El escape de los sueños

The idea is fantastic. Can you imagine being able to get into other people's dreams, watch them, interact with them. The problem is, the plot is inconclusive and becomes kind of a TV movie along the way. It would make a fantastic remake with a stronger cast and director. However, movies about dreaming are always scary because they touch on something so close and yet inexplicable to all of us. I saw recently a short movie from Italy entitled "Xchange" which is the closest to this one in terms of innovation insofar as the subject is concerned. Not an easy area to tell a long story about. Dreams are often used as omens or hints of psychological discomfort in movies. Instead, it would be great if they could be regarded as something different: a world of their own, a parallel state of mind no less real than real life itself. Someone should redo Dreamscape!

There's a fair amount of 80s style imagination and panache to be found in this nifty combination of sci-fi, thriller, and political intrigue. It's got a hell of a good cast and a more than capable director, Joseph Ruben, who'd started out in exploitation films and later turned out the solid sleeper "The Stepfather" as well as mainstream fare such as "Sleeping with the Enemy". Its premise may be too close to "A Nightmare on Elm Street" in some ways, but at least the political element helps it to stand apart.

Dennis Quaid, at the peak of his charisma, plays Alex Gardner, a psychically gifted young man who would rather use his gifts for self- gain but reluctantly agrees to help old pal Paul Novotny (ever delightful Max von Sydow) who's developed a revolutionary dream therapy program. It seems that now people like Alex can be inserted into the nightmares of others, and help them to deal with them. However, there's a smooth but cold government man (a chilling Christopher Plummer) who has sinister motives for supporting this program.

Wonderful visual design is just one of the hooks of this story; the nightmares each get their own "dream tunnel", for one thing, and for another, the bleak post-apocalyptic landscape of which the President (Eddie Albert) dreams and the skewed images experienced by young Buddy (Cory "Bumper" Yothers) are very well realized. The special effects are eye popping, and things do get pretty grim and gory (a heart is ripped out of a chest). One of the highlights of the movie is the nefarious Snakeman, a monster brought to life through a combination of stop motion and an actor (Larry Cedar) in a costume. The music is cheesy electronic stuff, which is kind of surprising considering that the composer is the great Maurice Jarre. There's some witty dialogue, and a steamy subplot involving Alex and the young Dr. Jane DeVries (Kate Capshaw, who's lovely but sporting some real 80s hair here).

The cast couldn't be better; also appearing are the eternally amusing David Patrick Kelly as weaselly little psychopath Tommy Ray, George Wendt as a horror novelist who snoops around, and character actors such as Redmond Gleeson, Peter Jason, Chris Mulkey, Madison Mason, and Brian Libby. Also, Ruben keeps the pacing consistent and the big showdown between Alex and Tommy Ray is a set piece worth waiting for.

With all of this going for it, "Dreamscape" is a totally engrossing diversion that may be very much of its time but still does a good job of entertaining the viewer.

Eight out of 10.

One of my favs from the 80's. There are certain pictures that grown-ups look to bring them back to the action/suspense/scare/titillation they felt as teen-agers. This fits the bill perfectly. I saw this as original release in the movies in my 30's, allowed myself to let the teenager within to take over, and have seen it at least 3-4 more times on TV. Just love it. Quaid is perfect as the charming/bumbling psychic recruited to (presumably) help people with dream problems. OK, so Kate Capshaw isn't a great actress, but she was quite good enough in the sexy-hot, yet resistant, scientist role she was meant to play. Max Von Sydow was perfect here as the main scientist. At first I was disappointed in Plummer's underplayed role, but I'm more forgiving in the subsequent viewings. The dream sequences were quite entertaining, some fun and some scares, and David Patrick Kelly (as Tommy Ray Glatman) did a FIRST CLASS job as a despicable psychopathic creep. And the ending was top-notch (on several levels, no spoilers). Despite comments that this seemed to copy others, I actually found this to be quite original. It had a plotline, continuity, and finale, and viewers didn't have to scratch their heads trying to figure out what happened or what would happen. I actually appreciate movies which don't rely on TONS of new wave computerized special effects, just enough from the 80's to set the scenery. I always recommend it highly to those who haven't seen it.

For 1984, this is a good sci-fi movie. I remember watching its as a kid. I was scared for days of the Snake Man in the movie. Having watched it recently, I noticed that it had naturally lost the terror that it instilled when I was a child. Despite this, it brought back foggy memories and allowed me to analyze and enjoy the film on an adult level.

The story concerns a project that allows telepaths to enter into the dreams of others. Inside these dreams they are able to help/harm the individuals from/with their nightmares. Dennis Quaid plays a young Alex Gardner who possesses the gift of telepathy. Under the study of Max Von Sydow and Kate Capshaw (forgot how attractive she was), Alex enter patient's dreams and tries to help them. But with this ability, there are others that would use it as a weapon. When the President (Eddie Albert) begins having haunting nightmares, can someone help him escape his dreams before its too late?

Dreamscape delivers some of the eighties creativity and originality that we can only hope for in today's movies. Take out the gore and grotesqueness of "The Cell" and you could say this movie was its inspiration.

"Dreamscape" does require a little more suspension of disbelief that most entries in the sci-fi genre, but adds up to well-paced, generally enjoyable, occasionally exciting film. Effects are somewhat dated today, but Quaid's charming, confident performance makes up for that. Definitely a minor picture, but still unjustly neglected.