En el amanecer de la tercera guerra mundial, un grupo de adolescentes estadounidenses unen fuerzas para defender a su país de las invasoras fuerzas soviéticas.En el amanecer de la tercera guerra mundial, un grupo de adolescentes estadounidenses unen fuerzas para defender a su país de las invasoras fuerzas soviéticas.En el amanecer de la tercera guerra mundial, un grupo de adolescentes estadounidenses unen fuerzas para defender a su país de las invasoras fuerzas soviéticas.
- Dirección
- Guionistas
- Elenco
- Premios
- 2 nominaciones en total
Opiniones destacadas
'Far Off Gone' is right on with that summary.
As a teen when this movie came out, us kids had grown up with Cold War news every night on TV. All these ICBMs being made, the 'Star Wars' defense initiative (SDI), even movies like 'War Games' contributed to a overall climate of concern about Russian/USA relations.
Then this movie hit theaters and us teens and younger adults felt we weren't so powerless after all. I can only speak for myself, but the opening scene was very sobering to a 18 year old kid who could relate to the dumbfounded kids in the classroom watching Soviet paratroopers hitting the schoolyard. I guess its one of those things where you had to be at the age and grown up in that era to really understand how the movie was received for its time.
The cast is chock full of stars in their younger years, and acting isn't bad either. Great movie and certainly worth watching at least once.
As a teen when this movie came out, us kids had grown up with Cold War news every night on TV. All these ICBMs being made, the 'Star Wars' defense initiative (SDI), even movies like 'War Games' contributed to a overall climate of concern about Russian/USA relations.
Then this movie hit theaters and us teens and younger adults felt we weren't so powerless after all. I can only speak for myself, but the opening scene was very sobering to a 18 year old kid who could relate to the dumbfounded kids in the classroom watching Soviet paratroopers hitting the schoolyard. I guess its one of those things where you had to be at the age and grown up in that era to really understand how the movie was received for its time.
The cast is chock full of stars in their younger years, and acting isn't bad either. Great movie and certainly worth watching at least once.
By the time Powers Booth's Air Force Lt. Col. Andy Tanner is found near his crashed jet fighter plane, and then begins helping a band of teenage rebels fighting against an insanely unanticipated World War III, it seems like John Milius is finally directing the film he wanted to make all along...
Which is basically an old-fashion war picture, in this case beginning with a high school's perspective of being attacking by commandos, destroying and ultimately taking over the rural small town...
Because Milius, unlike his APOCALYPSE NOW co-writer Francis Ford Coppola's THE OUTSIDERS and RUMBLE FISH, never seems entirely game with RED DAWN being a movie about kids... with a bombastic, farfetched twist of Russia taking over America, and much of the actual war... of course involving nuclear weapons... we only hear about from one of many monologues by Powers Booth...
Who's a hypnotic oratory performer and yet, other than leader Patrick Swayze... who seems around twenty-seven (or brother Charlie Sheen, barely important after the plot's underway)... we lose touch with the other youthful side-characters, while almost equally focusing on comparably dull enemy leaders Ron O'Neal and William Smith...
And RED DAWN nearly becomes even more of a violent body count flick than Walter Hill's SOUTHERN COMFORT... where Booth himself survives after practically everyone else is gone...
And frankly, too many people wind up dead (as unimportant ones survive)... while only Swayze's future DIRTY DANCING partner Jennifer Grey and token gung-ho nutjob C. Thomas Howell really stand out in this controversially maligned vehicle, negatively considered right wing, being that Russia's an actual physical threat (perhaps spooking Hollywood liberals that the ongoing Cold War may get thawed out)...
But that's where THE WIND AND THE LION auteur Milius (with stock grownup actors Frank McCrea, Ben Johnson and Harry Dean Stanton) genuinely feels at home... with nostalgic themes of modernized Americana... while RED DAWN succeeds as an entertaining war-genre throwback yet somewhat fails as what should be more strategically character-driven...
Overall paling to a terrific opening scene, where enemy paratroopers land outside a classroom, making everything else feel like a hectic outdoors survival guide...
But with Swayze in a surprisingly effective/literally commanding role within creatively-shot sequences of nifty guerilla warfare, it's a pretty decent way to spend two-hours, the 1980's way.
Which is basically an old-fashion war picture, in this case beginning with a high school's perspective of being attacking by commandos, destroying and ultimately taking over the rural small town...
Because Milius, unlike his APOCALYPSE NOW co-writer Francis Ford Coppola's THE OUTSIDERS and RUMBLE FISH, never seems entirely game with RED DAWN being a movie about kids... with a bombastic, farfetched twist of Russia taking over America, and much of the actual war... of course involving nuclear weapons... we only hear about from one of many monologues by Powers Booth...
