Después de perder un orbe poderoso, Kara Zor-El, la prima de Superman, viene a la Tierra para recuperarlo, sin embargo, acaba envuelta en un enfrentamiento con una bruja malvada.Después de perder un orbe poderoso, Kara Zor-El, la prima de Superman, viene a la Tierra para recuperarlo, sin embargo, acaba envuelta en un enfrentamiento con una bruja malvada.Después de perder un orbe poderoso, Kara Zor-El, la prima de Superman, viene a la Tierra para recuperarlo, sin embargo, acaba envuelta en un enfrentamiento con una bruja malvada.
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- 3 nominaciones en total
Lynsey Beauchamp
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- (as Linsey Beauchamp)
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Opiniones destacadas
I guess I was 7 or 8 when my parents took me to the cinema for the first time. They picked Supergirl as something fun and unthreatening. I have been hooked on film ever since! Supergirl is a hugely under-rated movie, and while I can take on board some of the negative comments you read here, I also think they're a bit harsh. Come on people (you know who you are), it's a fantasy film! If it played the same as Superman (another great), there would be no point in making it in the first place. Sure the magic angle is slightly odd, but what the hell, it's a fun film which doesn't take itself too seriously, but doesn't go in for over the top slapstick either (take heed Richard Lester!!). And of course the effects are a little dated, it is 20 years old after all (though many still look great). Jerry Goldsmith's score it beautiful and lyrical, as it should be, becoming triumphantly heroic when it needs to (The main theme is tremendous, even with the eighties electronic whooshes and eagle squarks). Helen Slater is gorgeous in the lead role, and considering this was her first major role, she does a commendable job. Then there's Miss Dunaway: first rate as always-you can almost see the scenery going down her throat, but that's part of the charm of the character. All the actors come off well, and if you ignore some bits and pieces (there's still some huge plot holes even in the Directors Cut!) you should have a great time. It would be interesting to see a remake that perhaps didn't stray so far from the source mythology (was the omegahedron in the comics?), but on the other hand, the eighties was a different time, and perhaps today's climate (whether the world could use a super-hero or not) is not right to relaunch the poor girl to Earth. One of my all time favourites, and I'm glad to see so many other fans on the IMDB. Let's lobby Anchor Bay for an official Region 2 version. My TV can't broadcast NTSC signals, so have to watch it in black & white, or in jerky (but colour) vision on a slow laptop. Peace. Out.
I am surprised at the high percentage of very low votes for this movie, SUPERGIRL. While it is by no means a great movie, it IS a good film which makes a comic book story come to life. Helen Slater was only 19 when she played Supergirl and it is hard to imagine a better choice. She is pretty and innocent, but has a fine figure and very athletic legs, very believable as Superman's cousin, come to Earth to return the omegahedron to her society, while Superman is on self-imposed exile. For a 1984 film the production values are very high, not one wire is shown in the scenes where Supergirl flies, unlike Superman IV which is very poor in comparison. And, except for the drawn-out ending, is paced very nicely. I have the director's cut, which is 2 hours and 13 minutes of film, and another 5 or 6 minutes of credits.
Faye Dunnaway is also excellent as the archrival, evil sorceress. To me that is the best type of role for her. The DVD has a remarkably good video transfer and is an altogther fun movie, for fans of the Super series of comic book characters.
And, at 1:45 into the film, several newly-introduced Honda Sabre motorcycles were escorting Dunnaway's car.
Faye Dunnaway is also excellent as the archrival, evil sorceress. To me that is the best type of role for her. The DVD has a remarkably good video transfer and is an altogther fun movie, for fans of the Super series of comic book characters.
And, at 1:45 into the film, several newly-introduced Honda Sabre motorcycles were escorting Dunnaway's car.
While not an epic like "Superman: The Movie", "Supergirl" is an enjoyable movie and it has a special place in my heart just like the first Superman movie.
The beautiful Helen Slater is fantastic in the title role of Supergirl and she easily carries the film. Like Reeve, Slater looks like she just popped out of the comic books and she gives a great performance as both Linda Lee and Supergirl. It's a shame she doesn't have a bigger career than the one she does now.
Faye Dunaway is miscast as Selena and is too campy in the role. The rest of the cast are fine in the movie, and I enjoyed Peter O'Toole's performance as Zaltar. Also, it was nice to see Marc McLure as Jimmy Olsen. However, my biggest disappointment with the film was that Christopher Reeve was not in it. It would have been fantastic to see Superman and Supergirl together.
The script, while good, should have been better and the campiness of Selena thrown out. I've read the original script and that one should have been used as it was slightly better and had some more characterisation in it.
