Furia callejera

Tatum O'Neal and Irene Cara end up in court together. When a shootout in the courtroom cause everyone to flee, Irene and Tatum inadvertently end up running from the bullets and the cops. Pretty fast paced action keeps this B-Movie humming along pretty good. Tatum and Irene believe it or not have good chemistry together. Tatum plays a hardened toughy pretty well and in my opinion makes this movie entertaining. A little far fetched (what Hollywood flick isn't?) but still enjoyable. See it uncut as a TV version will be heavily edited. Peter Fonda makes a cameo as a sleazebag. One thing I learned from this movie is that sewer gas is highly flammable? Who knew?

Thankfully this moves along at a quick pace! Otherwise you might be forced to notice that the plot stinks, dialog is just terrible, and there's basically no point to making, let alone watching this film!

Things start out fine with a bombastic courtroom shootout, with a stack of bodies and gallons of blood. However, during the chaos, two other lesser criminals (O'Neal and Cara) somehow end up on the lam through the underside of the city.That's pretty much the plot. Throw in the twist (no spoiler): Cara is the suburbanite daughter of a doctor, and O'Neal is the tough street kid from the ghetto. (That's hardly noticeable these days, but probably raised one or two eyebrows back then!)

The film moves along from one absolutely stupid or unrealistic scene to the next. Side characters are thin and just ridiculous. Hard to tell who wins the acting award here... I noticed at least one other review here ripping on Cara and praising O'Neal; well, I beg to differ! Either O'Neal just can't deliver bad lines with a crappy director, or she's a terrible actor. Cara, meanwhile, seemed to be perfectly fine throughout (despite some terrible lines).

Go figure.

Watch it if you have a gut full of really bad beer and are bored out of your skull. Or not, and save what few brain cells you have left for something more engaging.

Badly acted, written, and directed, Certain Fury provides a fair amount of unintentional laughs. Tatum is the 'bad' girl, Irene the 'good' girl gone bad. One of the funniest scenes had Tatum spitting in Peter Fonda's face. He responds by slashing her face (in unconvincing close-up) with his nail file. When she falls to the ground screaming, he blurts out to his hench-men, "Get this bleeding bitch off my boat!" If you like 'good bad films' then this one is for you. If you prefer quality...well then you've been warned.

I Love the movie certain fury. I have been searching for this movie for years and years.I love both actresses, Irene Cara and Tatum Oneal, These are both talented women I would have liked for them to make a part2 of this movie. They both did a great job. I would like to see these women make another movie together soon. Both actresses have there own unique style therefore you can not judge them.

Come on Stephen and Micheal what do you say, They say twice is always nice. Or have another another action and drama with them together with Kristy Mcnikol. I think with these three women will be a blast. with actors Denzel Washington and Ethan Hawk.

Thank you for taking the time out to read my comments.

You can just imagine how they tried to sell this one. Two Oscar winners Tatum O'Neal and Irene Cara team up together in this very trashy, b-grade urban action-thriller exploitation; a modernized mould of "THE DEFIANT ONES".

After a full-on, adrenaline-fueled first half-hour of courthouse slaughter, bullets spray the screen, panic erupts and bloody exchanges occur. Escaping that frenzy the girls end up in the city's sewers fighting the underground elements, running from the authorities who want their blood and getting on each other's nerves, as sparks fly between two prisoners that couldn't be any more different in all walks of life. On the run they go, trying to survive, being wrongly fingered as accomplices to what went down. One costly mishap after another puts both in dangerous predicaments on the dirty side of town.

I thought this was going to be great; formulaic, yeah, but what an excessive opening with strong stunt-work. Instead by the time it hit the halfway mark, it had already peaked. There it becomes uneven, the tension from then onwards (other than the crackhouse fight) had little impact as scenes go on longer than they should and eventually it meandered to the (lousy) finish line. Sometimes it wanted to have its cake and eat it too, dipping into both half-baked exploitation and serious drama. The latter does get manipulatively cheesy by trying to strike up an emotional chord; like the (unnecessary) scenes with one of the girl's father (Cara). Even the low-brow dialogues make it hard to take seriously. Although I did like the combination between O'Neal and Cara, even though the character details are predictably wear-worn, yet their interactions engage, from the callous remarks/or actions to their growing bond. Both stars weren't afraid to get down and dirty, but while not particularly likeable O'Neal did standout in her hardened, street smart hooker turn. Someone who didn't is a paycheck collecting Peter Fonda who appears in one of the most ridiculously unconvincing staged moments in the film involving a nail-filer.