Opiniones de usuarios

Watching this 148 minute highly professional BBC production cannot but warm the heart of any Shakespeare appreciator. The beautiful and witty Cherie Lunghi is a properly shrewish yet desirable Beatrice, and she is the greatest boon of this production.

This version, due to its length (I always appreciate using the full text), is divided up into two parts, and part one can sometimes become a little dull. BBC's Complete Works of Shakespeare seems to be made so as to honor Shakespeare's language more than the performing of his drama, and I cannot fault them for this, since I, too, ultimately consider the plays more literature than theater. But BBC's chosen actors and actresses are so consummately professional, clear-speaking and well-rehearsed that this becomes far more than mere recital (unlike, for instance, the dull Kevin Kline version of Hamlet). And in terms of animated and emotional acting, part two of this production more than makes up for whatever shortcomings in this department part one may have had. The wedding scene with Claudio's shaming of Hero was played intensely dramatically, and clearly the best sequence of this production.

I was also greatly impressed with the immensely well-crafted stage sets.

Today, however, this version does come across as slightly old-fashioned, or at least traditional. It cannot measure up to Branagh's movie version, which in this reviewer's opinion is one of the few perfect movies of any kind ever made. Its visuals underscore the beauty of the words, and the formidable chemistry between all the actors is clear as day. Even the text cuts are largely justified, as most of what was cut was not important for the action. A more definitive version can scarcely be made.

So the BBC version receives a 9 out of 10 from me. While it seemed textually complete, there were actually a few bits missing. For instance, when Claudio says of Hero, "Can the world buy such a jewel?", for some reason they neglected to include Benedick's reply, "Yea, and a case to put it into!", which is a pretty important line as it, among other things, prefigures Hero's apparent death and thus her placement in a coffin (= casket = case).

I have only seen these two Much Ado productions, BBC's and Branagh's (well, and the 2005 Shakespeare Retold version, but that was not anywhere near this league), but I am greatly looking forward to seeing other productions, which I hope I will have the opportunity to.

Lindsay and Lunghi bring to light previously unknown facets to the two well-known characters of Benedict and Beatrice, and have a kind of sympatico that makes their sudden love for each other more believable than is generally found in other versions of Much Ado. They are bolstered by a marvelous supporting cast. This production far exceeds Branagh's film version in acting, but suffers when the production values are compared, an unfair comparison since Branagh had the luxury of actually making a film on location while this BBC edition is a teleplay.

As most of the other comments point out this is an excellent and faithful performance, to the text and to the period. It is theatrical rather than cinematic, as with virtually all of this BBC complete Shakespeare, rendering comparison with the Branagh futile - it is comparing chalk and cheese.

Here, the comedy is brilliantly rendered, with several laugh-out-loud moments and enjoyably over the top acting. It is particularly fun to see Robert Lindsay at the masque - his movements of body and head are so characteristic of him that he is extremely easy to recognise even in his mask.

However, none of the comments so far have mentioned what for me is the stand-out performance of the play, Vernon Dobtcheff's Don John. This is an excellent, understated expression of pure villainy, snake-like, ruthless and sly, counterpointing the exuberant comedy elsewhere perfectly.

Ever since having fond memories of studying it in school, 'Much Ado About Nothing' became one of my favourites of Shakespeare's plays. Love everything about it, though it is very difficult to make Hero and Claudio interesting, because there is so much fun and charm, particularly great characters in Beatrice and Benedick, a story that never lets up on the entertainment value and Shakespeare's text is some of his loveliest and most amusing.

As far as the BBC Television Shakespeare series (one where some productions are better than others but misfires are very few) goes, their 1984 performance of 'Much Ado About Nothing' is among the best of the productions. Despite loving Kenneth Branagh's version on primarily its own merits, for namely the visuals, music, Branagh and Emma Thompson, this one is the better version of 'Much Ado About Nothing' with particularly vastly superior performances of Dogberry and Don John. While not as visually striking as that, it is more faithful and it is more tasteful as well. When it comes to this play, this is as good a version as one can get in my view.

While not as cinematic quality or as sumptuous, the costumes and sets are tastefully designed and didn't come over as too drab or garish. The photography complements very nicely and in terms of lighting it didn't come over as dreary or over-saturated. There is a sense of time and place, which always helps when performing anything but Shakespeare is one of the biggest examples, and effort was clearly made.

