El regreso de Godzilla

This Godzilla (Gojira) film holds a special place in my heart, for it is the first Godzilla movie I've watched. When I was a little kid, I was a dinosaur fanatic. My mom used to rent a dinosaur cartoon movie (made by some unknown studio) and I would watch it all the time. However, when that movie was unavailable for rental, my mom introduced Gojira to me. The film was titled "Godzilla 1985" and understandably, as I didn't understand subtitles back then, it was the US version of the Japanese 1984 film (the one with Raymond Burr in it). Though I heard the original Japanese version contains numerous scenes that were cut from the US version, the US version is still pleasant to watch. I would never have thought that this movie would lead me into years of collecting Godzilla and other Toho sci-fi movies, and even soundtrack CDs. The video version of this movie I rented included the short "Bambi Meets Godzilla" cartoon. Poor Bambi!

I think Shuichi Nagahara wrote a nice screenplay, depicting suspense, humor, power, and politics. Koji Hashimoto did a good job directing(keeping the plot intact), and Teruyoshi Nakano did great on the special effects (probably his best work). Reijiro Koroku provided a terrific music score, creating what I think is one of the best non-Ifukube scores.

Even though this movie features Godzilla only, it remains one of my all-time favorites. The scenes of Godzilla rising out of Tokyo bay, rendering the military helpless, and causing a path of destruction in Tokyo as citizens run for their lives are powerful. The scene where Godzilla derails a train with people still in it is still appalling for me to watch. I used to fast-forward the sea louse scene, for it scared the heck out of me. Now, the scene it pretty tamed to watch. The part where Godzilla falls inside the volcano was sad to watch, and aroused my sympathy in the monster. When the character Professor Hayashida said that "when mankind falls into conflict with nature, monsters are born," I think it is a really moral message (thinking back that it was nuclear bombs that brought Godzilla's wrath). And, the part where Burr said at the climax of the film that hints Godzilla is a natural force better explains Godzilla's purpose.

Overall, a great way to revive the Godzilla series after a 9-year hiatus, and a great introduction to the Godzilla "Heisei" series, which ran from 1984-1995. Also, it is a great introduction for me into the world of Godzilla.

Grade A

Godzilla 1984 stands out as one of the best and most politically imbued Godzilla films ever made and deserves more credit for what it accomplished. Godzilla

1984 single-handedly revitalized the Godzilla franchise into the machine it is today and ushered in a new concept for what the monster could be; gone are

the kiddie children and the super-robots, the monster melees and monster

dancing - here is a return to what Godzilla truly is: and unstoppable force of nature. The original Japanese version is far superior to the butchered American cut and their political agenda is far more subtle than the American's tactless editing of the Russian nuclear launch sequence. Fans would do well to view

the original as it retains the history and dignity of the first Godzilla film.

I have seen this film many times when I was young, but only the Raymond Burr version named "Godzilla 1985" which I later realized that the Raymond Burr scenes are entirely pointless and some of his lines are off and don't make sense, including ridiculous scenes in the American base where there's a Pepsi machine and a character drinks Pepsi when a serious moment happens just for advertisement, bad dubbing, bad dialogue, and the people working on the film removed the scenes with horrors of nuclear devastation, but I'm not giving an eight to the American version, I'm giving it to the Japanese version, which I have seen recently on DVD and I got to say this version is more superior. First of all, you can take the film more serious, and the film doesn't add crappy humor, and no Raymond Burr scenes. I also like the haunting score by Reijiro Koroku, and the fact that they makers of film brought Godzilla back to his roots, and the film also has a bigger budget so, the special effects, Godzilla suit, and miniatures are more better made (not perfect though). This is in my opinion, this is second greatest Godzilla movie next to original un-cut Gojira.

Godzilla returns in a (somewhat) serious vehicle with a (somewhat) big budget. Americans yawned or laughed this off the screen, for the most part, but if you dig Godzilla you should dig this, his most respectable film since the 1954 original.

Yes, it's not that fast paced. No, Godzilla doesn't fight with other creatures. So what? After about twenty lurid, cheap movies that involved Godzilla in mortal combat with rubberized foes, it was nice to see him get back to menacing basics here.

While the special effects are not quite up to the Hollywood standard, they're still entertaining and reasonably convincing. American critics who slammed the film's look were being just a tad intolerant - all foreign films tend to be cheaper than ours, so inferior effects are a given. My bottom line for judging SFX is not, "are they realistic?" but "are they fun?", and the shots of Godzilla laying waste to Tokyo are indeed fun.

Godzilla fans often complain about the film's overtly political concerns and somber mood, but I have to disagree with them; I like a bit of realism, a bit of credibility. I do think that there are several better, faster-paced Godzilla films (Godzilla vs. King Ghidorah, GMK), but this is still a standout entry in the series.

Who knows when we'll get another solo vehicle for the big G? The upcoming Godzilla: Final Wars will apparently feature a total of ten monsters. At least in this movie, Godzilla had the spotlight all to himself.

I firmly believe that Godzilla is criminally misunderstood in America. Much of this comes from the horrendous dubbings that we are often exposed to. The Americanized version even features Raymond Burr and a giant Dr. Pepper product placement. This makes it tough to take the film seriously on any level. I encourage you to search out the original version. You might be lucky enough to find it on ebay as a region 0 DVD. You won't find it in Blockbuster or most video stores.

Admittedly, it takes a special kind of person to search out the original, then look past the `special' effects and see the metaphysical implications of a giant monster destroying mankind. This may or not be worth your time, but if you decide to watch this film, watch it, not as `Godzilla 1985,' but as `Gojira 1984.' Otherwise you might as well stick with the Devlin/Emmerich remake that's just as funny as the dubbed versions, but for all the wrong reasons.

Also, an excellent score is turned in by Reijiro Koroku, it takes inspiration from the classic Godzilla theme but adds some real depth.