Blue, una pintora en apuros, y Eli, el hijo de un hombre de negocios, son amigos de la infancia que mantienen complicadas relaciones románticas, que poco a poco dejan al descubierto el estad... Leer todoBlue, una pintora en apuros, y Eli, el hijo de un hombre de negocios, son amigos de la infancia que mantienen complicadas relaciones románticas, que poco a poco dejan al descubierto el estado de su propia amistad.Blue, una pintora en apuros, y Eli, el hijo de un hombre de negocios, son amigos de la infancia que mantienen complicadas relaciones románticas, que poco a poco dejan al descubierto el estado de su propia amistad.
- Dirección
- Guionista
- Elenco
- Premios
- 1 premio ganado y 2 nominaciones en total
Henry G. Sanders
- Reuben
- (as Henry Sanders)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
this movie is so emblematic of the 80's(such a phony and UNrealistic decade!),it's amazing this movie got made at all.it says so much for the short time it's on screen,that alone was worth my time.i wouldn't get too critical,though.it's all about MOOD.... .if women want to get a "peek" into the male psyche,this would be the way to go.(it's a good thing we don't do this to often)watch the movie and you'll see why.i enjoyed this movie immensely,from the raw production values,great acting (Peter Coyote especially.....BUT not to leave out the Others...)to the great soundtrack.B/T/W...if you buy the soundtrack of this movie by Tangerine Dream,some of the music is NOT on the CD!?!. i feel this movie is (or will be) an American Classic.Thank you, Mr.Roth.
This sometimes lyrical, sometimes harrowing, exploration of male friendship is unique in its honesty and the fearless, fully revealing perfomances of both its male stars--Nick Mancuso and Peter Coyote. They open both light and dark sides of their characters in relationship to each other and to the women in their lives. Then one women becomes the focus for both, threatening to destroy years of common bonds. In today's more-fortuitous indie market, this haunting little beauty might have had the exposure it merits. It opens a window on man-to-man talk through which few of us are ever allowed to look.
This film really impressed me when it was first released. Though it was hardly a box office hit, it (and "The Boss's Son") did contribute to Bobby Roth's reputation as a fine independent film maker. Roth captured the late 70s, early 80s LA art scene perfectly. It was a time when many people were having to temper the idealism of the 70s in order to survive. Perhaps its lack of wide success stemmed from the fact that you had to be familiar with Los Angeles at that time to appreciate it fully. Also a great soundtrack, especially the Etta James' songs.
Stylishly directed, very well-acted, offbeat, adult film with good, complex characterizations and a terrific music score that pushes it forward. The only problems are a certain lack of direction (in the sense of destination and purpose), and some implausible scenes (the behavior of the French woman is rather totally unrealistic). Still, the film is never boring and deserved better than it got from the public. (***)
Heartbreakers has been a white whale for me for some time. I saw it several times in the 80s but since then have searched streaming sites and even tried to watch a Spanish dubbed version on MGM. But the new released Blu-Ray finally makes it available with solid picture quality and a clear stereo soundtrack.
The film revolves around the relationship of Blue, a struggling artist, and Eli who is unhappily successful. As the movie unfolds, layers in their relationship including romantic jealousy, a supportive power dynamic, and mutual career jealousy are revealed. The dialog is authentic and honest.
What I value in the film are its exploration of the depth Blue and Eli's friendship and a presentation of both sides of the conflict between art and commerce. In many instances, the characters express writer-director Bobby Roth's conflicted feelings about art and grasping for "success". It's a complicated subject that's handled with nuance and no judgement.
Peter Coyote is excellent as the up and down Blue who revels in life but is also frustrated by his relative lack of success. Carol Wayne, best known for her many appearances on Johnny Carson's Tonight Show as the Matinee Lady in the Art Fern's Tea Time Movie sketches, adds depth to the ensemble as the centerpiece of Blue's art work. Carole Laure is believable as the object of Blue and Eli's affections.
The film is a time capsule of 80s styles and culture. Many of the things you love or hate about that decade are present. The soundtrack of R&B and blues is rudely interrupted by Pat Benatar's "Love Is A Battlefield" which sounds like an early mix to the point that it's almost unrecognizable as her.
Heartbreakers is a rare film that explores male friendships, artistic vision and success, and what is ultimately important to each of us in life.
The film revolves around the relationship of Blue, a struggling artist, and Eli who is unhappily successful. As the movie unfolds, layers in their relationship including romantic jealousy, a supportive power dynamic, and mutual career jealousy are revealed. The dialog is authentic and honest.
What I value in the film are its exploration of the depth Blue and Eli's friendship and a presentation of both sides of the conflict between art and commerce. In many instances, the characters express writer-director Bobby Roth's conflicted feelings about art and grasping for "success". It's a complicated subject that's handled with nuance and no judgement.
Peter Coyote is excellent as the up and down Blue who revels in life but is also frustrated by his relative lack of success. Carol Wayne, best known for her many appearances on Johnny Carson's Tonight Show as the Matinee Lady in the Art Fern's Tea Time Movie sketches, adds depth to the ensemble as the centerpiece of Blue's art work. Carole Laure is believable as the object of Blue and Eli's affections.
The film is a time capsule of 80s styles and culture. Many of the things you love or hate about that decade are present. The soundtrack of R&B and blues is rudely interrupted by Pat Benatar's "Love Is A Battlefield" which sounds like an early mix to the point that it's almost unrecognizable as her.
Heartbreakers is a rare film that explores male friendships, artistic vision and success, and what is ultimately important to each of us in life.
¿Sabías que…?
- TriviaThe character Arthur Blue (Peter Coyote) is loosely based on fetishistic painter Robert Blue (son of actor Ben Blue).
- ConexionesFeatured in At the Movies: Heartbreakers/The Hit/Alamo Bay/A Private Function (1985)
- Bandas sonorasThe Blues Don't Care
Performed and Produced by Etta James
Written and Arranged by Etta James & Brian Ray
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- How long is Heartbreakers?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- Die Herzensbrecher
- Locaciones de filmación
- E 3rd St & Traction Ave, Arts District, Downtown, Los Ángeles, California, Estados Unidos(location of local cafe)
- Productora
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total en EE. UU. y Canadá
- USD 148,750
- Total a nivel mundial
- USD 148,750
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