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Un equipo de filmación que produce un vídeo musical de rock decide rodar en una fábrica abandonada por encima de la línea de nieve. Una avalancha los deja varados, una familia asesina que vi... Leer todoUn equipo de filmación que produce un vídeo musical de rock decide rodar en una fábrica abandonada por encima de la línea de nieve. Una avalancha los deja varados, una familia asesina que vive en la fábrica ataca y mata a muchos de ellos.Un equipo de filmación que produce un vídeo musical de rock decide rodar en una fábrica abandonada por encima de la línea de nieve. Una avalancha los deja varados, una familia asesina que vive en la fábrica ataca y mata a muchos de ellos.
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Ah, the 1980s, when everyone with a camera and a barely coherent script was lensing slashers. With all this groundswell, it was only natural that this mania would extend to Europe, which is why we have this Swedish sausage product--I AM CURIOUS it ain't. As others have noted, it's pretty standard stuff: a group of folks (Swedish Hair Metal band and their groupies/video tramps, along with a retinue of stylists/makeup people/cameramen) descend on a location (a cabin in a snowy mountain region, adjacent to a condemned factory) ostensibly to film a music video. The trouble starts when the director wants to use the factory as a backdrop for said video. A fortuitous avalanche strands the group at the location. A feral, homicidal family resides in the factory. It isn't long before various members of the party wander into said factory at met their various, grisly demises.
BLOOD TRACKS is not the worst I've seen in slashers from this era (the second golden era--1984-just before SCREAM debuted), but it does have some flaws that lessen its impact. The nonsensical prologue in which we are given the origins of the murderous family doesn't make sense and could have been left off altogether. Clearly, this trope borrowed from THE TEXAS CHAINSAW MASSACRE/THE HILLS HAVE EYES and should have followed those films leads of just presenting the family cold, with no explanations. Another problem with the film is that, once we get inside the factory, it's so bloody dark you can barely see what's happening. This could just be the way the film was shot, so there may not be any way of correcting, such as remastering, high def, etc. If this could be remedied, it should be. The cast seems to be either British or American, or the film makers may be resorting to the Italian trick of giving native actors prosaic American-sounding names. The acting is OK, but these are not characters given to thoughtful, analytic discourse, so it works. A real rock group, Easy Action, was hired to portray the band, but they appear in the film mostly as a pretext, and the members don't get much dialogue. No real reason is given for the family's feral state (the prologue doesn't shed any clues to this) so they just are the way they are. There are a few PG-13 sex scenes, but the nudity is minimal. The action, once it gets started, is self-propelled and doesn't let up, which makes the less than 90-minute runtime bearable.
If you've seen all the slashers from this era and are looking for a forgotten entry, this one will do the trick.
BLOOD TRACKS is not the worst I've seen in slashers from this era (the second golden era--1984-just before SCREAM debuted), but it does have some flaws that lessen its impact. The nonsensical prologue in which we are given the origins of the murderous family doesn't make sense and could have been left off altogether. Clearly, this trope borrowed from THE TEXAS CHAINSAW MASSACRE/THE HILLS HAVE EYES and should have followed those films leads of just presenting the family cold, with no explanations. Another problem with the film is that, once we get inside the factory, it's so bloody dark you can barely see what's happening. This could just be the way the film was shot, so there may not be any way of correcting, such as remastering, high def, etc. If this could be remedied, it should be. The cast seems to be either British or American, or the film makers may be resorting to the Italian trick of giving native actors prosaic American-sounding names. The acting is OK, but these are not characters given to thoughtful, analytic discourse, so it works. A real rock group, Easy Action, was hired to portray the band, but they appear in the film mostly as a pretext, and the members don't get much dialogue. No real reason is given for the family's feral state (the prologue doesn't shed any clues to this) so they just are the way they are. There are a few PG-13 sex scenes, but the nudity is minimal. The action, once it gets started, is self-propelled and doesn't let up, which makes the less than 90-minute runtime bearable.
If you've seen all the slashers from this era and are looking for a forgotten entry, this one will do the trick.
This is the first Swedish horror movie I have seen and if I see any more I hope they are better than this. A rock group who are filming a video clip are destroyed by a group of animalistic hermits who have heretofore lived undisturbed in an abandoned factory. A "Structure Condemned Do Not Enter" sign is on the outside of the building so naturally they ignore it and barge in. This belongs in the subgenre of horror films that centre around rock groups - other titles include Song of the Succubus, Terror on Tour, Rocktober Blood, Trick or Treat, Monster Dog, Rock 'n' Roll Nightmare and Black Roses. The songs are by a group I've never heard of called Easy Action.
