Slayground

Starting in New York and ending in Blackpool, SLAYGROUND is an unusual crime thriller which was quite a flop when first released (it was one of the few films Thorn EMI not only distributed but produced also) and was never seen by that many people. Based on one of the "Parker" novels written by Richard Stark (POINT BLANK and PAYBACK were also based on this series), SLAYGROUND stars Peter Coyote, British comedian Mel Smith (from Smith and Jones), in a rare dramatic role, and Billie Whitelaw. If you like tough crime thrillers, track it down.

Roughly based on one of Donald Westlake's crime novels, a businessman hires a hitman to track down and kill a trio of robbers responsible for killing his daughter in a hit-and-run accident during an escape from one of their heists. Stylized cinematography but short on plausibility, which is typical of these 1980s low-budgets.

I've read a few of Donald Westlake's Parker series, but not the one that this movie of the same name is based upon. I'm quite sure however it bears little relationship to this weird movie, with the Parker character having a name change to Stone for some reason.

Slayground was strangely marketed more as a slasher film, rather than crime genre. But upon release it tanked spectacularly even given the fact that it was never likely to be splash release material. There is simply no disguising the poor production standards of the film, especially the sound and ordinary lighting. But the worst sins occur with the "story", though calling it that, is almost giving it too much of a compliment.

Stone is part of a gang who rob an armoured car in the most unlikely of places. In escaping, their driver hits another car killing it's occupants, a mother and her ice skater child. The vengeful husband and father contracts a relentless hit man only identified as Shadowman to take revenge on the gang members. And the story carries on from there, climaxing naturally enough with Stone facing off against Shadowman in the Slayground, which is bizarrely in England, after a switch in continental locations , half way through the movie. (I'd just about bet my house on this not occurring in the original novel.)

Here's the thing. There is never any explanation given whatsoever as to how Shadowman tracks down, let alone knows who the gang members are. This just happens and it's on with more important things besides logic. The action, by the way is poorly filmed and choreographed, with many of the murders occurring off screen. We are just privy to the less than shocking results. Characters just exist primarily as cannon fodder, with few given much in the way of back story, including Stone. Oh Yeah! He has an ex-wife.

Peter Coyote better known for his supporting characters, rather than lead roles plays Stone unexceptionally. British comedian Mel Smith pops up as a past Stone associate who was thought to be dead (Don't ask!) by all and sundry, except Shadowman (of course) and actually does a pretty convincing job as an ex-crim trying to go straight. But this is real bottom shelf stuff. The best Parker adaptions I've seen are the 3 starring respectively Lee Marvin (Point Blank). Mel Gibson (Payback) and Jason Statham (Parker). I wouldn't really bother getting involved with this stinker.

This had a good story, the movie made sense, and of course Peter Coyote was easy on my eyes. i always liked his voice, he does a good job on here though his best is still southern comfort.

"Slayground" is truly one of the bleakest, most distant and coldest thrillers I've ever seen, which is probably why I found it so intriguing and compelling. The grim and nihilistic atmosphere is definitely the film's strongest asset, because the pacing is wildly uneven and the screenplay - adapted from a novel by Richard "Point Blank" Stark - is quite implausible most of the time. Still, any film that starts to the tunes of George Thorogood's "Bad to the Bone" is worth my full and unbiased attention! With this great and legendary song playing over the opening credits, we first follow a man who picks up a juicy street flower by the name of Jolene, but he gets robbed and killed by her. The man was supposed to be the getaway driver during a carefully planned heist of money-transporting truck, and thus Stone and his associate Sheer are forced to hire a young, inexperienced and reckless driver instead. The escape goes wrong and results in a nasty road accident and the death of an innocent 9-year-old ballet girl. Her grieving father, an implacable businessman, hires the enigmatic but deadly efficient contract killer Shadow Man to trace down his daughter's killers and settle the score. "Depressing" is definitely the keyword to describe this film. The story is already bleak, but so are the characters and the filming locations. Peter Coyote has an almost natural aura of melancholia over him, and Mel Smith is exceptionally well cast in a rare serious role. Fleeing from his mysterious hired killer, Stone travels from the most downbeat suburbs of New York to the utmost depressing Blackpool in England, where the climax takes place in an abandoned funfair. There is nothing more petrifying than a forsaken carnival, I assure you! None of the brutal executions are shown on camera, but "Slayground" is the rare type of film where this works more effectively, and has a far more shocking impact. The "Shadow Man" killer is an incredibly fascinating supportive character that is seldomly shown or mentioned, but he's omnipresent and nightmarish. Of course, it's highly implausible - and even slightly preposterous - that he has all the knowledge and resources to trace his targets so quick and easily, but you'll gladly accept this for the sake of entertainment. Recommended, if you have the stomach for it.