CALIFICACIÓN DE IMDb
5.8/10
5.2 k
TU CALIFICACIÓN
Estudiante de prepa se prostituye en secreto. Sus únicos familiares son colegas trabajadoras. Debe sobrevivir a un asesino serial que las ataca.Estudiante de prepa se prostituye en secreto. Sus únicos familiares son colegas trabajadoras. Debe sobrevivir a un asesino serial que las ataca.Estudiante de prepa se prostituye en secreto. Sus únicos familiares son colegas trabajadoras. Debe sobrevivir a un asesino serial que las ataca.
- Dirección
- Guionistas
- Elenco
- Premios
- 1 premio ganado en total
Joshua Cadman
- Spike
- (as Josh Cadman)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Is it the best movie ever made? No. Is it one of the of the funniest of this genre? Yes. Definitely a must see. The story is a young prostitute meets murderer, but the supporting cast is what makes this a gem. The supporting cast includes: Rory Calhoun, as an aging western film star who still wears his holsters, boots and hat, and protects the streets; Dick Shawn as a transvestite with a heart and in one of his most hilarious roles - this was really Oscar stuff - just fun acting, no stuffiness here; and Susan Tyrrell, who steals the picture as a jaded Hollywood woman with more makeup that a tv evangelists wife. This is a film for a time when you really need to be entertained, not preached at, the film is a gas. Great late night fun flick for a group of friends. Really well done.
Sure this is an over the top '80s sleazefest. Sure you might groan while watching it, but no film captured the sex-ridden heart of the sunset strip in the mid-80s better than this film.
The lovely Donna Wilkes is just sooo sweet as Angel, you can't help but feel for her in this movie, no dad, Mom just leaves for some guy! ouch! So she hooks up with wacked-out cowboy Rory Calhoun, wonderfully spoofing his own career. A cross-dresser with heart, Dick Shawn and a landlady who looks like Punk-X, the always welcome Susan Tyrell. But even when enjoying this weird dysfunctional "family" you know she needs something better. A serial killer, and a real sick bastard at that, on the loose just heightens the suspense. this is great shlock!
The lovely Donna Wilkes is just sooo sweet as Angel, you can't help but feel for her in this movie, no dad, Mom just leaves for some guy! ouch! So she hooks up with wacked-out cowboy Rory Calhoun, wonderfully spoofing his own career. A cross-dresser with heart, Dick Shawn and a landlady who looks like Punk-X, the always welcome Susan Tyrell. But even when enjoying this weird dysfunctional "family" you know she needs something better. A serial killer, and a real sick bastard at that, on the loose just heightens the suspense. this is great shlock!
Released to critical assault(and one surprisingly enthusiastic review from Roger Ebert), ANGEL managed to glean wide audience appeal and raked in the dough. It was ingeniously marketed- "High School Honor Student by Day/Hollywood Hooker by Night" was the memorable tagline, featured with ad images of a knee-socked high school pigtailer and her high-heeled "come-hither-with-cash-in-hand" alter-ego. Our sympathetic young heroine is played on-target by Donna Wilkes(looking a hell of a lot sexier than she did on TV's HELLO LARRY a few years earlier). An eccentric supporting cast(Tyrrell and Calhoun, most notably) shine as various "creatures of the street"
On the surface, it's a fairly conformable psycho-slasher crime picture with a heapin' helping of tittie and some very dodgy scenarios. But there's a distinct tongue-in-cheek subtly underlying the obvious pastiche of ANGEL, implying a wry sendup of the base material. Too, it joyously celebrates its own trashy nature with a good sense of humor about itself, yet still maintains a steady momentum of raw tension, violent action, and crisp direction.
With the surprising box office this film generated, a string of inferior but inevitable sequels followed(without the lovely Ms. Wilkes). Next up was AVENGING ANGEL.
7.5/10
On the surface, it's a fairly conformable psycho-slasher crime picture with a heapin' helping of tittie and some very dodgy scenarios. But there's a distinct tongue-in-cheek subtly underlying the obvious pastiche of ANGEL, implying a wry sendup of the base material. Too, it joyously celebrates its own trashy nature with a good sense of humor about itself, yet still maintains a steady momentum of raw tension, violent action, and crisp direction.
With the surprising box office this film generated, a string of inferior but inevitable sequels followed(without the lovely Ms. Wilkes). Next up was AVENGING ANGEL.
7.5/10
While not being a Hollywood triumph, Angel is a wonderful film. Showing life on the streets is a large premise of the film, it takes care to preserve some humor as well. Not in the sense that it is a funny movie, as it is not; but it shows life as... well, life.
As most people who watch movies can relate, the enjoyment of a movie is not as a critic would describe. If you can feel the emotions of the characters, you can love them. If you can relate to the characters, you can befriend them. If you can care about the characters, the writers did their job, and you are now hooked. While Angel will not likely be a model in film school as one of the great classics, nor as an example of how to make a great movie, it is a highly entertaining film. You can feel the characters, even though they are not deeply constructed. The exception being Angel herself, whom you can see the wear and tear she goes through as an honor student and a prostitute.