The special effects are fantastic, especially in the flying scenes. I enjoy the Flying Ballet sequence a great deal, it's my favourite flying scene out of all the 'Super' films. This scene has always made me wish I could fly, a desire that was created when I saw the original Superman movie.
The music, which was composed and conducted by the great Jerry Goldsmith, is also one of the film's best aspects and I love it very much. The music is beautiful to listen to and are easy on the ears -- it's very poetic and lyrical which suits the film well.
Anchor Bay released "Supergirl" on DVD last year and they did a magnificent job, doing the film justice. The Director's Cut is the best version of the movie as it provides better characterisation and some explanations for plot holes that are present in the US theatrical and domestic cuts.
"Supergirl" is one of my favourite movies despite it's flaws and I find it to be a much better film than "Superman 3" and "Superman 4: The Quest For Peace".
The beautiful Helen Slater is fantastic in the title role of Supergirl and she easily carries the film. Like Reeve, Slater looks like she just popped out of the comic books and she gives a great performance as both Linda Lee and Supergirl. It's a shame she doesn't have a bigger career than the one she does now.
Faye Dunaway is miscast as Selena and is too campy in the role. The rest of the cast are fine in the movie, and I enjoyed Peter O'Toole's performance as Zaltar. Also, it was nice to see Marc McLure as Jimmy Olsen. However, my biggest disappointment with the film was that Christopher Reeve was not in it. It would have been fantastic to see Superman and Supergirl together.
The script, while good, should have been better and the campiness of Selena thrown out. I've read the original script and that one should have been used as it was slightly better and had some more characterisation in it.
The special effects are fantastic, especially in the flying scenes. I enjoy the Flying Ballet sequence a great deal, it's my favourite flying scene out of all the 'Super' films. This scene has always made me wish I could fly, a desire that was created when I saw the original Superman movie.
The music, which was composed and conducted by the great Jerry Goldsmith, is also one of the film's best aspects and I love it very much. The music is beautiful to listen to and are easy on the ears -- it's very poetic and lyrical which suits the film well.
Anchor Bay released "Supergirl" on DVD last year and they did a magnificent job, doing the film justice. The Director's Cut is the best version of the movie as it provides better characterisation and some explanations for plot holes that are present in the US theatrical and domestic cuts.
"Supergirl" is one of my favourite movies despite it's flaws and I find it to be a much better film than "Superman 3" and "Superman 4: The Quest For Peace".
Apart from the witchcraft, I LOVE this movie!
This was the first time I ever saw Helen Slater, and rightaway I knew she was the most beautiful lady in the world! (Sorry ladies!)
I think there are some classic lines that have been overlooked: I remember when the Tractor went wild in Midvale, and Linda/Supergirl was searching for a place to change into her costume, she spied the Ladies' Room, and dashed toward it at super-speed, plowing into a woman who was just coming out. Linda apologized, "Sorry, I'm in a rush!" and shot inside. The woman looked wry. "I know what you mean!"
Perhaps Zaltar (Peter O'Toole) wasn't as important as he could have been. Although I thought Faye Dunaway was perfect as Selena (a little type-casting courtesy of Mommie Dearest), I prefer to wonder what would have happened if Zaltar had been just a little more complex (he's an artist, after all!) and a little more selfish, and actually followed through with his plans to see Outer Space with the assistance of the Omegahedron.
Then he might have been the villain of the piece, and the most dangerous kind of villain: the villain an audience can sympathize with. Then the audience would have been torn between wanting Zaltar to succeed, and wanting Kara/Supergirl to stop him before the loss of the Omegahedron destroys Argo City.
Oh! And I would've liked to see how Argo City was torn away more or less whole from Krypton as the planet detonated, and wound up in Inner Space, trapped in a warp that only Kal-El's little spaceship was equipped to navigate and exit.
I don't think it's over for Supergirl, her story could be REtold (a la Batman), but I'd only be interested in a remake if the filmmakers would remain true to the style of THIS movie (Supergirl (1984), rather than opting for a trendy, dark, angst-ridden "hero" (I use the term loosely) in a demented action "adventure". I miss the bright, cheerful style of the old Superman comics, from the 50's, 60's and 70's, and I'd love to see that back on the big screen, like Superman The Movie and Superman II, and . . . naturally, Supergirl - The First Adventure.
This is a beautiful, dream-like jewel of a movie, a real Pink Panther (I refer, of course, to the diamond).
That breath-taking, emotional moment as Supergirl arrives on Earth, and discovers her powers and her new environment, in my humble opinion, is unmatched in all the Super-movies.
Jerry Goldsmith's score, especially the Supergirl March and the Love Theme are stirring and moving respectively, and easily equal to John Williams' contributions to the Superman movies. I have Jerry's score on CD (thanks to Silva Screen Records) and the Supergirl Main Theme is my Favorite Movie Theme of all time.