BLOOD TRACKS opens with a flashback to 1945 with a violent family confrontation resulting in death. Forty years later, a heavy metal band is in "town" -more like a wasteland- to film a music video. Grisly horror ensues.
Or, something like that.
Indeed, the people from 1945 are still around, looking pretty much the same. That is, except for bad makeup and mangy wigs.
Enter the supermodels, running around half dressed through the snow. Not even their towering hairdos can save them!
The filming of the music video is hilarious. It's reminiscent of those moldy old MTV vids of bands like QUIET RIOT or POISON. Will the video be finished before everyone is annihilated? A true gut-buster!
Unfortunately, when people aren't busy dying, the movie bogs down in tedious non-dialogue by the non-actors. Hell, even the avalanche is dull!...
Or, something like that.
Indeed, the people from 1945 are still around, looking pretty much the same. That is, except for bad makeup and mangy wigs.
Enter the supermodels, running around half dressed through the snow. Not even their towering hairdos can save them!
The filming of the music video is hilarious. It's reminiscent of those moldy old MTV vids of bands like QUIET RIOT or POISON. Will the video be finished before everyone is annihilated? A true gut-buster!
Unfortunately, when people aren't busy dying, the movie bogs down in tedious non-dialogue by the non-actors. Hell, even the avalanche is dull!...
Blood Tracks main crime was a complete lack of any interesting characters or lead character of interest. Supporting this the kills weren't really interesting and most of the horror was done in the dark which made it very hard to really care.
The acting wasn't much better with many of the actors sounding like they are reading their lines verbatim a lot of the time. So bad, this is true B territory. Then there is the script, jeepers. No explanation provided for anything, the whole script is pure trash. A women stabs her hubby to death because he was picking some coins up off the floor so they become mutants living in a factory then kill anyone that comes near them.
Other issues with the plot like why didn't the locals know anything about these killer hermits living practically right next to them. What we do actually get is a fair amount of blood, quite a few kills, some moody music and a very nice assortment of t&a. All of which went to waste because no interesting characters were available.
The acting wasn't much better with many of the actors sounding like they are reading their lines verbatim a lot of the time. So bad, this is true B territory. Then there is the script, jeepers. No explanation provided for anything, the whole script is pure trash. A women stabs her hubby to death because he was picking some coins up off the floor so they become mutants living in a factory then kill anyone that comes near them.
Other issues with the plot like why didn't the locals know anything about these killer hermits living practically right next to them. What we do actually get is a fair amount of blood, quite a few kills, some moody music and a very nice assortment of t&a. All of which went to waste because no interesting characters were available.
Easy Action were one of the first Swedish glam rock band and was formed in Stockholm in 1982.In 1983 they released their self-titled debut album and had a minor hit in Sweden with the song "We Go Rocking".In 1985 the band appeared in cheap survival horror "Blood Tracks" made by B-movie producer Mats-Helge Olsson.Easy Action broke up around 1986 after having recorded "That Makes One".If you are a fan of this cheesy glam rock group then check out "Blood Tracks" with its corny murderous family hiding in a a snow-swept disused factory.The family lives close to the cabin where 80s Swedish rock band 'Solid Gold'(Easy Action) have just arrived to film their latest smash video."Blood Tracks" is a dull horror movie with flat characters and almost zero gore.Still I have seen worse.5 blood tracks out of 10.
¿Sabías que…?
- TriviaThe band members of Easy Action, who play the band in the film, had never acted before and to overcome their stage fright, Mats Helge Olsson fed them copious amounts of beer. The band and several of the crew members made the film while drunk.
- ErroresSky changes color from summer blue to winter gray during shots of the factory, obvious use of stock footage.
- Versiones alternativasThe uncut Swedish DVD version runs 85 minutes.
- ConexionesFeatured in Blodspår - Easy Action sopar igen spåren (2012)
- Bandas sonorasIn The Middle Of Nowhere
Performed by Easy Action
Released on their 1986 album, "That Makes One"
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Detalles
- Tiempo de ejecución
- 1h 29min(89 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
- 2.35 : 1
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