El escape de los sueños

"Dreamscape" does require a little more suspension of disbelief that most entries in the sci-fi genre, but adds up to well-paced, generally enjoyable, occasionally exciting film. Effects are somewhat dated today, but Quaid's charming, confident performance makes up for that. Definitely a minor picture, but still unjustly neglected.

Years after studying Alex Gardner (Dennis Quaid) for his psychic abilities, Dr. Paul Novotny (Max von Sydow) tracks him down to talk him into experimenting with psychic dream research. However, higher ups in the dream research program may have ulterior, nefarious motives.

Dreamscape may be a good candidate for "most misleading poster art". The theatrical poster, which is also the DVD cover, suggests a kid-oriented, slightly hokey adventure film--perhaps a combination of Indiana Jones and the Temple of Doom (1984), The Neverending Story (1984) and "The Hardy Boys Mysteries" (1977). Not that the combination sounds like a bad idea to me, but this film is much more adult, much more sci-fi, and more of a thriller. It's not really an adventure, although some of the dream material could be seen that way. The tone, if not content, is closer to something like Coma (1978), and later films like Flatliners (1990) and The Cell (2000), the latter being obviously influenced by Dreamscape. It also has a bit of the bizarre surrealist tone of late-1970s fare such as Phantasm (1979) (and this aspect also influenced films like The Cell).

Part of the reason the films works as well as it does is the cast. Dennis Quaid carries the film, frequently injecting enjoyable comic relief. Max von Sydow is always excellent. Kate Capshaw, as Jane DeVries, is also good as the research assistant and Alex' love interest. Although they're underused, Christopher Plummer, Eddie Albert, George Wendt and David Patrick Kelly all turn in superb performances as well.

Director Joseph Ruben frequently treats us to great dream sequences, with often-subtle touches. Note, for example, the different colors upon entering different persons' dreams. For the relatively benign construction worker, the entry is blue. For the child troubled with nightmares, there is a complex of colors. For Jane, who is giving Alex the cold shoulder, the color is an icy silver-white. Although the film was relatively low budget, and effects relatively primitive at the time, I thought all of the effects worked well. I even loved the part stop-motion, part guy-in-a-costume snake-man. At times the stop motion work briefly resembled Harryhausen. I especially loved the more surreal and more horrific aspects of the dreamworlds, such as we see from Eddie Albert's character, the expressionistic sets for the child's dream, the zombies, and so on.

Surprisingly, perhaps, Dreamscape is also much more effective on the suspense/thriller end than I expected it to be. There are a few great chase scenes, and one brutal (though not graphic) murder on-screen, one off-screen. It was also steamier than I expected in one section.

The idea is fantastic. Can you imagine being able to get into other people's dreams, watch them, interact with them. The problem is, the plot is inconclusive and becomes kind of a TV movie along the way. It would make a fantastic remake with a stronger cast and director. However, movies about dreaming are always scary because they touch on something so close and yet inexplicable to all of us. I saw recently a short movie from Italy entitled "Xchange" which is the closest to this one in terms of innovation insofar as the subject is concerned. Not an easy area to tell a long story about. Dreams are often used as omens or hints of psychological discomfort in movies. Instead, it would be great if they could be regarded as something different: a world of their own, a parallel state of mind no less real than real life itself. Someone should redo Dreamscape!

It will earn your respect as a film and you will be intrigued, but not a film you'll write home about.

Alex Gardner (Dennis Quaid) is a psychic, he is in tune with his subconscious, once involved with the studies of Dr Paul Novotny (Max von Sydow) he is now an outcast, trying to live off the grid. He survives by gambling, his ability to predict horse race winners, makes this line of work easy pickings, accept there is a gang of thugs on to his abilities and want a cut of the pie.

Whether Alex is rescued or not is up for discussion, but he is whisked off to a campus and persuaded to work once again under his protege Dr Novotny in a project funded by the government. This project is to enter people's dreams, they then have the ability to alter the dream, curing night terrors etc. Something sinister is lurking though, otherwise we wouldn't have a movie.

Despite its obvious flaws, it is quite a solid flick and would be enjoyed by any sci-fi enthusiast. The cast are brilliant including Kate Capshaw as the beautiful Jane DeVries, David Patrick Kelly as the creepy Tommy Ray Glatman and a host of other names you'll recognise, Christopher Plummer, Peter Jason, George Wendt and Eddie Albert.

I might be a bit harsh to say the writing is bad, but there are enough kinks in its armour to say so, the flow is definitely off, whether this is due to writing or editing I don't know. It is a very good story, and it is as if there was a much bigger plan, but maybe money or something else got in the way of executing exactly what was wanted, it felt like it had lost 30 mins in the middle somewhere. All in all, a good watch.

Cheese moment: Not the cheesiest of films, but it has its moments. The scene when he is being chased by the govt agents, they are on foot while he is on a motorbike.

There's a fair amount of 80s style imagination and panache to be found in this nifty combination of sci-fi, thriller, and political intrigue. It's got a hell of a good cast and a more than capable director, Joseph Ruben, who'd started out in exploitation films and later turned out the solid sleeper "The Stepfather" as well as mainstream fare such as "Sleeping with the Enemy". Its premise may be too close to "A Nightmare on Elm Street" in some ways, but at least the political element helps it to stand apart.

Dennis Quaid, at the peak of his charisma, plays Alex Gardner, a psychically gifted young man who would rather use his gifts for self- gain but reluctantly agrees to help old pal Paul Novotny (ever delightful Max von Sydow) who's developed a revolutionary dream therapy program. It seems that now people like Alex can be inserted into the nightmares of others, and help them to deal with them. However, there's a smooth but cold government man (a chilling Christopher Plummer) who has sinister motives for supporting this program.

Wonderful visual design is just one of the hooks of this story; the nightmares each get their own "dream tunnel", for one thing, and for another, the bleak post-apocalyptic landscape of which the President (Eddie Albert) dreams and the skewed images experienced by young Buddy (Cory "Bumper" Yothers) are very well realized. The special effects are eye popping, and things do get pretty grim and gory (a heart is ripped out of a chest). One of the highlights of the movie is the nefarious Snakeman, a monster brought to life through a combination of stop motion and an actor (Larry Cedar) in a costume. The music is cheesy electronic stuff, which is kind of surprising considering that the composer is the great Maurice Jarre. There's some witty dialogue, and a steamy subplot involving Alex and the young Dr. Jane DeVries (Kate Capshaw, who's lovely but sporting some real 80s hair here).

The cast couldn't be better; also appearing are the eternally amusing David Patrick Kelly as weaselly little psychopath Tommy Ray, George Wendt as a horror novelist who snoops around, and character actors such as Redmond Gleeson, Peter Jason, Chris Mulkey, Madison Mason, and Brian Libby. Also, Ruben keeps the pacing consistent and the big showdown between Alex and Tommy Ray is a set piece worth waiting for.

With all of this going for it, "Dreamscape" is a totally engrossing diversion that may be very much of its time but still does a good job of entertaining the viewer.

Eight out of 10.