A Christmas Carol

This underrated version of the Dickens classic is, if not the most faithful to the book, the most faithful to the truths of Victorian England. This version draws less from the jollity of Dickens' earlier Christmas works, and more from his later, darker works (such as "Bleak House"). It is packed with details which ground it in a sort of reality that the earlier, more fanciful versions ignore. The streets are dirtier, the people are more miserable, and for perhaps the first time in film history, you can understand why people hate Scrooge so much. George C. Scott is outstanding in this version: his Scrooge is spiteful, cruel, and virtually irredeemable. Tiny Tim looks like a choleric orphan who could literally drop dead at any given moment. My favorite aspect of this production is how people react to Scrooge's transformation at the end. Rather than following the standard "Hooray, he's nice now!" change of heart, all the characters regard Scrooge with understandable suspicion and disbelief. While it may not be the best to warm your cockles on a cold Winter's eve, this version is at least the closest to Dickens' view of humanity.

Christmas Carol, A (1984)

**** (out of 4)

George C. Scott plays Scrooge in this made for TV version of the classic Dickens story. I've seen quite a few of these films based on the famous story and I think this one here has become my favorite. This is an incredibly beautiful, eerie and very touching version of the story, which is pitch perfect from start to finish. What really separates this film from other versions is the terrific look, which really feels authentic and sets up the story well. Every single scene is full of wonderful detail and the colors, cinematography and lighting are perfect throughout. Another wonderful thing are the performances, which are all brilliant from Scott to the smallest person in the film. Scott really does a great job in the role and he perfectly captures the coldness of the character and he brilliantly pulls off the final act of his breakdown and new life. The supporting cast is equally great with Frank Finlay as Marley's Ghost, Angela Pleasence as Ghost of Christmas Past, Edward Woodward as Ghost of Christmas Present, David Warner and Susannah York as Bob Cratchit and his wife and Michael Gough as Mr. Poole. The film has an incredibly warm heart and captures the morals of the story very well but it's also quite creepy during the ghost sequences.

The 1984 TV version of Charles Dickens' A Christmas Carol is a joyous thing. Fronted by George C. Scott as the infamous Ebenezer Scrooge, Clive Donner's movie pays great respects to the source material and garners a multi stranded piece of brilliance out of Scott. The characters of course remain the same, but headed by Scrooge having a complex and painful background and a persona of confused emotions, there's meaty substance holding the movie up high. Donner and writer Roger Hirson retain the black heart of the source story, with the horror elements suitably effective to bother the children, while the Victorian atmosphere always feels – crucially – authentic.

If you haven't seen this version of the often filmed tale, put it on your list for next yuletide. 9/10

Once again a retelling of the classic Charles Dickens novella. This time made directly for television, yet starring George C. Scott in the role of Ebenezer Scrooge. And over the years it has become one of the most well-known adaptations of the original tale. And for a reason, I say.

The original story is of course wonderful. An old miser gets haunted by his old partner, who in turn warns that he's about to be visited by three ghosts in the course of the night in order to teach him about the perils of his miserly nature. The ghosts of Christmas Past, Present and Yet-to-Come are once again brilliantly represented, managing to drive the point of giving and sharing in, but the real star of the show has to be George C. Scott as Scrooge. The sheer talent and charisma of this man is by itself enough to carry a movie. The scene where he meets his remaining family after he has repented is easily one of the most poignant in the entire film and made possible solely through the talent of Scott.

Not to say that the rest of the film is in any way inferior. Quite the opposite. Despite being made directly for television, it impresses with its technical aspects and with the talents of its actors. Just goes to show that the spirit of Christmas brings out the best in all of us.

Quite worth seeing.

Exceptional acting. George C. Scott's center stage personality wasn't overcoming nor weak. Rarely does a TV movie get so many points of movie artistry correct. Some camera movements were wobbly, however they were not objectionable. Family safe, some of the graveside scenes are a little dark, but not in visual or any language, just in a screeching sound with the last sprit. This story flows with the excellent editing and support actors. It is on my 5 movie list for the Christmas season. I have not seen this movie in the blue ray section, would consider the superior picture versus a typical DVD. Somehow I couldn't place the actress playing Mrs. Cratchet, her voice was familiar, Susannah York. Read in the IMDb she died of cancer, a real loss.