Una fuerza élite de misiones especiales combate a las fuerzas terroristas de Cobra.Una fuerza élite de misiones especiales combate a las fuerzas terroristas de Cobra.Una fuerza élite de misiones especiales combate a las fuerzas terroristas de Cobra.
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G.I. Joe, when I hear this word, my thoughts are going back to my early childhood when I was watching the great heroes defeating the "Free West threatening" enemy COBRA. And after I watched it, I always started to play with my G.I. Joe toys. I was building ambushes with the G.I. Joe action figures and when the COBRA forces came through it was always big fun. Throwing around the action figures, making noise and stuff like that. And the coolest character of G.I. Joe was Ponton. Everybody who watched this series knows Ponton. He was the best specialist en he just looked very cool. Too bad, in Europe aren't very much people who like G.I. Joe. They say that G.I. Joe is an "anti-Russian" and "arrogant American product". I don't mind what those hanger-ons say, I just want to say: G.I. Joeoeoeoeo!!!!!!!
G.I. Joe(1984) is a show that I really enjoyed when it was on television. Its one of the few cartoons of the 1980s that I have fond memories of. It was a good promotional gig for the people who sold the toy figures. I'm shocked that nobody has made a live action version of G.I. Joe(1984) as the people in Hollywood seem to do with every other cartoon that was popular during the 1980s. G.I. Joe(1984) belongs to one of the best era in television animation.
I love this series. I developed an interest in it a couple of years ago and I've loved it ever since. THe battle between Joe and Cobra is very entertaining with colourful characters on both sides. I first saw the show when I was a kid. That was when the show was named ACTION FORCE in the UK. I now have the movie on video and the first half of Season One on DVD. The show has not disappointed me so far.
There's great voice work from 80s voice maestros like Chris Latta and Neil Ross. The humour in the show is very appealing as well as there are constantly petty power struggles in the Cobra ranks. Perhaps the introduction of Serpentor wasn't such a good idea, but the show still had good moments. I heard a rumour that there may be a real life GI JOE movie. I hope there will be. If it's based on the Devil'a Due comic that would be good because what I've seen of that comic is great. Here's hoping.
There's great voice work from 80s voice maestros like Chris Latta and Neil Ross. The humour in the show is very appealing as well as there are constantly petty power struggles in the Cobra ranks. Perhaps the introduction of Serpentor wasn't such a good idea, but the show still had good moments. I heard a rumour that there may be a real life GI JOE movie. I hope there will be. If it's based on the Devil'a Due comic that would be good because what I've seen of that comic is great. Here's hoping.
It's remarkable that people in the 80s were inventive enough to make a series this rich in appeal and character, just to sell toys! I returned to this show after nearly fifteen years' absence, expecting it to be bland and lacking the rosy tint that so often glorifies childhood TV shows. I was in for a surprise when I rented a 4-episode video from the local Blockbuster. This show is just as good, if not better than it was.
The Joes are likable, but the villains are the eye-catcher here. Cobra Commander, Destro, the Baroness, and Zartan are delightful and give the enemy cause such charm that one is secretly disappointed when they consistently bungle their schemes for world domination. Cobra Commander is the easy favorite for his arrogant and hypocritical personality, and his passion for the job is what really makes the show work. He is much more honest, expressive, and intense about his goals than any of the "Good Guys." Then we have Destro, who is the "Straight Man" of Cobra: smart and level-headed, ever-irritated with Cobra Commander's foolishness, but forced to go along with the program.
Rounding out the enemy ranks are a host of clever characters like Zartan and Stormshadow, and the Lady in the Boys' Club: The Baroness with her intelligence and subtle sensuality, but just as much fire as any of her coworkers. Definitely puts the "bra" in Cobra and is one of many examples of what a fair and politically correct show this is. And the gals don't wear PINK, folks! Also you will generally not see a light/dark stereotype happening for good and evil in GI Joe. The Cobras and Joes are all multicultural and all dressed in random color arrangements. In fact it is even Cobra's ninja who dresses in white and the Joe's who dresses in black, and Cobra Commander and his troops are in red and blue. They reversed the color stereotypes that virtually every other cartoon series has strictly adhered to; This show is about good vs. evil, NOT light vs. dark.
