Huellas de sangre

A dumb, by the numbers slasher film in which a rock band called Easy Action and some models go to a mountain cabin where they film a music video. Unknown to this carefree and free-living group, a homicidal mother and her like-minded offspring are out to kill whoever happens to cross their path. Starring real life rockers including Shotgun Messiah's Zinny Zan, and Europe guitarist Kee Marcello, and featuring sex, nudity and gore. Blood Tracks is very cheesy, cheap and silly, and best watched under the influence of whatever your particular vice may be. It was directed by Mats Helge and Derek Ford from a screenplay co-written with Anna Wolf. The movie is set in Colorado but was filmed in Sweden. Co-director and British exploitation filmmaker Derek Ford (Corruption; Don't Open Till Christmas; Attack of the Killer Computer) has a brief cameo role.

Ah, the 1980s, when everyone with a camera and a barely coherent script was lensing slashers. With all this groundswell, it was only natural that this mania would extend to Europe, which is why we have this Swedish sausage product--I AM CURIOUS it ain't. As others have noted, it's pretty standard stuff: a group of folks (Swedish Hair Metal band and their groupies/video tramps, along with a retinue of stylists/makeup people/cameramen) descend on a location (a cabin in a snowy mountain region, adjacent to a condemned factory) ostensibly to film a music video. The trouble starts when the director wants to use the factory as a backdrop for said video. A fortuitous avalanche strands the group at the location. A feral, homicidal family resides in the factory. It isn't long before various members of the party wander into said factory at met their various, grisly demises.

BLOOD TRACKS is not the worst I've seen in slashers from this era (the second golden era--1984-just before SCREAM debuted), but it does have some flaws that lessen its impact. The nonsensical prologue in which we are given the origins of the murderous family doesn't make sense and could have been left off altogether. Clearly, this trope borrowed from THE TEXAS CHAINSAW MASSACRE/THE HILLS HAVE EYES and should have followed those films leads of just presenting the family cold, with no explanations. Another problem with the film is that, once we get inside the factory, it's so bloody dark you can barely see what's happening. This could just be the way the film was shot, so there may not be any way of correcting, such as remastering, high def, etc. If this could be remedied, it should be. The cast seems to be either British or American, or the film makers may be resorting to the Italian trick of giving native actors prosaic American-sounding names. The acting is OK, but these are not characters given to thoughtful, analytic discourse, so it works. A real rock group, Easy Action, was hired to portray the band, but they appear in the film mostly as a pretext, and the members don't get much dialogue. No real reason is given for the family's feral state (the prologue doesn't shed any clues to this) so they just are the way they are. There are a few PG-13 sex scenes, but the nudity is minimal. The action, once it gets started, is self-propelled and doesn't let up, which makes the less than 90-minute runtime bearable.

If you've seen all the slashers from this era and are looking for a forgotten entry, this one will do the trick.

Easy Action were one of the first Swedish glam rock band and was formed in Stockholm in 1982.In 1983 they released their self-titled debut album and had a minor hit in Sweden with the song "We Go Rocking".In 1985 the band appeared in cheap survival horror "Blood Tracks" made by B-movie producer Mats-Helge Olsson.Easy Action broke up around 1986 after having recorded "That Makes One".If you are a fan of this cheesy glam rock group then check out "Blood Tracks" with its corny murderous family hiding in a a snow-swept disused factory.The family lives close to the cabin where 80s Swedish rock band 'Solid Gold'(Easy Action) have just arrived to film their latest smash video."Blood Tracks" is a dull horror movie with flat characters and almost zero gore.Still I have seen worse.5 blood tracks out of 10.

This is the first Swedish horror movie I have seen and if I see any more I hope they are better than this. A rock group who are filming a video clip are destroyed by a group of animalistic hermits who have heretofore lived undisturbed in an abandoned factory. A "Structure Condemned Do Not Enter" sign is on the outside of the building so naturally they ignore it and barge in. This belongs in the subgenre of horror films that centre around rock groups - other titles include Song of the Succubus, Terror on Tour, Rocktober Blood, Trick or Treat, Monster Dog, Rock 'n' Roll Nightmare and Black Roses. The songs are by a group I've never heard of called Easy Action.

My review was written in May 1986 after a Cannes Film Festival Market screening.

"Blood Tracks" is a gory horror film that although it was made last year belongs rightfully in the cycle of teen slasher features from five years ago. Prospects are modest in international markets.

Silly premise has a rock group amed Solid Gold (played by Swedish band Easy Action) on location in the Colorado mountains (actually filmed in Sweden) to shoot a music video. A large contingent of attractive femme models isalong, to provide th usual scantily clad decoration (even though it's cold and strictly snowsville, with frequent avalanches to boot).

While the troupe is holed up in a snug mountain cabin, workmen disturb the peace of a barbarian clan of savages living underneath an abandoned factory nearby. A prolog sequence shows how an ultraviolent domestic quarrel some 10 years earlier ended up with daddy dead and mom and the kids trekking to the remote spot where they're living and murdering primitively today.

When the rock entourage youngsters are not engaged in sex they're wandering out in the snow (this being a cornball horror picture after all) to be attacked by the primitives.

"Blood Tracks" emphasizes some grisly makeup effects, particularly one in which a girl suddenly is split in two from head to toe. Several sex and nude scenes are included, the silliest of which has blonde Mary (Karina Lee) making love to a musician out in a car when they're buried by an avalanche; when rescued she scrambles across the snow naked much to the merriment of the rescuers.

Cast is hampered by the use of post-synchronized English dialog, but the youngsters are good looking and that apparently is all that is required in this genre.