CALIFICACIÓN DE IMDb
4.4/10
26 k
TU CALIFICACIÓN
Después de perder un orbe poderoso, Kara Zor-El, la prima de Superman, viene a la Tierra para recuperarlo, sin embargo, acaba envuelta en un enfrentamiento con una bruja malvada.Después de perder un orbe poderoso, Kara Zor-El, la prima de Superman, viene a la Tierra para recuperarlo, sin embargo, acaba envuelta en un enfrentamiento con una bruja malvada.Después de perder un orbe poderoso, Kara Zor-El, la prima de Superman, viene a la Tierra para recuperarlo, sin embargo, acaba envuelta en un enfrentamiento con una bruja malvada.
- Dirección
- Guionista
- Elenco
- Premios
- 3 nominaciones en total
Lynsey Beauchamp
- Ali
- (as Linsey Beauchamp)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Apart from the witchcraft, I LOVE this movie!
This was the first time I ever saw Helen Slater, and rightaway I knew she was the most beautiful lady in the world! (Sorry ladies!)
I think there are some classic lines that have been overlooked: I remember when the Tractor went wild in Midvale, and Linda/Supergirl was searching for a place to change into her costume, she spied the Ladies' Room, and dashed toward it at super-speed, plowing into a woman who was just coming out. Linda apologized, "Sorry, I'm in a rush!" and shot inside. The woman looked wry. "I know what you mean!"
Perhaps Zaltar (Peter O'Toole) wasn't as important as he could have been. Although I thought Faye Dunaway was perfect as Selena (a little type-casting courtesy of Mommie Dearest), I prefer to wonder what would have happened if Zaltar had been just a little more complex (he's an artist, after all!) and a little more selfish, and actually followed through with his plans to see Outer Space with the assistance of the Omegahedron.
Then he might have been the villain of the piece, and the most dangerous kind of villain: the villain an audience can sympathize with. Then the audience would have been torn between wanting Zaltar to succeed, and wanting Kara/Supergirl to stop him before the loss of the Omegahedron destroys Argo City.
Oh! And I would've liked to see how Argo City was torn away more or less whole from Krypton as the planet detonated, and wound up in Inner Space, trapped in a warp that only Kal-El's little spaceship was equipped to navigate and exit.
I don't think it's over for Supergirl, her story could be REtold (a la Batman), but I'd only be interested in a remake if the filmmakers would remain true to the style of THIS movie (Supergirl (1984), rather than opting for a trendy, dark, angst-ridden "hero" (I use the term loosely) in a demented action "adventure". I miss the bright, cheerful style of the old Superman comics, from the 50's, 60's and 70's, and I'd love to see that back on the big screen, like Superman The Movie and Superman II, and . . . naturally, Supergirl - The First Adventure.
This is a beautiful, dream-like jewel of a movie, a real Pink Panther (I refer, of course, to the diamond).
That breath-taking, emotional moment as Supergirl arrives on Earth, and discovers her powers and her new environment, in my humble opinion, is unmatched in all the Super-movies.
Jerry Goldsmith's score, especially the Supergirl March and the Love Theme are stirring and moving respectively, and easily equal to John Williams' contributions to the Superman movies. I have Jerry's score on CD (thanks to Silva Screen Records) and the Supergirl Main Theme is my Favorite Movie Theme of all time.
(Superman was and is my hero, Superman II (1980) was THE defining movie of my youth, and I can probably sing you the entire score to Superman III, but I love the Supergirl themes more.)
And if a widescreen, remastered version of this movie ever becomes available "Down Under" , I want to see it!
This was the first time I ever saw Helen Slater, and rightaway I knew she was the most beautiful lady in the world! (Sorry ladies!)
I think there are some classic lines that have been overlooked: I remember when the Tractor went wild in Midvale, and Linda/Supergirl was searching for a place to change into her costume, she spied the Ladies' Room, and dashed toward it at super-speed, plowing into a woman who was just coming out. Linda apologized, "Sorry, I'm in a rush!" and shot inside. The woman looked wry. "I know what you mean!"
