The River Rat

Three people intentionally rob a house. A murder occurs during the robbery. Tons of money is stolen. One of the three later dies, and the other two deny responsibility.

One of the remaining two decides to dig up the stolen money, all the while denying any responsibility. Even after confessing to his daughter, he continues to deny. Luckily, his daughter is also psycho, and she joins in with the denial.

For no apparent reason, the underage actors get nekkid in various scenes.

Along the way, the innocent murderer encounters people who are much worse than he is. You know they are worse then him because they also want the money that he got from his robbery/murder.

Eventually, the innocent murderer becomes a grave robber because way back when he didn't do anything wrong, he hid the money in a casket.

Overall, a heartwarming story of innocent people who aren't responsible for the murders, death, robberies and other crimes that they committed.

"The River Rat" is very much like a ghost story - not too much depth, but plenty of adventure and cheap thrills to keep you interested. The acting is generally good. Tommy Lee Jones and Brian Dennehy are reliable as ever, if Dennehy's character is a good bit too over-the-top. It was interesting to see Martha Plimpton so young, playing a role very much reminiscent of one she did three years later in "Shy People".

This is the only film both written and directed by Thomas Rickman. It's easy to see why. Not to say that the script is necessarily bad - the dialogue is clever, and the characters are fleshed out for the most part. The main weakness is the schizophrenic overall quality of the story he's trying to tell. When he sticks to real life and family drama, it works. When he tries to turn it into a thriller, everything comes crashing down. In theory, Rickman could have filmed it in a way that brought things together, but he tends to direct in a very unrestrained sort of way, lacking the ingenuity to really pull it off.

I liked "The River Rat" mainly for it's nice visual feel, and the occasional sense of reality that pushed through the lazier aspects of production. There's a lot of ways it could have been improved, but it makes for good low expectation entertainment. A fun little movie.

I was only 2 years old when this movie was made but I watched a few years later then I understood it, probably the reason I like this movie because it was made here in my home state of Kentucky, but thats not the main reason I like this movie, I also like it because its got action and Drama in it, I love action and drama movies. If any of you are big fans of Tommy Lee Jones then you should see this movie because it is one of his best.

Jonsy is a pre-teen girl who lives by the Mississippi river with her grandmother. When her father Billy is released early from prison she tries to become close to him. However when Doc emerges from Billy's past looking for the money he stole things become more urgent.

This is essentially the story of a father and daughter trying to bond after never being together. The story may take a more sinister turn as Doc takes them on a river journey to find the stolen money, but it's still a family drama for the most part. The family drama is well observed with good characters - only the boy Wexel comes across as a slight Southern stereotype. However Doc's introduction doesn't take away from this side, rather it adds a darker level involving murder, revenge and eventual redemption. But over all this it works as a nice, non-sentimental relationship drama.

The film is the one that gave Martha Plimpton to the world and, while that may not be a good thing, she is good here - a child actress that isn't annoying. Also a pre-fame Tommy Lee Jones gives a strong performance as Billy who is slowly won over by fatherly concern for his daughter. Also giving a good show is Brian Dennehy (long before he started specialising in TV movies about crooked cops), here his bad guy slowly develops a tragic feel about him - just as his poison ivy wounds develop more to entrap him.

The film is a clever relationship drama with a grisly edge to it. It's worth watching for it's simplicity and for it's good performances. Don't expect a masterpiece but it's a refreshing little drama.

Tender story about a father and daughter. I wish TLJ would go back to making these quiet little movies instead of barking his way through mainstream action flix. Martha Plimpton is wonderful; it's too bad she doesn't do anything anymore.