Have no issues whatsoever with Shakespeare's text and the stage direction does a great job helping to bring it alive. The momentum never lets up, and for me it didn't feel dull at first, and the comedy is genuinely funny, at its best hilarious, and not overdone (not to the extent that it irritates anyhow). It's not just comedy, there is genuine tension in the wedding scene, one of the stage direction highlights here, and there was emotion too in particularly the latter stages. The chapel scene is one of the greatest individual scenes of the entire BBC Television Shakespeare series, Beatrice's despair was tremendously powerful. The character relationships are handled with humour, tension, charm and poignancy, that between Benedick and Beatrice particularly.

Likewise, no issues can be had with the performances. Cherie Lunghi's Beatrice, one of Shakespeare's most interesting female characters (and overall actually), stood out, her wit, shrewish nature and identifiable assertiveness making it easy for one to see what can be seen in her. Entertaining chemistry can be seen between her and Robert Lindsay's suitably arrogant and commanding Benedick in their merry war against each other. Katherine Levy is a radiant Hero and makes the most of the role, while Robert Reynolds avoids being wet as Claudio.

Jon Finch is scheming and noble as Don Pedro, while there are two performances that are infinitely better here than in Branagh's. Am aware that this came before Branagh's, but saw Branagh's first and have always been more familiar with it. Michael Elphick has fun as Dogberry while not over-acting or being too clownish, while Vernon Dobtchef is a subtly Machiavellian Don John.

To conclude, wonderful. 10/10

Robert Lindsay is an excellent Benedick, punchy and precise in word, action and emotion. Cherie Lunghi finds less variation in her Beatrice, but is nonetheless quite good.

Jon Finch camps outrageously as Don Pedro, delivering his lines in frank imitation of Sir Laurence Olivier at his giddiest. How did this apparent party turn wind up in here? But it does not distract from the progress of the play.

The rest of the cast is fine and the whole affair moves at a reasonable pace. The physical production is beautiful to the eye, inspired by the finest Italian Renaissance painters. Highly recommended.

Before watching this play you will want to watch "Shakespeare Uncovered: Series 3 Much Ado About Nothing" which explains that "Nothing" is pronounced "Noting" because it revolves around overhearing what may be truths from the bushes.

One of Agatha Christie's characters says, "He is like Shakespeare, making long speeches with no one there to listen." This play is such; only we are there to listen.

There are many versions of this play to be seen. Most of them are popular actors of the time of the making of the movie and they try to outdo previous movies. In this (1984) version, the actors do not outshine the characters and you can enjoy the play as meant to be seen.

The play is a tad complex for a quick review. There is a set of people destined to fall in love however an evildoer may foil them. There are a set of snots that cannot stand each other; They may be trapped by a cunning plot of eavesdropping. Some atrocities are tossed in for comic relief. Then there is us. We must decide if this is a comedy or a comedy of circumstances.

The bottom line is you will not want to miss this play and especially this version of the play.

Lunghi and Lindsay are the savory core of this handsomely done comedy. They make it divinely clear that conflicts of the heart far outweigh a mere war of wit and word. Beatrice and Benedick open before our eyes with beauteous ambivalence. At first brittle and glib and tightly closed, they are drawn together by conspiratory deceit, which acts only to release the truth of their emotional vulnerability and allow them to find what they dared not wish for; the perfect mate. A very thoughtful and nuanced version of the play.

This remains, for me, one of the best of this superb BBC series & certainly the best version of this particular play. This production saw no need to dress up the actors in ridiculous fake-military costumes (a vice Branagh shows off in all his productions, I know not why) or cut those parts which it didn't like (either do Shakespeare as he wrote it or write your own play!). Robert Lindsay reveals previously unsuspected Shakespearian talent & I would dearly love to see him take on some other such roles. He is superb in this, using his comic ability to bring out the humorous essence of Benedick & the beautiful Cherie Lunghi (who has never shown me a poor performance, be it in Shakespeare, Hornblower or even "A Touch of Frost") is a perfect partner, being both cuttingly witty & enticing -- enough to make any Benedick risk her barbs to chase her! Admittedly, Jon Finch isn't as good as Denzil Washington, who also showed untapped Shakespearian talent (a future Othello or even Iargo, maybe?) but he isn't actually bad. All in all, a joy to watch & a great introduction to Shakespeare's lighter works. Sincerely recommended.