Perhaps Zaltar (Peter O'Toole) wasn't as important as he could have been. Although I thought Faye Dunaway was perfect as Selena (a little type-casting courtesy of Mommie Dearest), I prefer to wonder what would have happened if Zaltar had been just a little more complex (he's an artist, after all!) and a little more selfish, and actually followed through with his plans to see Outer Space with the assistance of the Omegahedron.
Then he might have been the villain of the piece, and the most dangerous kind of villain: the villain an audience can sympathize with. Then the audience would have been torn between wanting Zaltar to succeed, and wanting Kara/Supergirl to stop him before the loss of the Omegahedron destroys Argo City.
Oh! And I would've liked to see how Argo City was torn away more or less whole from Krypton as the planet detonated, and wound up in Inner Space, trapped in a warp that only Kal-El's little spaceship was equipped to navigate and exit.
I don't think it's over for Supergirl, her story could be REtold (a la Batman), but I'd only be interested in a remake if the filmmakers would remain true to the style of THIS movie (Supergirl (1984), rather than opting for a trendy, dark, angst-ridden "hero" (I use the term loosely) in a demented action "adventure". I miss the bright, cheerful style of the old Superman comics, from the 50's, 60's and 70's, and I'd love to see that back on the big screen, like Superman The Movie and Superman II, and . . . naturally, Supergirl - The First Adventure.
This is a beautiful, dream-like jewel of a movie, a real Pink Panther (I refer, of course, to the diamond).
That breath-taking, emotional moment as Supergirl arrives on Earth, and discovers her powers and her new environment, in my humble opinion, is unmatched in all the Super-movies.
Jerry Goldsmith's score, especially the Supergirl March and the Love Theme are stirring and moving respectively, and easily equal to John Williams' contributions to the Superman movies. I have Jerry's score on CD (thanks to Silva Screen Records) and the Supergirl Main Theme is my Favorite Movie Theme of all time.
(Superman was and is my hero, Superman II (1980) was THE defining movie of my youth, and I can probably sing you the entire score to Superman III, but I love the Supergirl themes more.)
And if a widescreen, remastered version of this movie ever becomes available "Down Under" , I want to see it!
I first saw this movie when i was still a kid, and I enjoyed it then, as would all other children. I have seen it again, and cannot in all honesty understand why it failed. Helen Slater played the role of Supergirl perfectly, and had a strong supporting cast. Perhaps it was not the right time for it, because the macho-male action hero sterotype was still very much prevalent in the 80's. Chances are that movies like G.I. Jane and Alien would also have flopped at the box-office if they was released in the early 80's.
Supergirl was and still is a great film for people of all ages, despite what the critics may have said.
Supergirl was and still is a great film for people of all ages, despite what the critics may have said.
I feel this movie was really given a bad first impression. I personally love the movie,I have always liked it and still continue to watch it. I recently bought the re-release that has the extra scenes. I am a fan of the Superman series and I feel if the creators of the Superman movie ( which I feel are the same people) had given Supergirl a better release date it would of had been a box office smash. I know there are certain scenes that could of had been fine tuned, but overall it is a great movie, I know people say Faye Dunnaway was overacting(melodramatic) I still think that she did great, after all she was a witch. I was though a little stunned with the coloring of the movie, yes it was back in 1984 however you still see movies that had great clear coloring.I wish the people who edited the movie had kept all the scenes in , because I feel it would of made a huge difference!
While not an epic like "Superman: The Movie", "Supergirl" is an enjoyable movie and it has a special place in my heart just like the first Superman movie.
The beautiful Helen Slater is fantastic in the title role of Supergirl and she easily carries the film. Like Reeve, Slater looks like she just popped out of the comic books and she gives a great performance as both Linda Lee and Supergirl. It's a shame she doesn't have a bigger career than the one she does now.
Faye Dunaway is miscast as Selena and is too campy in the role. The rest of the cast are fine in the movie, and I enjoyed Peter O'Toole's performance as Zaltar. Also, it was nice to see Marc McLure as Jimmy Olsen. However, my biggest disappointment with the film was that Christopher Reeve was not in it. It would have been fantastic to see Superman and Supergirl together.
