Cita a ciegas

An average thriller about a stalker who goes blind after hitting his head on a tree while being chased by an angry boyfriend. He gets implanted with a chip that lets him see in vague computer graphic outline. Meanwhile a killer is experimenting on female victims. This film is nothing that special except for geeks, which should see it because it has Marina Sirtis (Star Trek: TNG's Diana Troy) topless in it. Oh and Kristie Alley has a nude love scene in it as well, but I'm not too fond of her.

Omega DVD extras: The films of Nico Mastorakis:part one-From the beginning to "Sky High" (for parts 2 and 3 you have to get 2 more of Nico's films..greedy bastard) ; 2 Music tracks; Filmographies; Bios; Theatrical trailer; Trailers for "In the Cold of the Night", "Sky High", "Bloodstone", and ".dot com for Murder"

My Grade: C-

This is an excellent film. The thing that struck me first was that this was a serial killer flick in which the police hardly figure at all, you see them once or twice from a distance. You have two stories running in parallel until finally, and inevitably, they cross.

The second thing that really got me thinking is that our agent of justice probably got the wrong man. The evidence we have is far too circumstantial and would have been thrown out by any right minded jury, if the judge had not already dismissed the case.

Was the real killer driving the cab from which Kirstie Alley's character fled?

The character of Jonathan Ratcliff is interesting because, whatever his virtues might be, he is also a stalker. And we discover that when he is blinded there is no physical reason for his disability. On some subconscious level he has chosen not to see, and when he is given a device which enables him to see, after a fashion, it is in black and white and works on the same principle as sonar, that is it reflects back the signals he sends. He no longer sees the whole picture, and neither do we.



The concept of blind Justice is on one level a reassuring one since everyone is equal irrespective of race, creed, power etc.. However, on the other hand, Justice is blind! This could mean that it cannot differentiate between the innocent and the guilty.

In the film the character of Jonathan Ratcliff is living out a fantasy, when at the end he is asked by the woman he has just 'rescued' what his name is he replies, 'A friend': like a guardian angel or a comic book superhero. He is a voyeur who has been forced to take a role, to follow a destiny and he shapes that destiny himself.

The film itself is well put together and there are some wonderful Hitchcockian touches, especially in the way it exploits the blindness of the central character and the limitations and possibilities of the electronic device that substitute for his eyes.

I rate this film 8 out of 10, very thought provoking.

Blind Date tells the story of Jonathon Radcliffe, who on recovering from an accident that left him without sight, finds himself an integral part in the mystery of a series of grisly murders in Athens.

Nico Mastorakis is one of the best cult film makers of the eighties, and its for movies like this that show why.

A brilliantly subtle Hitchcokian idea, but better, it is full of interesting scenes, if not suspenseful moments. The acting is good but is brought down by the performances of the killer's targets.

Not for everyone, but a real overlooked classic.

I only want to know what happened to the proposed sequel promised at the end, that says Jonathon Radcliffe will return in 'Run, Stumble and Fall.'

Blind Date is a unique giallo flick with a decent amount of substance. It follows the story of Johnathan Ratcliff whose life is changed dramatically when he loses his sight in an accident, but he's lucky that an experimental sonar device has been created which when installed restores their sight. He agrees and becomes the first to try this new technology. This happens while around the city an un-named killer armed with a surgical scalpel murders beautiful women.

This is probably the best out of the work I've seen from Nico Mastorakis, his direction and camera work is very polished on this film. The killings are very tame and the visual effects for John's point of view are dated by today standards, but those aspects don't take away from the film. The Hitchcock styled story with a mix of Sci-Fi is excellent and where the movie shines. The performances from the actors in this flick aren't the most memorable but, some acting is bad from the minor characters however the leads serve their roles and do a good job. I found myself losing interest in the film at some moments but it would quickly draw me back in.

You could do a lot worse when picking an 80's horror thriller, especially considering it's currently free with prime. So I'd recommend this flick if you enjoy B-movies of this style.

Director Nico Mastorakis had a moderately posh budget for once and was able to give this little techno thriller a nice glossy look, plus he proved somewhat prophetic when a few of his ideas regarding the central gimmick - a radar-like device that allows a blind person to 'see' via reflected sound - actually appeared in medical devices within a few years. Mastorakis, as usual, shows a good photographic eye for interesting backdrops, found objects, cityscapes etc. often from oddly skewed angles.

Moreover, the movie is an underground legend among video geeks who pursue gratuitous nudity by female TV stars. Marina Sirtis has a brief but memorable topless appearance as a hooker and Kirstie Alley features in her only nude sex scene. Infamous murder victim Lana Clarkson co- stars as the object of a stalker.

Beyond such prurient considerations, however, there is not a whole lot here that we didn't see fairly often in any 80s thriller. There are fights, car chases and foot pursuits (with the admittedly novel twist that one participant is a technologically augmented blind person). This was familiar stuff then and has gained no new freshness with age.