Now of course, it's not *perfect.* The Joes are often too good to be human, meaning that their triumph and infallible integrity seem to set their meters at "Superhuman" rather than, ironically enough, "Average Joe." And you just can't feel for Perfect People as much as you can for regular morons who can't catch a break. Unwavering integrity means that the Joes' dialog rarely strays from The Course: cooperation and scout-inspired helpfulness.
This is unlike the Cobra characters, who are sometimes almost friendly and helpful with each other, then critical and insulting, then with unspoken consensus.Sometimes united in their smugness, other times in conflict about the correct course of action. The Cobras are more like real people, because they are not so perfect that they can't fail, or get enraged, or be confused or combative, and these states allow them a lot of interesting and character-deepening dialog. The Joes' limited emotional expression also limits their dialogue, and requires the "space" to be filled up. And GI Joe Filler is really awful. It is long strings of clichés and dumb metaphors that only make the Joes seem even more like ciphers.
However, this is a great show because it depicts the struggle between good and evil (even though you may find yourself disappointed when the good guys win), and it does it with a style and maturity that blows modern cartoons out of the water. Yes, there are cheesy moments and some bad lines. There is the type-cast "Dignified Indian" character who isn't allowed to escape camera range without posing serenely and imparting something profound and prophetic and overwhelmingly Indian, while his bald eagle with inexplicably white wing feathers and brown tailfeathers perches nobly on his shoulder. And it doesn't make sense that the foley people were able to find genuine stock effects for said eagle and other animals such as cougars and crows and lions, but a *person* had to perform the whining and growling and barking for the Rottweiler in the show. And no one will ever understand how you can run through a dense barrage of laser fire without being grazed in the slightest, or parachute safely through the fireball of an exploding helicopter without the flames damaging the chute.
But "GI Joe" is a nostalgic and wonderful TV show. It is full of goodness and morals, of justice and fair play winning the day over greed and cruelty. It is the shining example of what a better world TV provided for "80s Kids," what strong lessons it taught because it was intense and riveting. Every child everywhere would grow into a better adult for watching "GI Joe". They were what they claimed to be: "Real American Heroes" and stood for everything that parents continue to try to instill in their kids. They didn't pull punches; they told the whole story, violence and all, because to take that from it would detract from the power of the message: that we must fight evil, for the benefit of all people.
I think I read it here, that "80s kids were made of tougher stuff"? And they were. And better stuff, too. Because they were built on shows like this.
The Joes are likable, but the villains are the eye-catcher here. Cobra Commander, Destro, the Baroness, and Zartan are delightful and give the enemy cause such charm that one is secretly disappointed when they consistently bungle their schemes for world domination. Cobra Commander is the easy favorite for his arrogant and hypocritical personality, and his passion for the job is what really makes the show work. He is much more honest, expressive, and intense about his goals than any of the "Good Guys." Then we have Destro, who is the "Straight Man" of Cobra: smart and level-headed, ever-irritated with Cobra Commander's foolishness, but forced to go along with the program.
Rounding out the enemy ranks are a host of clever characters like Zartan and Stormshadow, and the Lady in the Boys' Club: The Baroness with her intelligence and subtle sensuality, but just as much fire as any of her coworkers. Definitely puts the "bra" in Cobra and is one of many examples of what a fair and politically correct show this is. And the gals don't wear PINK, folks! Also you will generally not see a light/dark stereotype happening for good and evil in GI Joe. The Cobras and Joes are all multicultural and all dressed in random color arrangements. In fact it is even Cobra's ninja who dresses in white and the Joe's who dresses in black, and Cobra Commander and his troops are in red and blue. They reversed the color stereotypes that virtually every other cartoon series has strictly adhered to; This show is about good vs. evil, NOT light vs. dark.
Now of course, it's not *perfect.* The Joes are often too good to be human, meaning that their triumph and infallible integrity seem to set their meters at "Superhuman" rather than, ironically enough, "Average Joe." And you just can't feel for Perfect People as much as you can for regular morons who can't catch a break. Unwavering integrity means that the Joes' dialog rarely strays from The Course: cooperation and scout-inspired helpfulness.
This is unlike the Cobra characters, who are sometimes almost friendly and helpful with each other, then critical and insulting, then with unspoken consensus.Sometimes united in their smugness, other times in conflict about the correct course of action. The Cobras are more like real people, because they are not so perfect that they can't fail, or get enraged, or be confused or combative, and these states allow them a lot of interesting and character-deepening dialog. The Joes' limited emotional expression also limits their dialogue, and requires the "space" to be filled up. And GI Joe Filler is really awful. It is long strings of clichés and dumb metaphors that only make the Joes seem even more like ciphers.
