be revived. Ten years later, the procedure is a success, and Miles returns -- without his soul.

So you have director Wes Craven, writer J. D. Feigelson ("Dark Night of the Scarecrow"), special effects from Stan Winston and an incredible actress with Jill Schoelen. How can you go wrong? One suspects the film is better than generally given credit for, but few have actually seen it in a format that actually allows the full effect of the film to be felt.

There is absolutely terrible DVD quality (both picture and sound) on the Digiview Entertainment version (it appears the film fell into the public domain). Most likely, this version was transferred from a second or third generation VHS. It does not do justice to the film, and if a better version exists, get that one instead.

Corporate bigshot Miles Creighton (Michael Beck) employs cryogenics to have himself frozen after his untimely demise. Ten years later, something goes awry and Creighton is thawed out prematurely.

Once revived, everything seems normal, until Creighton takes his place as head of the family corporation. Now a ruthless psychopath, no one is safe from his selfish, homicidal mania.

Director Wes Craven works fairly well within the confines of 1980's television. Like his other made-for-TV movies, CHILLER suffers from the limitations of the medium. Craven does his best work in the R-rated film format. Still, this movie is watchable enough with good performances and a decent amount of suspense.

Co-stars Beatrice Straight as Creighton's blissfully ignorant mum, and Paul Sorvino as a preacher who suspects that something isn't quite right...

Corporate executive Miles Creighton (Michael Beck, "The Warriors") is brought back to life after a decade of cryogenic freezing. But everybody watching this at home can tell that something is now missing from his personality: it's his soul. He's now a conscience-free creep who thinks nothing of slaughtering the family dog, peeping on his younger sister (the lovely Jill Schoelen, "The Stepfather"), or firing longtime family friend / employee Clarence Beeson (Dick O'Neill, "Wolfen"). A concerned Reverend (Paul Sorvino, "GoodFellas") comes to realize the truth about Miles, but Miles' mother Marion (the wonderful Beatrice Straight, "Poltergeist") has blinders on when it comes to her son.

A somewhat forgotten effort from fright master Wes Craven (of "A Nightmare on Elm Street" fame), this mid-80s TV movie lacks the intensity and impact this might have had, had Craven made it for theatrical release. Written & produced by J. D. Feigelson ('Dark Night of the Scarecrow'), this sci-fi / horror film is of course mild with its horror elements due to the nature of the TV medium. At its best, it's mildly involving, although it does boast some good makeup effects by Stan Winston ("Aliens") and presents a philosophical musing on the nature of the soul. It's still amusing to watch an entertainingly icy cold Beck do these horrible things. The supporting cast includes such other familiar faces as Alan Fudge ("My Demon Lover"), Craig Richard Nelson ("My Bodyguard"), Laura Johnson (Cravens' "Red Eye"), Anne Seymour ("Trancers"), Joseph Whipp (Cravens' "Scream"), and Brian Libby ("Silent Rage"), but Straight is the definite standout as the devoted mother in need of a wake-up call.

The tale is overall pretty routine, with the cliched use of the "one final scare" at the ending. It's watchable enough, but I would only really recommend it to Craven completists.

Six out of 10.

Wes Craven through the years directed four different TV movies. To this point I have seen only this one and INVITATION TO HELL (which I liked less than this one). But, as it says above; I think this was a real wasted chance at making a great horror film when you look at all the people involved with it.

It is the story a man named Miles Creighton (coldly played by Michael Beck) who has been frozen cryogenically for almost 10 years. The pod he is in is failing so doctors race and bring him back to life. In the end we see that perhaps Miles isn't the same man he was before.

I do think we have a good premise here written by J.D. Feigelson. But, the film doesn't seem to take us more than a step or two any from this idea. The best comes from Paul Sorvino who plays Reverend Penny who questions if Miles has a soul. Beatrice Straight also stars as Miles' mother Marion. I really enjoyed her in POLTERGEIST, but here I find her almost hammy. Beautiful scream queen Jill Schoelen also stars. Stan Winston also was involved doing FX. I did find the scene involving Miles coming back to the life of the living in the hospital quite formidable in the FX department as this was an 80s TV movie.

So, with that cast, with an FX wiz like Winston and a man in Craven who really did a great job in showing us a new and groundbreaking side to nightmares in A NIGHTMARE ON ELM STREET just a year earlier they really missed in making perhaps one of the best horror films of maybe the 80s. I think if they allowed Craven to expand upon the script and take it away from some of the trappings of TV they may have had a great film here.

I liked this made for TV movie about a cryogenetically frozen body being brought back to life. Michael Beck plays the cold-hearted lad who dies ten years ago and was frozen by his mother waiting for a chance for science to bring him back via new medical technology. His cylinder goes on the fritz and action must be taken quickly to see if science has the answers now that it did not have ten years earlier. Beck is revived but not the same person. It seems that whilst his body is living again, a chasm only fills the void vacated by his soul's departure. Beck comes back with no regard for human and animal life and only wants to appease whatever appetites he might have at that very moment. Now, this is some pretty absurd stuff I grant you, but director Wes Craven and some good acting save it from being terrible. In fact it does get one thinking about some things. The acting is uniformly good with Beck doing a good job and Oscar winner Beatrice Straight and Paul Sorvino as a cleric really bringing home the bacon. They both do stellar jobs with this material and give it some much needed credibility. Sorvino is very convincing in his role. Some good character acting by Dick O'Neill and Anne Seymour add to the mix, and the addition of beautiful Jill Schoelen doesn't hurt either. Kudos also to Craven for not going overboard as many others might be apt to do. Beck is a man with no supernatural abilities per se but rather just soulless is his approach to another chance to "live."