Ángel, una colegiala diferente

"Angel" can be summed up in one word "entertaining", and nothing else really matters. The story has all the makings of a lurid sexploitation film, with it's high school honor student, hooker, connection, plus a little necrophilia thrown in for good measure. It would be a mistake however to dismiss "Angel" as just another catering to "old men in raincoats" movie. Supporting characters Dick Shawn, Rory Calhoun, and Susan Tyrrell, add immeasurably, as do the seedy Hollywood Boulevard locations. Many movie stereotypes are represented including, female revenge with a big gun, gratuitous nude shower scenes, high school jocks and geeks, but it all pulls together with witty dialog and excellent character development. Even the killer, who doesn't speak until the end, is memorable. - MERK

As part of my preparation for the release of Ti West's third film in his X trilogy, MAXXXINE, I'm revisiting my favorite sleazy 80s crime thrillers, such as 10 TO MIDNIGHT and VICE SQUAD. ANGEL was another favorite in this disreputable subgenera, which boasted the hard-to-ignore tagline on the VHS box, "High School Honor Student by Day. Hollywood Hooker by Night." 25-year-old Donna Wilkes plays 15-year-old prostitute Molly 'Angel' Stewart, and ANGEL would have been an interesting enough film watching her managing her two secret lives, but throw in a necrophiliac serial killer played by John Diehl (MIAMI VICE, STRIPES, THE SHIELD, etc.) and you have an enthralling trashy melodrama and thriller rolled into one! But wait, there's more! You also get a crossdressing Dick Shawn (THE PRODUCERS, IT'S A MAD, MAD, MAD, MAD WORLD) as Mae, a trans prostitute who is a mother figure to Angel, Susan Tyrell (FAT CITY, CRY-BABY, FORBIDDEN ZONE) as Angel's butch lesbian landlord who Angel has convinced her mother is bedridden and simply cannot ever come to the door, and Rory Calhoun (HOW TO MARRY A MILLIONAIRE, MOTEL HELL) as a street performer impersonating Kit Carson. The colorful panoply of Hollywood Blvd. Street life has a bit of a Wizard of Oz or Alice in Wonderland vibe to it, albeit a more "downtown" version, but in ANGEL, instead of a Wicked Witch, there's a psychotic killer knocking off hookers. John Diehl nearly steals every scene he's in as the deranged killer, but it's the way the disparate denizens of the LA streets pull together to support one another that gives this sordid film more of a heart than most films of its ilk. Steven M. Porter is particularly moving as Yoyo Charlie, a street performer who does magic while dressed as Charlie Chaplin. It's this "found family" element to the street people of ANGEL that set it apart from similar films. Don't get me wrong, this film is an utter sleaze-fest, but there's a charm to ANGEL you don't typically get in these sorts of films, which makes it one of the better examples of this subgenera, though VICE SQUAD is still the best example.

It seems strange to label an exploitation cheapie like this as heartwarming, but Angel does attempt to tug at the heartstrings a bit and it mostly works. The street characters are a charming group of social outcasts and the film's message about creating your own family is moving.

All of this warmth is dribbled over a not unusual, but still exciting "killer targeting sex workers" story. It works.

Released to critical assault(and one surprisingly enthusiastic review from Roger Ebert), ANGEL managed to glean wide audience appeal and raked in the dough. It was ingeniously marketed- "High School Honor Student by Day/Hollywood Hooker by Night" was the memorable tagline, featured with ad images of a knee-socked high school pigtailer and her high-heeled "come-hither-with-cash-in-hand" alter-ego. Our sympathetic young heroine is played on-target by Donna Wilkes(looking a hell of a lot sexier than she did on TV's HELLO LARRY a few years earlier). An eccentric supporting cast(Tyrrell and Calhoun, most notably) shine as various "creatures of the street"

On the surface, it's a fairly conformable psycho-slasher crime picture with a heapin' helping of tittie and some very dodgy scenarios. But there's a distinct tongue-in-cheek subtly underlying the obvious pastiche of ANGEL, implying a wry sendup of the base material. Too, it joyously celebrates its own trashy nature with a good sense of humor about itself, yet still maintains a steady momentum of raw tension, violent action, and crisp direction.

With the surprising box office this film generated, a string of inferior but inevitable sequels followed(without the lovely Ms. Wilkes). Next up was AVENGING ANGEL.

7.5/10

Sure this is an over the top '80s sleazefest. Sure you might groan while watching it, but no film captured the sex-ridden heart of the sunset strip in the mid-80s better than this film.

The lovely Donna Wilkes is just sooo sweet as Angel, you can't help but feel for her in this movie, no dad, Mom just leaves for some guy! ouch! So she hooks up with wacked-out cowboy Rory Calhoun, wonderfully spoofing his own career. A cross-dresser with heart, Dick Shawn and a landlady who looks like Punk-X, the always welcome Susan Tyrell. But even when enjoying this weird dysfunctional "family" you know she needs something better. A serial killer, and a real sick bastard at that, on the loose just heightens the suspense. this is great shlock!