The script, while good, should have been better and the campiness of Selena thrown out. I've read the original script and that one should have been used as it was slightly better and had some more characterisation in it.
The special effects are fantastic, especially in the flying scenes. I enjoy the Flying Ballet sequence a great deal, it's my favourite flying scene out of all the 'Super' films. This scene has always made me wish I could fly, a desire that was created when I saw the original Superman movie.
The music, which was composed and conducted by the great Jerry Goldsmith, is also one of the film's best aspects and I love it very much. The music is beautiful to listen to and are easy on the ears -- it's very poetic and lyrical which suits the film well.
Anchor Bay released "Supergirl" on DVD last year and they did a magnificent job, doing the film justice. The Director's Cut is the best version of the movie as it provides better characterisation and some explanations for plot holes that are present in the US theatrical and domestic cuts.
"Supergirl" is one of my favourite movies despite it's flaws and I find it to be a much better film than "Superman 3" and "Superman 4: The Quest For Peace".
The beautiful Helen Slater is fantastic in the title role of Supergirl and she easily carries the film. Like Reeve, Slater looks like she just popped out of the comic books and she gives a great performance as both Linda Lee and Supergirl. It's a shame she doesn't have a bigger career than the one she does now.
Faye Dunaway is miscast as Selena and is too campy in the role. The rest of the cast are fine in the movie, and I enjoyed Peter O'Toole's performance as Zaltar. Also, it was nice to see Marc McLure as Jimmy Olsen. However, my biggest disappointment with the film was that Christopher Reeve was not in it. It would have been fantastic to see Superman and Supergirl together.
The script, while good, should have been better and the campiness of Selena thrown out. I've read the original script and that one should have been used as it was slightly better and had some more characterisation in it.
The special effects are fantastic, especially in the flying scenes. I enjoy the Flying Ballet sequence a great deal, it's my favourite flying scene out of all the 'Super' films. This scene has always made me wish I could fly, a desire that was created when I saw the original Superman movie.
The music, which was composed and conducted by the great Jerry Goldsmith, is also one of the film's best aspects and I love it very much. The music is beautiful to listen to and are easy on the ears -- it's very poetic and lyrical which suits the film well.
Anchor Bay released "Supergirl" on DVD last year and they did a magnificent job, doing the film justice. The Director's Cut is the best version of the movie as it provides better characterisation and some explanations for plot holes that are present in the US theatrical and domestic cuts.
"Supergirl" is one of my favourite movies despite it's flaws and I find it to be a much better film than "Superman 3" and "Superman 4: The Quest For Peace".
It could be because I was six the first time I saw it and had a crush on the girl that played supergirl for a long time thereafter, but I enjoy the movie. The special effects are horribly dated compared to what we have become use to in movies, and the acting is not much better. Unless you really like the superman movies, or are under the age of six, the movie would probably be utterly boring. The only good thing that I can say about the movie is that I like it, but I don't know why.
¿Sabías que…?
- Trivia(at around 35 mins) Christopher Reeve bowed out just before filming began. He was slated to make a cameo as Superman, but was unavailable. The film still features a picture of Reeve in costume in a brief cameo.
- Errores(at around 58 mins) During the "monster tractor" sequence, a boom operator is visible in the wrecked bar's mirror.
- Créditos curiososIn the beginning credits real silver is flashed at you.
- Versiones alternativasIn the US advanced screening version, there was more dialog between Selena and Supergirl. Selena tells Supergirl she will make her name known all over the world, and that she herself, should fear. Supergirl replies to this, saying she will only bow to truth and justice, and Selena shows some black magic.
- ConexionesEdited into Flash (2023)
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Detalles
- Fecha de lanzamiento
- Países de origen
- Idioma
- También se conoce como
- Superniña
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 35,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 14,296,438
- Fin de semana de estreno en EE. UU. y Canadá
- USD 5,738,249
- 25 nov 1984
- Total a nivel mundial
- USD 14,296,438
- Tiempo de ejecución
- 2h 4min(124 min)
- Relación de aspecto
- 2.35 : 1
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