Ever Decreasing Circles

What makes Ever Decreasing Circles so charming and fascinating ? Basically, it's the old world values of love and fidelity.

Martin, fastidiously played by Richard Briars, is a man struggling against his own mediocrity. We can all recognise his situation and the men whose lives mirror his, he tries so hard at everything but his best is never quite good enough, while the charmer Paul, oily played by Peter Egan, achieves everything with effortless ease.

It's a play and a counter-play of a man who struggles through life compared to a man who is gifted by nature.

What redeems Martin from a lifetime of ennui is that he is married to Anne, played by the simply gorgeous Penelope Wilton. Would be Hollywood actresses should note that Penelope Wilton manages to convey as much sex appeal through a smile as do many talentless actresses through heaving bosoms.

Anne is the rose in Martin's life and we are left with the feeling that Martin wakes up everyday thanking God for giving him such a wife.

What gives the show its appeal is that although Anne is undoubtedly attracted by Paul and his charm , she remains loyal to Martin.

Ever Decreasing Circles tells us that there is still a place for Fidelity in married life and the World.

Apart from Only Fools and Horses there is no better mainstream 80s comedy than this, on the surface it's the usual middle class suburban fare with clichéd characters but is a whole lot deeper, cleverer and funnier than that.

Richard Bryers gives his best comedy performance, quality support from Penelope Wilton and Peter Egan is well cast as his foil Paul. Then of course the shows light relief in the form of 'his and hers' outfits, Howard and Hilda.

The show exists in very ordinary unspectacular surroundings of a London suburb but no shame there, as thats pretty much the situation most of us live in. Much of the comedy derives from Martin Bryce's (Byrers) insecurity as he see's Paul as the threat to his quiet little corner of England.

Very popular on first airing (1984 ish) but now fairly unheard of and rarely repeated on UK terestrial television. Great Sit-com, not a huge classic but very watchable, especially for the ridiculously smooth Peter Egan and wound too tight Richard Briers.

I prefer this to the better-known _The Good Life_, in which Briers appeared with the adorable Felicity Kendal. Martin is maddening, the man who "means well" but takes everything to excess: a man of basic decency and love for his wife who manages to infuriate or confound all. Wilton is deft as the wife and and Egan superb as a neighbor and rival; "Howard & Hilda" provide further comedy as a devoted couple who don't always quite keep up. A funny commentary on life in community associations as well as marriage, commitment, and temptation.

Sorry to see this excellent series damned by faint praise in another review. A quiet home-counties close is the setting for some complex characters and relationships, brought out superbly by the principals, Richard Briers, Penelope Wilton and Peter Egan. Admittedly, Howard & Hilda were a bit two-dimensional, but that was kind of the point.

While stopping short of biting satire, it nevertheless touched nerves in suburban households in much the same way as the first Reginald Perrin series. The ability to make a character like Martin Bryce likable (well, occasionally) highlights the consummate skill of Briers, who has ranged from farce to the RSC with equal ease. At first it's hard to understand how the wonderful Anne (Penelope Wilton) married him, and yet eventually you see how it could happen. A poignant and very English comedy that should see the light of day again.