The greatest fault of this performance is that many of the actors could not do justice to the words of Shakespeare. There are no subtitles. Some of the dialogue in Much Ado is in prose and some is in poetry (pentameter), but here one could hardly tell the difference. The actors put all their energies in emoting, making faces, flailing their arms around in meaningless gestures -- but they failed to enunciate. Some were worse than others. The actress who played Beatrice sometimes spoke much too fast, rushing the words together and producing gibberish. She was pretty, but that didn't compensate from her inability to deliver the Shakespeare words. The sound quality was not good, which made things even worse. The sets and costumes were nice enough, and the actors looked good enough, but so what? I'd rather watch a Shakespeare play on a bare stage, where the actors just wore blue jeans and T-shirts -- so long as I really heard the Shakespeare lines.

An afficianado but not expert on Shakespeare, this production was my introduction to "Much Ado About Nothing". I found it a sheer delight. So much so that I fell into the production and it seemed it was over after barely starting. Normally with Shakespeare one seems to maintain a distance whilst mentally translating the old English prose/rhyme but that wasn't necessary with this play. The sets are adequate but we must remember that this is a film of a stage version. It's the acting that makes it so exhilerating. Lunghi is nothing short of stupendous, speaking the lines with great wit, clarity and effect. Lindsay is admirable as her foil and indeed matches her line for line. I would recommend this play/production for anyone who needs an introduction to Shakespeare. For those who are familiar with the bard, they will find this rendition a delight, and far superior to that inadequate, emacerated film version by Branagh.

Saw it 21 years ago, and still remember it as fabulous. Lindsay and Lunghi are delightful. it's work like this that really shows why Auntie Beeb is a national (international) treasure. OK, so I'm a refugee Limey, but why is it that American TV can't produce anything even a tiny fraction as good as this?

I really don't have too much to say about the production itself, since I saw it so long ago. It's just that I have such a wonderful, warm memory of it.

Incidentally, I like the Branagh production. Just rented it to watch this evening, as a matter of fact, to get a bit of a bard fix. But if my local video rental shop had offered the BBC version, I'd have grabbed that one instead in a flash.

I heard about this version several years ago but never got a chance to see it until recently. It has been raining here steadily for the past three weeks and this film made the day seem inexplicably sunny. Wow! What a wonderful cast and what fabulous direction! At every turn, I found myself understanding a phrase or word that I had hitherto (how articulate, young neophyte!) not understood.

Robert Lindsay and Cherie Lunghi are simply wonderful. The chapel scene is simply breath-taking. When Benedick professes his love for Beatrice, I swear my heart skips. And then we are treated to her response - Ms. Lunghi speaks volumes with her delivery of "Ah!". I also think Mr. Lindsay does a great job with his "bird's nest" speech to the Duke.

Katharine Levy does a particularly good job with the (usually) boring part of Hero. There was wonderful chemistry between her Hero and Lunghi's Beatrice. It made Beatrice's despair in the chapel scene so much more believable.

The entire piece from start to finish is flawless. I loved all the little things happening between characters in the background - a bump here, a nudge there. I find something new each time (and it has been several now) that I watch it.

Great job! Thank you! Thank you! Thank you!

I concur with the predominantly favorable assessments of this production that have already been posted. Robert Lindsay and Cherie Lunghi are both excellent, and Katharine Levy is likewise outstanding in the role of Hero. Robert Reynolds (presumably intentionally) makes clear how repellent Claudio is, as he delivers a fine performance in that difficult role. Jon Finch emphasizes the silly and decadent dimension of the role of Don Pedro, in a capable performance that could have been enriched with a bit more gravitas. Michael Elphick is far, far better -- far, far funnier -- in the role of Dogberry than was Michael Keaton in Kenneth Branagh's cinematic version of the play.

My only complaint relates to Graham Crowden in the role of Friar Francis. He conveys the impression of not having memorized his part very well; his intonation in his recitation of some of his key lines is decidedly odd.

Lunghi's Beatrice and Lindsay's Benedick are nearly perfect and certainly seem perfect for each other. Television close-ups give an immediacy to their courtship that is hard to match on stage. The text is almost complete, allowing the two cleverest lovers in Shakespeare to shine as only they can.

Most of the characters in the play declare that Beatrice is unattractive because she is independent. Cherie Lunghi is especially good at proving the opposite to be true.

The rest of the cast is uniformly excellent, with a properly snobbish Leonato; unbearably and idiotically self-satisfied Dogberry; and a thoroughly clueless, moderately cruel Claudio.

The production would be stronger, however, if it were more playful. The deception of Benedick is mostly humorless, with the tricking of Beatrice not much better.