However, this is a great show because it depicts the struggle between good and evil (even though you may find yourself disappointed when the good guys win), and it does it with a style and maturity that blows modern cartoons out of the water. Yes, there are cheesy moments and some bad lines. There is the type-cast "Dignified Indian" character who isn't allowed to escape camera range without posing serenely and imparting something profound and prophetic and overwhelmingly Indian, while his bald eagle with inexplicably white wing feathers and brown tailfeathers perches nobly on his shoulder. And it doesn't make sense that the foley people were able to find genuine stock effects for said eagle and other animals such as cougars and crows and lions, but a *person* had to perform the whining and growling and barking for the Rottweiler in the show. And no one will ever understand how you can run through a dense barrage of laser fire without being grazed in the slightest, or parachute safely through the fireball of an exploding helicopter without the flames damaging the chute.
But "GI Joe" is a nostalgic and wonderful TV show. It is full of goodness and morals, of justice and fair play winning the day over greed and cruelty. It is the shining example of what a better world TV provided for "80s Kids," what strong lessons it taught because it was intense and riveting. Every child everywhere would grow into a better adult for watching "GI Joe". They were what they claimed to be: "Real American Heroes" and stood for everything that parents continue to try to instill in their kids. They didn't pull punches; they told the whole story, violence and all, because to take that from it would detract from the power of the message: that we must fight evil, for the benefit of all people.
I think I read it here, that "80s kids were made of tougher stuff"? And they were. And better stuff, too. Because they were built on shows like this.
GI Joe was essentially an advertisement for the toys; it, like the comic, was designed to tie in with the toy line, to support the storyline of the comic and toys, and to introduce new characters and vehicles.
Given the constraints of the advertising medium, the show was pretty good. The characters seemed to develop over time, and there were identifiable (and diverging) personalities. Unfortunately, GI Joe suffers from the same problem may other cartoons that depict battle show; no one gets hurt or killed.
I don't want to sound like a sadist or cheap thrill seeker, but one would think that a show depicting two large armed forces continuously battling over the globe would suffer casualties. Planes were constantly shot down, but no one ever died. Highly unrealistic, and with Robotech showing at the same time, GI Joe lost its edge. It may have been more popular than Robotech, but couldn't maintain interest for very long. ...and then there's the episode where Cobra has a high-powered laser, and- no, doesn't try to destroy Joe- attempts to carve the Cobra logo onto the face of the moon. What an effective use of technology and power! Graffiti!
Given the constraints of the advertising medium, the show was pretty good. The characters seemed to develop over time, and there were identifiable (and diverging) personalities. Unfortunately, GI Joe suffers from the same problem may other cartoons that depict battle show; no one gets hurt or killed.
I don't want to sound like a sadist or cheap thrill seeker, but one would think that a show depicting two large armed forces continuously battling over the globe would suffer casualties. Planes were constantly shot down, but no one ever died. Highly unrealistic, and with Robotech showing at the same time, GI Joe lost its edge. It may have been more popular than Robotech, but couldn't maintain interest for very long. ...and then there's the episode where Cobra has a high-powered laser, and- no, doesn't try to destroy Joe- attempts to carve the Cobra logo onto the face of the moon. What an effective use of technology and power! Graffiti!
¿Sabías que…?
- TriviaLarry Hama provided character development for the series. He also wrote the file cards written on the back of the packaging of the G.I. Joe toy line. The files were short biographies of both the Joes and Cobra soldiers.
- ErroresIn some versions of the closing credits, voice actor Neil Ross' name is misspelled as "Niel Ross."
- Versiones alternativasThe versions of most episodes on the Region 1 DVD sets from Rhino Home Entertainment feature newly-added sound effects, incomplete/incorrect/missing animation, missing PSAs and incorrect main titles for season 1 episodes.
- ConexionesFeatured in Deception of a Generation (1984)
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Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- G.I. Joe: A Real American Hero
- Locaciones de filmación
- Van Nuys, Los Ángeles, California, Estados Unidos(Marvel Productions)
- Productoras
- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución30 minutos
- Color
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