The Astral Factor

This budget "Boogie Man" film was just that.

I thought this movie was worth watching. Elke Sommer shows some nice cleavage and we get to see Stephanie Powers naked butt. That almost is worth it by itself.

This is definitely midnight movie fare, but I thought it told a story of an invisible stalker that was almost convincing. This movie embodies the flavor of 1970's budget movies. Stephanie Powers is fun as the cops playful girlfriend. Elke Sommer gets to be the drunk mean witch. The ending left something to be desired, as we really don't know what happened to the boogie man.

I think this was worth watching. 6/10

The Astral Factor contains dialogue that limps its way through the plot. The cast is full of actors I've enjoyed watching on screen for years but none of them managed to get past the wooden interaction of the characters. The dialogue is just that bad. This movie is so stilted in places that it competes with my all time really bad but fun favorite, "The Attack of the Killer Tomatoes."

This one in my opinion is a little bit to bad for casual weeknight watching. Elke Sommers character, however, has the correct idea by only appearing on screen with a drink in her hand. This is good advice for anyone interested in watching this gem on a Saturday night. Heck, with enough scotch and soda and the near nude scenes of Stephanie Powers to help it out; you might like it.

A mentally ill prisoner, through some sort of yogic meditation, manages to make himself invisible and escapes. As a child, he'd been unwanted by his celebrity mother, who nevertheless kept him close to her and didn't let him create a life of his own. He had strangled her, and apparently other women, giving him the nickname of "the celebrity strangler."

Having escaped, he goes after celebrity women who had testified against him. The police, having learned he was into reading mystical books in prison, for some reason contracted a para-psychological institute. The institute thinks perhaps the strangler is killing women by astrally projecting himself. In reality, he's merely strangling them while he is invisible (and naked). He nearly gets caught when to reach one woman, he has to don a scuba suit to get out to her boat. It's more interesting when he manages to strangle a woman in front of many witnesses simply because they don't realize what is going on. Eventually, a trap is set for him.

I kind of wonder if this was originally done as a TV movie, perhaps as a pilot. There doesn't seem to have been any reason for introducing the lead cop's girlfriend/wife Candy and the psychics unless they were to return in subsequent episodes.

It's not very good, but it's not terrible.

Forget about the nonsensical other title "The Astral Factor"… In just two words, "Invisible Strangler" perfectly summarizes what this low-keyed 70's Sci-Fi horror movie is all about! There's a strangler on the loose and he happens to be invisible, which makes it all the more easier to practice his macabre hobby of killing beauty queens. The lamentable screenplay doesn't really bother to enlighten us about how exactly mommy-obsessed psychopath Roger Sands renders himself invisible or why he goes after five women specifically. All we know is that he spent more than enough time in prison to gain supernatural powers and, after his escape, he uses them against everyone who testified in his court trial. There's absolutely no mystery surrounding the serial killer's persona. For example, macho police lieutenant Barrett (Robert Foxworth) doesn't discover the connection between the strangled victims himself; he just hears that Roger Sands peculiarly escaped from his cell and automatically assumes he's the culprit. And since we're never informed about the crimes that put Roger in prison the first place, it remains unclear exactly how obsessive his quest for vengeance is. Most of all, nobody seems to be really astonished about the fact they're dealing with an invisible maniac! Like it's the most common thing in the world to witness a woman, surrounded by an army of police officers, getting strangled by invisible hands! The lack of background info and character drawings makes "Invisible Strangler" a suspenseless and often tedious film, and it's really no surprise it took another five years after finishing the film before it got released. However, it's a not a complete waste of time, since the murders – albeit gore-free – are sometimes imaginatively staged. The film is also (unintentionally) comical because the characters often say the craziest things at the most inappropriate times. Especially Candy, the luscious girlfriend of lieutenant Barett, appear to live in another universe, as she wishes her lover to have fun catching his maniac. She's also the world's absolute worst cook and doesn't like to wear pants. Candy hasn't got anything to do with the murder investigation, so it's rather awkward Stefanie Powers received top billing for her role. Then again, it certainly isn't the only awkward aspect about "Invisible Stranger". Why is Roger the killer so obsessed with his mother? How come becoming invisible is reminiscent to a bad-quality TV broadcasting? Why on earth does Roger not abuse his power to spy on them naked ladies before killing them? Why am I asking so much questions about a bottom-of-the-barrel 70's horror production?

The Astral Factor is about a psychopath, imprisoned for murdering his mother, who somehow learns how to make himself invisible by studying books while incarcerated in a hospital for the criminally insane. Needless to say, he escapes and goes on a killing spree.

This one begins quite well in all fairness but it soon gets somewhat tedious. The storyline is such a bad basic idea you have to wonder how the likes of it ever got as far as to be given the green light for an actual movie. Well, while it was made as film, it seemingly sat on a shelf for near enough ten years before actually being released. It's really not all that surprising to be perfectly honest. While the story is pretty terrible, it's not really that that is the chief problem. Sometimes bad stories make for good films after all. No the issue is probably that, with very few exceptions, movies about invisible men are almost always terrible. What can be more cinematically tedious than an invisible character? What it does mean though, is there are some very silly murder scenes which I guess could provide some laughs I suppose. But for me the best aspects about this one were the appearances of Elke Sommer and Stephanie Powers. Sommer starred in a few interesting cult films in the 70's and her presence is always welcome, while it was strange to see future 'Hart To Hart' TV star Powers cavorting about with her butt exposed. She played the detective's trophy wife! She does zero housework and spends all his hard earned cash. She and Sommer were at the very least interesting diversions in a film in need of them.