The Beiderbecke Affair

I recently bought the DVD set of the Beiderbeck Trio - amazingly good stuff. The first one, the Beiderbeck Affair, was made thirty years ago and still retains all its charm and gentle humour.

It pokes fun at pomposity and and in particular "the system" without any expletives or stupidity, a difficult thing to do.

Every word of dialogue is beautifully delivered and every shot is nicely framed, especially the high-level shots.

The two remaining shows maintain the same features - a joy from start to finish. Wish it had been longer.

The additional info booklet was very interesting as were the interviews and the splendid CD of the music tracks.

well I think the summary says it all.

casting, pace and content are excellent.

I almost purr with pleasure while watching

i also fancy Barbara Flynn something rotten

Adventures under the duvet pfwoooar

Nothing is ever perfect, but in the world of TV drama – Alan Plater's "The Beiderbecke Connection" gets about as close as you can. The show centres on two secondary school teachers – jazz fanatic Trevor Chaplin (James Bolam) & environmental activist Jill Swinburne (Barbara Flynn). The couple stumble on corruption in high places and reluctantly become involved.

The first thing you notice is that the story is quite weak. No twists to end each episode, no emotional crises to deal with. The show does have characters though. To supplement the main couple we get the mysterious Big Al (Terrence Rigby) and Little Norm (Danny Schiller). Colin Blakely and Dominic Jephcott appear are coppers at different ends of the progressive scale. Dudley Sutton is a teacher colleague of Chaplin's and Keith Marsh is a number of things including a wannabe supergrass.

The actors are important because rich characters need good actors. All of the above are very good but Bolam, Flynn, Rigby and Blakely are supreme. They "get" what Alan Plater wrote about and convey the characters perfectly. When venturing "out of left field" it is important not to overplay your hand. Writing and acting meet and when played correctly are a joy to behold.

So in each of the 6 episodes you take a journey through a slightly unusual yet still believable world inhabited by slightly unusual yet still believable characters. At the end of each episode you are left wanting more but are not left puzzling over any loose ends.

In keeping with the title there is also a jazz soundtrack which accompanies the show well.

Set in and around Leeds in the North of England, Trevor Chaplin and Jill Swinburne are teachers in a typical secondary school. Trevor is a jazz freak whilst Jill is an eco-activist. They stumble across some nefarious goings on in the local community and with the help of some unlikely characters solve a tangled web of corruption.

The humor in this show is absolutely top notch both in situations and dialog and although I have seen it a couple of times, it never seems to get stale. I love this show.

This was not the first outing for Alan Plater's schoolteacher detectives, who in 1981's Get Lost had been played admirably by Alun Armstrong and Frances Tomelty. However no-one could quibble with the re-casting. James Bolam effortlessly nails each line of the arch dialogue, while the talented Barbara Flynn has that rare quality of looking both believably ordinary and incredibly fanciable. Some wonderful British character actors also get plenty of screen time in what is effectively an ensemble piece. Colin Blakely, Keith Marsh, Danny Schiller, Robert Longden and Keith Clarke all do sterling work, but special mention must be made of Dudley Sutton's tweedy schoolmaster and Terence Rigby's saturnine Big Al, while Dominic Jephcott was a real find as the callow university educated detective. A beautifully constructed series, that remains as pertinent as ever in a society increasingly disrespectful of privacy and intolerant of eccentricity.