Aullido de terror

If anyone is familiar with filmmaker Michael Winner's work, then "Scream for Help" shouldn't come as a surprise. Made smack in the middle of "Death Wish II" & "Death Wish 3". Those easily offended should steer clear. But then again, this ruthlessly trashy picture does catch you off guard numerous times. You could play a drinking game. Get the shot glasses ready, whenever you hear the word "kill". This is a lot. Yeah, as you can see, it's not one to take too seriously, even though it feels like the entire cast is giving their dramatic all.

Tom Holland's disjointed material is campy despite the context (family abuse) being frightening, but Winner's execution is where the laughs come from. Subtle is not how to describe it. It's so outrageously delirious, excessive and in-your-face making it eye-bogglingly strange and unrealistic. Was Winner sniggering behind the camera? But that's where the fun comes from.

The story creatively follows that of the dogged teenage girl's viewpoint by mixing elements of the boy who cried wolf meets Nancy Drew turned home invasion with exploitative touches. Then there's the odd, if graceless lifetime style coming of age inclusions. It's all over the place, but for some reason it gives it such a frenetic, unpredictable energy after being thrown straight into the action. Helping this out was the spirited performance of Rachael Kelly. Watching her go about her business always in the same manner can get rather humorous when not jarring. Her dialogues and reactions are priceless, but still you got admire her commitment. She would give Terry O'Quinn's "The Stepfather" a real run for his money. David Allen Brooks is perfect as the calculating, sleazebag step-father.

One thing that was hard to admire though, was that loud, obnoxious music score. Winner must be sniggering again? Outside of those intrusive guitar riffs, it felt out-of-pace. Winner's leering, straight-forward style makes use of it b-grade budget where amongst the sordid details he does install some intense passages. And how about that ending?!

From the hit & run on Janie and on you you this is 100% pure cheese. I loved it though. This was a different step in the slasher filled horror movies of the 80s. "Scream" for help. Hmmp. Overall the acting is terrible by everyone. Story is alright. Rachel Kelly is a hottie. She is scream for help. Sort of a 80s version of Neve Campbell. Rentable.(6/10)

Why does everyone bash this movie so much? What's wrong with the acting? What's wrong with the music? I thought it was nicely done, and became one of my favorite thrillers over the years. A teen girl suspects that her step dad is trying to off her mom so he can inherit her millions. The girl turns into a Nancy Drew type and starts tailing him over a period of days to see if she can get some dirt on him. She discovers he's having an affair and becomes the girl who knew too much as the step dad begins to go after her. It all leads to an awesome climax set in the family home, as the step dad and his lowlife cohorts hold the mother and daughter hostage. But the young schemer devises a way to thwart her captors and really turns the final half hour into an exciting finish. Beware though, the film is very graphic, both sexually and violently, but it's kept at a reasonable level (like two shots of Lorre topless, only one shot of Clark's gigantor boobs). As far as all the cast bashing goes, I really don't understand it. To begin with, Kelly is a beautiful, gifted actress whose career really should've taken off with this. Ok, so I had a crush on her, but still she carries the film perfectly. Brooks is sauve enough to pull off the step dad role and when he turns sinister in the end, he's great. Sisto nails his grungy, dirtbag character nicely, and Lorre is a gorgeous manipulator/femme fatale. Your only problem will be obtaining the film, which is very obscure and difficult to track down at video stores. But if you should find it, it should have no problem holding your attention, even if you (for whatever reason) laugh at it like these others have. Though I wont blame you for rolling your eyes at the sappy end credits song.

Residing somewhere in a parallel dimension called "Scream for Help" where everybody is a scumbag reigns Christie Cromwell. Played with such over-the-top antics and foul-mouthed bombast by Rachael Kelly, this single performance makes this movie one of the sleaziest and most entertaining eighties bad movies I have ever seen. Young Christie thinks that Paul Fox, who has recently married Chrisite's mother Karen, is a conniving philanderer who is only after their money and wants the both of them dead. She's right of course but the problem is getting anyone to believe her since she's such an abrasive little bitch that nobody wishes to come near her let alone listen to her petty conspiracy theories. One morning she follows Paul on her bike until he motors away from her. Not one to be deterred easily Chrisite waits the next day until Paul drives by the spot she lost him at and continues to follow him. This goes on for about a week until she finds Paul's car outside a house. Christie looks into the window to see Paul engaged in a little back door sex with a mysterious woman which she promptly takes a picture of. This escalates the war between Paul and Christie with the dopey Karen caught in the middle trying to make nice with both of them. From here on you might need a shower as the seediness pours through every scene as Christie and Paul try to out scum each other. Along for the ride are Christie's acquaintances, I can't see her having any friends, the extremely large busted Janey (you'll know what I mean) and her boyfriend Josh. When Janey is run down by Paul Christie grieves like any good friend would do by losing her virginity to her boyfriend. This leads to one of the funniest lines when Josh comes over to see her only to be shot down when Christie says that she was looking for anyone to pop her cherry "even the garbage man". Wow! A final showdown ensues as Karen and Christie become hostages in their mansion as Paul, his partner/double crosser Brenda and her husband Lacey battle wits with the vicious teen. This movie is like a Wile E. Coyote and Road Runner cartoon if Road Runner was banging Wile E.'s mom. That's the best way I can describe this. Every time Christie thinks she's got Paul dead to rights he manages to get away unscathed. Plenty of nudity, profanity, and eighties cheesiness to keep even the most jaded of viewers with a smile on their face. "Scream for Help" is the very definition of why a really good "bad movie" trumps the pretentious crap that poses for theatrical fare today. Simply a must see for any fan of B-grade cinema.

I like this movie a lot. True, it's not a cinema classic, but as a "B" horror film, it rates a B+. The story, acting, and direction are much better than most films of this sort.

My biggest complaint with the film is the music, which is often out of sync with the film, and at other times shrill to the point of being annoying.

The actors do a fine job, particularly Sisto, in the sleasy, white trash role. The young actress who stars in this film is quite effective, and I have to wonder why she didn't get a career boost, after this one.

I'd like to purchase this film, if it is ever released on DVD.