Opiniones de Metacritic

Edwards and Moore are working at the top of their forms here, and the result is a pure, classic slapstick that makes Micki + Maude a real treasure.

Micki + Maude is a hilarious farce. For his part, Dudley Moore is in top antic form, and Amy Irving has never been better.

Micki & Maude has some very funny scenes and excellent acting from all the performers. It begins a bit slowly but builds well and winds up in a comic celebration.

The director, the star and the writer make a fine team in this often riotous tale.

The film's greatest moments of comedy spring from the bigamous Moore's escalating panic in the face of keeping two marriages together but separate, culminating in a double delivery in adjacent hospital wards of frantic delirium; Keystone cops meet The Hospital.

The move may seem insipid to people who want something substantial, but there's a special delight about the timing of actors who make fools of themselves as personably and airily as Dudley Moore and Amy Irving do here.

Edwards has given Dudley Moore his best vehicle since Arthur. [31 Dec 1984, p.67]

Billed as a romantic comedy, the movie is certainly funny, but it's also as darkly disturbing as any this year.

Edwards directs this farcical material in an unexpectedly intimate, naturalistic style, giving the characters a conviction that makes the slapstick sequences much funnier and more suspenseful than they might have been. But the film still has a rushed, slapdash feel to it.

It's fun seeing what these two can do when they're inspired, but it's awful having to sit through what happens when they're not. [21 Dec 1984, p.D10]