(Superman was and is my hero, Superman II (1980) was THE defining movie of my youth, and I can probably sing you the entire score to Superman III, but I love the Supergirl themes more.)
And if a widescreen, remastered version of this movie ever becomes available "Down Under" , I want to see it!
This was the first time I ever saw Helen Slater, and rightaway I knew she was the most beautiful lady in the world! (Sorry ladies!)
I think there are some classic lines that have been overlooked: I remember when the Tractor went wild in Midvale, and Linda/Supergirl was searching for a place to change into her costume, she spied the Ladies' Room, and dashed toward it at super-speed, plowing into a woman who was just coming out. Linda apologized, "Sorry, I'm in a rush!" and shot inside. The woman looked wry. "I know what you mean!"
Perhaps Zaltar (Peter O'Toole) wasn't as important as he could have been. Although I thought Faye Dunaway was perfect as Selena (a little type-casting courtesy of Mommie Dearest), I prefer to wonder what would have happened if Zaltar had been just a little more complex (he's an artist, after all!) and a little more selfish, and actually followed through with his plans to see Outer Space with the assistance of the Omegahedron.
Then he might have been the villain of the piece, and the most dangerous kind of villain: the villain an audience can sympathize with. Then the audience would have been torn between wanting Zaltar to succeed, and wanting Kara/Supergirl to stop him before the loss of the Omegahedron destroys Argo City.
Oh! And I would've liked to see how Argo City was torn away more or less whole from Krypton as the planet detonated, and wound up in Inner Space, trapped in a warp that only Kal-El's little spaceship was equipped to navigate and exit.
I don't think it's over for Supergirl, her story could be REtold (a la Batman), but I'd only be interested in a remake if the filmmakers would remain true to the style of THIS movie (Supergirl (1984), rather than opting for a trendy, dark, angst-ridden "hero" (I use the term loosely) in a demented action "adventure". I miss the bright, cheerful style of the old Superman comics, from the 50's, 60's and 70's, and I'd love to see that back on the big screen, like Superman The Movie and Superman II, and . . . naturally, Supergirl - The First Adventure.
This is a beautiful, dream-like jewel of a movie, a real Pink Panther (I refer, of course, to the diamond).
That breath-taking, emotional moment as Supergirl arrives on Earth, and discovers her powers and her new environment, in my humble opinion, is unmatched in all the Super-movies.
Jerry Goldsmith's score, especially the Supergirl March and the Love Theme are stirring and moving respectively, and easily equal to John Williams' contributions to the Superman movies. I have Jerry's score on CD (thanks to Silva Screen Records) and the Supergirl Main Theme is my Favorite Movie Theme of all time.
(Superman was and is my hero, Superman II (1980) was THE defining movie of my youth, and I can probably sing you the entire score to Superman III, but I love the Supergirl themes more.)
And if a widescreen, remastered version of this movie ever becomes available "Down Under" , I want to see it!
I first saw this movie when i was still a kid, and I enjoyed it then, as would all other children. I have seen it again, and cannot in all honesty understand why it failed. Helen Slater played the role of Supergirl perfectly, and had a strong supporting cast. Perhaps it was not the right time for it, because the macho-male action hero sterotype was still very much prevalent in the 80's. Chances are that movies like G.I. Jane and Alien would also have flopped at the box-office if they was released in the early 80's.
Supergirl was and still is a great film for people of all ages, despite what the critics may have said.
Supergirl was and still is a great film for people of all ages, despite what the critics may have said.
¿Sabías que…?
- Trivia(at around 35 mins) Christopher Reeve bowed out just before filming began. He was slated to make a cameo as Superman, but was unavailable. The film still features a picture of Reeve in costume in a brief cameo.
- Errores(at around 58 mins) During the "monster tractor" sequence, a boom operator is visible in the wrecked bar's mirror.
- Créditos curiososIn the beginning credits real silver is flashed at you.
- Versiones alternativasIn the US advanced screening version, there was more dialog between Selena and Supergirl. Selena tells Supergirl she will make her name known all over the world, and that she herself, should fear. Supergirl replies to this, saying she will only bow to truth and justice, and Selena shows some black magic.
- ConexionesEdited into Flash (2023)
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Detalles
- Fecha de lanzamiento
- Países de origen
- Idioma
- También se conoce como
- Superniña
- Locaciones de filmación
- Productoras
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Taquilla
- Presupuesto
- USD 35,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 14,296,438
- Fin de semana de estreno en EE. UU. y Canadá
- USD 5,738,249
- 25 nov 1984
- Total a nivel mundial
- USD 14,296,438
- Tiempo de ejecución2 horas 4 minutos
- Relación de aspecto
- 2.35 : 1
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