Frankenstein

This British version of Frankenstein suffers from a low budget, and it shows its lack of funding at times, but is actually not a bad movie. It does have the atmosphere of a TV movie, so it is somewhat hard to compare it to other film versions of the Frankenstein story. The makeup on the monster is rather hideous, but looks like something a novice could apply. For a low budget film, it does have great sets and period costumes. Carrie Fisher has less of a role than she is billed for but is still quite pretty and charming in this film (she does a good British accent for a native Californian). All in all, this version of Frankenstein is not nearly the classic the 1931 version was, but is entertaining and worth watching.

This British film from the 1980s is far from being the best Frankenstein adaptation. It's low-budget is obvious, the monster's character development is rushed, and the ending is anticlimatic. But the film's strengths come from the competent performances from the cast and the solid script.

To be fair, I saw this film on YouTube for free, so the quality might not be what it truly is. Although the makeup is pretty bad and nowhere near James Whale's level of talent, David Warner does a great job of playing the Frankenstein Monster. He conveys horror and pathos as the character should. Robert Powell is a solid Victor Frankenstein that conveys the madness and tragedy of the character, but nowhere near the level of Colin Clive or Peter Cushing. Carrie Fisher doesn't have as much screen-time as I originally thought despite being top billed, but she delivers a great performance as Elizabeth when she's onscreen. She's instantly unforgettable and absolutely beautiful; her smile alone melts your heart. Her natural British accent puts Keanu Reeves to shame. And her singing is off the charts. Elizabeth is supposed to be angelic and no one has pulled that off as well as Carrie in my opinion.

The filming locations are another highlight of this television movie. Looking at every single location makes me feel content. This makes me want to visit the United Kingdom. The outfits and hairstyles are spot on from the 19th century as well.

Is this film a major classic? No. But is it fun? Yes! It's also just over an hour and is free to watch on YouTube. It has a surprisingly moving plot and is better than half of the Frankenstein movies. Rip Carrie Fisher, you are surely missed.

The box it came in was very obviously designed to confuse us lesser mortals who were so very aware of the existence of the Kenneth Brannagh/mr Bobby version, and were so eager to lay our hands upon it that we ended up with this superior tv version of the old promethean chestnut. Okay, so it plays around with the ideas in the novel,and has some nice atmospheric sets and moody lighting, although it has suffered inasmuch as it was recorded on video tape rather than film, but it is one of the few versions to give the creature more than a stumbling thug role and some half decent lines. Also, its apparently based upon the stage play, which ran for years and in itself, wasn't half bad. Here we have top brit also rans Robert Powell and David Warner goofing around in some rather nice locations and finally succoming to each other, there are lots of nice hints as to the alter-ego frankenstein/creature link and we have Johnny Geilgud teaching the creature about god. Carrie Fisher doesn't have too much to do, but then this was a tv production after all. What is so nice about this moovie is that it is aware of its restrictions and stays firmly with the story, in an age of special effects based super-blockbusters its nice to harken back to the time when films were shot on the directors lunch money and were actually concerned with plot development and had characters who demand respect.

Mary Shelley's horror perennial has attracted numerous talents to it over the years: this one is no exception, but the end result is largely unsatisfying and oddly forgettable! Robert Powell and David Warner (as creator and creature respectively) complement each other quite well, especially in their thoughtful (as opposed to physical) final confrontation. The latter's burnt look (while not fitted with bolts in the sides of his neck a' la the classic monster make-up, he is still brought to life via electrical charges) seems to be derived from Christopher Lee's messy visage in THE CURSE OF FRANKENSTEIN (1957), while also looking forward to Robert De Niro's in MARY SHELLEY'S FRANKENSTEIN (1994). Carrie Fisher feels out-of-place here as Elizabeth, John Gielgud is wasted as the blind hermit, and Edward Judd turns up in yet another unrecognizable character role as a procurer of Frankenstein's specimens. The essence of the tale is there, to be sure (in spite of the low-key approach)…though, at a mere 73 minutes, it comes off as rushed – with the film's visuals also proving unappetizingly drab!

Robert Powell is convincing as Victor Frankenstein,bringing out all the subteties that are needed to make the role sympathetic. Carrie Fisher is charming and pretty as Elizabeth, Victor's bride, and David Warner evokes sympathy as the creature. its also nice to see Sir John Gielgud as the blind man, he gives a wonderfully understated performance. What the film lack is the novel's great ending. victor destroys the lab killing himself and the creature in this film. the novel of course has him track the creature through the north pole, perishing in the attempt. The lack of budget is, I am sure what prevented them from filming the novels ending. For a small budget however, it was a well done film.