Who's a hypnotic oratory performer and yet, other than leader Patrick Swayze... who seems around twenty-seven (or brother Charlie Sheen, barely important after the plot's underway)... we lose touch with the other youthful side-characters, while almost equally focusing on comparably dull enemy leaders Ron O'Neal and William Smith...
And RED DAWN nearly becomes even more of a violent body count flick than Walter Hill's SOUTHERN COMFORT... where Booth himself survives after practically everyone else is gone...
And frankly, too many people wind up dead (as unimportant ones survive)... while only Swayze's future DIRTY DANCING partner Jennifer Grey and token gung-ho nutjob C. Thomas Howell really stand out in this controversially maligned vehicle, negatively considered right wing, being that Russia's an actual physical threat (perhaps spooking Hollywood liberals that the ongoing Cold War may get thawed out)...
But that's where THE WIND AND THE LION auteur Milius (with stock grownup actors Frank McCrea, Ben Johnson and Harry Dean Stanton) genuinely feels at home... with nostalgic themes of modernized Americana... while RED DAWN succeeds as an entertaining war-genre throwback yet somewhat fails as what should be more strategically character-driven...
Overall paling to a terrific opening scene, where enemy paratroopers land outside a classroom, making everything else feel like a hectic outdoors survival guide...
But with Swayze in a surprisingly effective/literally commanding role within creatively-shot sequences of nifty guerilla warfare, it's a pretty decent way to spend two-hours, the 1980's way.
You can either sit there and pick plot holes in this or just enjoy the ride, I did the latter. Had never heard of this until recently, when I saw a synopsis, and thought it would be my kind of thing. As someone who grew up, during the cold War, it was a time where you never knew what could happen, so those that find this far fetched couldn't have been living at the time, anything was possible back then (is it much different now?).
The film is decently acted, and you're dropped into the action within minutes, there's very few places where the film drags.
I bought the blu ray to see it, and as an aside, if you can get it cheap fine, but don't pay over the odds as it's one of the worst blu rays picture quality wise in my collection.
Definitely worth seeing once and making your own mind up about it.
The film is decently acted, and you're dropped into the action within minutes, there's very few places where the film drags.
I bought the blu ray to see it, and as an aside, if you can get it cheap fine, but don't pay over the odds as it's one of the worst blu rays picture quality wise in my collection.
Definitely worth seeing once and making your own mind up about it.
Man o man. This movie is great. As a history student its awesome to look back on these types of things and see what the buzz was around the time of the movie's release. The plot is insane, acting over-the-top, but the historical commentary is amazing. People actually believed that such a thing as this was possible in the mid-80s, pre-Gorbachev. This is not "low-level propaganda," its the most obvious pro-American movie I have EVER seen.
On the movie alone, the "film" shouldn't even rate. But as a Cold-War barometer, every interested person should see this to peer into the height of US-Soviet tensions.
On the movie alone, the "film" shouldn't even rate. But as a Cold-War barometer, every interested person should see this to peer into the height of US-Soviet tensions.
The problem with people/critics now days, is they take themselves way too serious. Just grab some popcorn and relax! And yes, those of us that grew up during the cold war sometimes took our patriotism to the limit even with good old fashioned corny action flics.
¿Sabías que…?
- TriviaFive of the 36 paratroopers in the beginning of the film got blown as much as a mile off-course during filming. One got stuck in a tree, and had to convince locals that he wasn't really an enemy soldier.
- ErroresWhen the boys get to the mountains and are arguing about turning themselves in, right before Jed shows them the shot up radio you can see two men in the background with mustaches and sunglasses on. These are obviously not one of the actors because none of them have mustaches.
- Citas
Col. Andy Tanner: All that hate's gonna burn you up, kid.
Robert: It keeps me warm.
- Créditos curiososNone of the actors are in the opening credits
- Versiones alternativasThe 2012 Blu-ray does not have an opening plaster but it does however use the 1995 master of Leo's roar.
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Detalles
- Fecha de lanzamiento
- País de origen
- Idiomas
- También se conoce como
- Amanecer rojo
- Locaciones de filmación
- Johnson Mesa, New Mexico, Estados Unidos(Utah badlands setting)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 17,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 38,376,497
- Fin de semana de estreno en EE. UU. y Canadá
- USD 8,230,381
- 12 ago 1984
- Total a nivel mundial
- USD 38,376,497
- Tiempo de ejecución
- 1h 54min(114 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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