Una estrella de la música country debe convertir a un odioso taxista neoyorquino en cantante para ganar una apuesta.Una estrella de la música country debe convertir a un odioso taxista neoyorquino en cantante para ganar una apuesta.Una estrella de la música country debe convertir a un odioso taxista neoyorquino en cantante para ganar una apuesta.
- Dirección
- Guionistas
- Elenco
- Premios
- 2 premios ganados y 9 nominaciones en total
- Father
- (as Stephen Apostle Pec)
Opiniones destacadas
The story has Dolly Parton as a country western singer in NYC who's desperate to get out of a contract she's locked herself into with a sleazy Ron Liebman. In order to do this, they wager a bet that she can't turn a regular Joe off the street into a "rhinestone cowboy." They pick dimwitted cabbie Sylvester Stallone and it becomes apparent that Parton has her work cut out for her.
In typical rom com fashion, Parton and Stallone strike up somewhat of a romance, but the main issue is that they have very little chemistry together. Stallone seems miscast from the get go. He doesn't have a funny or musical bone in this body and most of the film shows Parton struggling to get him to lighten up and it's very uncomfortable to watch. Perhaps if there'd been a different leading man, this would have worked since the concept isn't horrible.
Parton proves again that she's a natural on screen and she's enjoyable even when the film isn't.
One important thing I've learned in studying film is that there is a difference between a film you love & a great film. They can be one in the same, as is the case with a film such as The Godfather Part II. This is an masterfully made film that I enjoyed. Or they can be separate. For instance, I recognize that Slumdog Millionaire is a well made film, I just didn't like it. I didn't connect with it. I didn't care what happened. And on the converse, I recognize that Rhinestone isn't really that great a film but I really enjoyed it. I connected with the characters, it made me laugh & I generally found pleasure in it. So I rate it 10/10 for enjoyment.
Love to Steven Peck
I know, this ain't the greatest comedy of all times, this ain't a rave review, and people (especially critics) like to make fun of Sly and Dolly. But you can do a lot worse than this and end up with films such as BAD DEFENSE or BATMAN & ROBIN, EXCESS BAGGAGE, SHALLOW HAL or (shudder) BLIND DATE (with Bruce Willis). I was really surprised that I ended up enjoying this, and that I actually laughed a couple of times. The story has almost no surprises, but it ain't terribly cliched either. And that, people, is more than you can say about 90% of the comedies these days. 6/10
¿Sabías que…?
- TriviaSylvester Stallone turned down the male lead in Dos bribones tras la esmeralda perdida (1984) and the lead in Un detective suelto en Hollywood (1984) (before it was re-written as a comedy) to make this film.
- ErroresDuring the opening credits, the camera is reflected in the window of the helicopter they used to film the night-time scenery.
- Citas
Nick Martinelli: [singing "Drinkenstein"] Budweiser you created a monster / and they call him Drinkenstein / And the tavern down the street is the labba-tor-eye-ee / where he makes the transformation all the time / And a stein of Dr. Buuuud is a pint of monster blood / and it does effect me different every time / Budweiser you created a monster / and they call me Drinkenstein / And they call me Drinkenstein / I'm Drinkenstein! / I'm Drinkenstein!
- Bandas sonorasTennessee Homesick Blues
Written and Performed by Dolly Parton
Selecciones populares
Sylvester Stallone's Most Iconic Roles
Sylvester Stallone's Most Iconic Roles
- How long is Rhinestone?Con tecnología de Alexa
Detalles
Taquilla
- Presupuesto
- USD 28,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 21,435,321
- Fin de semana de estreno en EE. UU. y Canadá
- USD 5,459,726
- 24 jun 1984
- Total a nivel mundial
- USD 21,435,321
- Tiempo de ejecución1 hora 51 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1