I firmly believe that there is a message to be heard here, a storyline full of life, fun and adventure. Granted, it is not the best kept together, it does do the trick of conveying the message of the story across. The film allows you to care for the star, feel for the star, and cry with the star. A compassionate film that has supporting cast as abstract as could be, a little far fetched, maybe... but who really knows what kind of characters are really out there on the streets. But their conveyances of who they are allows you to realize their sense of why they are there. They are scared, they need the money, or they love it. Each supporting role as different as the others, but allows you to see the richness of the film in its entirety.
I thoroughly enjoyed this film numerous times, and am sure that you will too. Regardless of critical un-acclaim, most filmgoers can still see the enjoyment in a movie. Give every movie a chance. Especially Angel, as it is one of the finer forms of the un-acclaimed heroes in rental today
As most people who watch movies can relate, the enjoyment of a movie is not as a critic would describe. If you can feel the emotions of the characters, you can love them. If you can relate to the characters, you can befriend them. If you can care about the characters, the writers did their job, and you are now hooked. While Angel will not likely be a model in film school as one of the great classics, nor as an example of how to make a great movie, it is a highly entertaining film. You can feel the characters, even though they are not deeply constructed. The exception being Angel herself, whom you can see the wear and tear she goes through as an honor student and a prostitute.
I firmly believe that there is a message to be heard here, a storyline full of life, fun and adventure. Granted, it is not the best kept together, it does do the trick of conveying the message of the story across. The film allows you to care for the star, feel for the star, and cry with the star. A compassionate film that has supporting cast as abstract as could be, a little far fetched, maybe... but who really knows what kind of characters are really out there on the streets. But their conveyances of who they are allows you to realize their sense of why they are there. They are scared, they need the money, or they love it. Each supporting role as different as the others, but allows you to see the richness of the film in its entirety.
I thoroughly enjoyed this film numerous times, and am sure that you will too. Regardless of critical un-acclaim, most filmgoers can still see the enjoyment in a movie. Give every movie a chance. Especially Angel, as it is one of the finer forms of the un-acclaimed heroes in rental today
On watching "Angel", one gets the impression that the movie could have gone one of two ways and been successful - had the filmmakers made enough of an effort. Sadly, the results are somewhat underwhelming. The most obvious way the movie could have gone is down the exploitation route. Surprisingly, there is very little that could be considered that - foul language is almost non-existent, the nudity is generally fleeting and never presented in an erotic manner, violence is not explicit, and not once we never see our heroine seriously involved in her "trade".
The other route the movie could have gone down is presenting the situation in a serious manner. Unfortunately, not much is done this way as well. We have crazy characters, but they really don't do much, nor do we learn much about them. Street life is also presented to be overall not a bad way to live. There are some believable complications that come up in the heroine's life, but once they come up they are barely dealt with. Possibly the reason for this is that the movie seems cut down seemingly from a longer cut. It would also explain why the movie at times jumps unbelievably quick from scene to scene before anything of real importance has the chance to come up.
The movie still remains strangely watchable all the same. Still, one cannot help but see so much wasted potential.
The other route the movie could have gone down is presenting the situation in a serious manner. Unfortunately, not much is done this way as well. We have crazy characters, but they really don't do much, nor do we learn much about them. Street life is also presented to be overall not a bad way to live. There are some believable complications that come up in the heroine's life, but once they come up they are barely dealt with. Possibly the reason for this is that the movie seems cut down seemingly from a longer cut. It would also explain why the movie at times jumps unbelievably quick from scene to scene before anything of real importance has the chance to come up.
The movie still remains strangely watchable all the same. Still, one cannot help but see so much wasted potential.
¿Sabías que…?
- TriviaDonna Wilkes was 23 years old when she played the 15-year-old high-school student/prostitute.
- ErroresDuring the final chase scene, Molly/Angel is using a large-caliber, long-barreled revolver which should chamber a maximum of six shots. She fires six times during the chase. Then the gun is taken away from her and fired a seventh time. There is no indication that she was carrying extra rounds, or stopped to reload if she had.
- Citas
Patricia Allen: Listen, fuck-face! I used to work for the city health department and you got so many violations in this flea trap that one phone call downtown would put your ass in court so fast you wouldn't have time to wipe it, let alone pull your pants up. Do you get my drift?
- Versiones alternativasThe version sometimes shown on commercial televison contains footage omitted from the theatrical release, most notably the epilogue sequence. In this scene, Lt. Andrews is driving Molly to his parents' house, where she'll now be living. Another scene that takes in the police station has Molly returning to Lt. Andrews' office to apologize for a rude remark ("You're just a damn cop!") she made earlier.
- Bandas sonorasSomething Sweet
Written by Pamela Neal, Bernard Dunaux, Matt Preble and Bebe Cross
Performed by The Allies
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- How long is Angel?Con tecnología de Alexa
Detalles
Taquilla
- Presupuesto
- USD 1,300,000 (estimado)
- Total en EE. UU. y Canadá
- USD 17,488,564
- Fin de semana de estreno en EE. UU. y Canadá
- USD 2,214,824
- 15 ene 1984
- Total a nivel mundial
- USD 17,488,564
- Tiempo de ejecución
- 1h 34min(94 min)
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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